You may have to register before you can download all our books and magazines, click the sign up button below to create a free account.
In this first critical biography of Preston Sturges, Diane Jacobs brings to life the great comic filmmaker whose career Andrew Sarris described as "one of the most brilliant and bizarre bursts of creation in the history of the American cinema." Jacobs uses letters and manuscripts never before revealed, as well as interviews with people who knew Sturges—including three of his wives—to portray this fascinating, contradictory man. In addition to discussing his major films, she also examines heretofore unknown work and shows that Sturges was highly creative even near the end of his life, a time when many believed he had lost his touch. Sturges secured his place in film history as the creator...
This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read at Oxford Scholarship Online and offered as a free PDF download from OUP and selected open access locations. Questions as personal as those about suffering require a very personal response. However, the most popular responses to the problem of evil revolve around abstract discussions of greater goods, maximization of value, and best possible worlds, depicting God as at best an impartial bureaucrat and at worst a utility fanatic, rather than as a loving parent concerned first and foremost for his children. Vince R. Vitale develops Non-Identity Theodicy as an original response ...
Military defeat, political and civil turmoil, and a growing unrest between Catholic traditionalists and increasingly secular Republicans formed the basis of a deep-seated identity crisis in Third Republic France. Beginning in the early 1880s, Republican politicians introduced increasingly secularizing legislation to the parliamentary floor that included, but was not limited to, the secularization of the French educational system. As the divide between Church and State widened on the political stage, more and more composers began writing religious--even liturgical--music for performance in decidedly secular venues, including popular cabaret theaters, prestigious opera houses, and internationa...
Law can be looked at from both an internal legal perspective - reflected in the official discourse supporting legal decisions - and an external perspective - which is pursued by studies that look at the law from the outside as the subject of sociological, economic, or philosophical analysis. This external dimension - related to extra-legal factors that impact the law, such as the institutional environment in which the law is applied - is usually ignored, or not addressed systematically by studies that focus on the internal perspective. By systematically internalizing these 'external' elements into legal theory and practice, contextual approaches lead to the development of better descriptive ...
Budd Boetticher (1916-2001) was a bullfighter, a pleasant madman and a talented journeyman filmmaker who could--with the right material and drive--create a minor Western film classic as easily as he could kill a bull. Yet pain and passion naturally mixed in both endeavors. Drawing on studio archives and featuring insightful interviews with Boetticher and those who worked with him, this retrospective looks at each of his 33 films in detail, covering his cinematic career from his days as an assistant's assistant on the set of Hal Roach comedies to his last documentary some 45 years later.
Extras, bit players, and stand-ins have been a part of the film industry almost from its conception. On a personal and a professional level, their stories are told in Hollywood Unknowns, the first history devoted to extras from the silent era through the present. Hollywood Unknowns discusses the relationship of the extra to the star, the lowly position in which extras were held, the poor working conditions and wages, and the sexual exploitation of many of the hardworking women striving for a place in Hollywood society. Though mainly anonymous, many are identified by name and, for perhaps the first time, receive equal billing with the stars. And Hollywood Unknowns does not forget the bit play...
Psalms 1 and 2 serve as a Prologue to the rest of the Psalter. Susan Gillingham takes us on an illuminating journey across two-and-a-half millennia, revealing how these two psalms have been commented on, translated, painted, set to music, employed in worship, and adapted in literature, often being used disputatiously by Jews and Christians alike.
Psalms Through the Centuries: Volume Two provides the first ever extensive commentary on the Jewish and Christian reception history of the first two books of the Psalter (Psalms 1-41 and 42-72). It explores the various uses of the Psalms, over two millennia, in translation and commentary, liturgy and prayer, study and preaching, musical composition and artistic illustration, poetic and dramatic imitation, and contemporary discourse. With lavish illustrations, using examples from both music and art, Psalms Through the Centuries: Volume Two offers a detailed commentary on each psalm, with an extensive bibliography, a large glossary of terms, and helpful indices. It is an ideal resource both for students and scholars in the academy and for lay people and ministers in church and synagogue. Psalms Through the Centuries is published within the Wiley Blackwell Commentary series. Further information about this innovative reception history series is available at www.bbibcomm.info
Ethics in Ancient Israel is a study of ethical thinking in ancient Israel from around the eighth to the second century BC. The evidence for this consists primarily of the Old Testament/ Hebrew Bible and Apocrypha, but also other ancient Jewish writings such as the Dead Sea Scrolls and various anonymous and pseudonymous texts from shortly before the New Testament period. Professor John Barton argues that there were several models for thinking about ethics, including a 'divine command' theory, something approximating to natural law, a virtue ethic, and a belief in human custom and convention. Moreover, he examines ideas of reward and punishment, purity and impurity, the status of moral agents ...
"Drawing extensively on DeMille's personal archives and other primary sources, Robert S. Birchard offers a revealing portrait of the film-maker that goes behind studio gates and beyond DeMille's legendary persona. Cecil B. DeMille's Hollywood is a detailed and definitive chronicle of cinematic work that changed the course of film history and a look at how movies were made during Hollywood's golden age."--BOOK JACKET.