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Mueller takes an unflinching look at the alienation and complexity of a rapidly changing Eastern Europe, focusing on a group of young friends in Ceaucescu's Romania.
Two languages--German and Romanian--inform the novels, essays, and collage poetry of Nobel laureate Herta Müller. Describing her writing as "autofictional," Müller depicts the effects of violence, cruelty, and terror on her characters based on her own experiences in Communist Romania under the repressive Nicolae Ceau?escu regime. Herta Müller: Politics and Aesthetics explores Müller's writings from different literary, cultural, and historical perspectives. Part 1 features Müller's Nobel lecture, five new collage poems, and an interview with Ernest Wichner, a German-Romanian author who has traveled with her and sheds light on her writing. Parts 2 and 3, featuring essays by scholars from ...
'I've been summoned, Thursday, ten sharp.' So begins one day in the life of a young clothing-factory worker during Ceausescu's totalitarian regime. She has been questioned before, but this time she knows it will be worse. Her crime? Sewing notes into the linings of men's suits bound for Italy. 'Marry me', the notes say, with her name and address. Anything to get out of the country.As she rides the tram to her interrogation, her thoughts stray to her friend Lilli, shot while trying to flee to Hungary; to her grandparents, deported after her first husband informed on them; to Major Albu, her interrogator, who begins each session with a wet kiss on her fingers; and to Paul, her lover and the one person she can trust. In her distraction, she misses her stop and finds herself on an unfamiliar street.And what she discovers there suddenly puts her fear of the appointment into chilling perspective. Bone-spare and intense, The Appointment is a pitiless rendering of the terrors of a crushing regime.
A critical companion to the works of Herta Müller, winner of the Nobel Prize in Literature in 2009.
The end of World War II led to one of the most significant forced population transfers in history: the expulsion of over 12 million ethnic Germans from Central and Eastern Europe between 1945 and 1950 and the subsequent emigration of another four million in the second half of the twentieth century. Although unprecedented in its magnitude, conventional wisdom has it that the integration of refugees, expellees, and Aussiedler was a largely successful process in postwar Germany. While the achievements of the integration process are acknowledged, the volume also examines the difficulties encountered by ethnic Germans in the Federal Republic and analyses the shortcomings of dealing with this particular phenomenon of mass migration and its consequences.
Romania, the last months of the dictator's regime. Adina is a young schoolteacher. Paul is a musician. Clara, Adina's friend, works in a wire factory. Pavel is Clara's lover. But one of them works for the secret police and is reporting on the group. One day Adina returns home to discover that her fox fur rug has had its tail cut off. On another day, a hindleg. Then a foreleg. The mutilation is a sign that she is being tracked - the fox was ever the hunter. Images of photographic precision combine to form a kaleidoscope of reflections, deflections and deceit. Adina and her friends struggle to keep living in a world permeated with fear, where even the eyes of a cat seem complicit with the watchful eye of the state, and where it's hard to tell the victim apart from the perpetrator.
The protagonist of Herta Muller's Traveling on One Leg is Irene, a fragile woman born to a German family in Romania, who has recently emigrated from Romania to Germany. The novel focuses on Irene's relationship with three men: Franz, whom she met in Romania and who was unwilling to respond to her love for him; Stefan, a friend of Franz's; and Thomas, a bisexual bookseller in perpetual crisis. Despite being born to a German family, Irene's place in Germany is as a recent emigre and an unassimilated Romanian German. She feels neither longing for Romania nor any comfort in her newly adopted Germany. Politically and socially isolated, Irene moves within the emotional orbit of these three men, while at the same time moving between West Berlin, Marburg, and Frankfurt, taking a dissonant journey within strange yet familiar territory. Characterized by the same sense of profound isolation found in Muller's The Land of Green Plums (see page 20), Traveling on One Leg is a poignant exploration of exile, homeland, and identity.
If the supposed origin of our Species Sapiens, is to be found out into the triad of under pressing of surviving, as Hunter – Fisher – Gatherer (including those of Scavenger), then, the triad of creator of tools, as Tool – maker, as Tool – user and Tool – improver, must be unconditioned put together… …Also, dynamic activity of our ancestors in struggle for existence, in surviving of the best, in increasing reproduction, in learning and relearning of the instinct and intuition in living in groups, in clans, and in tribes, put them into environment (physical and abstract alike), in using and reusing a language of cooperation and understanding, in fact a proto-language of those har...