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Chinese Theater
This volume is the first concise introduction to the splendid variety of the Chinese theatrical tradition. It presents a rounded perspective on the development of Chinese theater by considering all of its major aspects—history and social context, performance, costume, makeup, actors, playwrights, and theaters—and by discussing all the major forms of Chinese theater, including the Beijing opera, which arose in the eighteenth century, and the spoken play, an entirely twentieth-century form. Its contributors are uniquely qualified to write about the Chinese theater. They have enjoyed an intimate relationship with their subject, both as academics and as theater workers, and they have combined a deep knowledge of Chinese theater with a high regard for its long tradition and continuing vitality. The book is intended for general as well as more specialized readers. Those with an interest in theater as a worldwide phenomenon and those wanting a new light on Chinese culture and society will find it equally useful. To those with a particular interest in Chinese theater, it will be a rich and important resource.
Han Material Culture
This book analyzes Han dynasty Chinese archaeology based on a comparison of the forms of vessels found in positively dated tombs.
A Pragmatist and His Free Spirit
A Pragmatist and His Free Spirit portrays the unconventional love between a Chinese social reformer and an American avantgarde artist. Hu Shi was a student at Cornell when he first met Edith Clifford Williams. They exchanged some 300 letters between 1914 and 1962; these, alongside Hu's diaries, poems and other correspondence, provide the substance of this book. In Williams, Hu met his intellectual match. She helped him reconcile his selfimage as an independent thinker with his acquiescence to an arranged marriage. Best known for his contribution to China's Literary Revolution, Hu's experimental vernacular poetry was partly inspired by his exposure to Williams's avantgarde art. In reconstruct...
A History of Un-fractured Chinese Civilization in Archaeological Interpretation
This book presents an archeological interpretation of the history of Chinese civilization. Tracing back from recent history to the distant past, it explores the breadth of Chinese civilization. Using archeological remains and cultural relics as starting points and approaching the cultural dimension from material perspectives, it presents a panoramic view of China’s civilizational continuity, together with its ideological and cultural characteristics. Featuring a wealth of illustrations (including photos of cultural relics and sites, archeological surveys, etc.) and texts written in easy-to-understand language, it offers an engaging read without sacrificing academic quality. The main components of “civilization” are addressed: capital archeology, mausoleum archeology, ritual wares and architecture archeology, as well as written language. The book offers a unique resource for archeology scholars and majors, as well as general readers who are interested in Chinese archeology and history.
Zuo Tradition / Zuozhuan
Zuo Tradition (Zuozhuan; sometimes called The Zuo Commentary) is China�s first great work of history. It consists of two interwoven texts - the Spring and Autumn Annals (Chunqiu, a terse annalistic record) and a vast web of narratives and speeches that add context and interpretation to the Annals. Completed by about 300 BCE, it is the longest and one of the most difficult texts surviving from pre-imperial times. It has been as important to the foundation and preservation of Chinese culture as the historical books of the Hebrew Bible have been to the Jewish and Christian traditions. It has shaped notions of history, justice, and the significance of human action in the Chinese tradition perhaps more so than any comparable work of Latin or Greek historiography has done to Western civilization. This translation, accompanied by the original text, an introduction, and annotations, will finally make Zuozhuan accessible to all.
Surface Modification of Magnesium and its Alloys for Biomedical Applications
The development of biodegradable implants which can remain in the human body to fix a problem and subsequently dissolve, or be absorbed, consumed or excreted, without warranting a secondary surgery, is very appealing to scientists. Due to their excellent biocompatibility and biodegradability, magnesium implants provide a viable option many problems associated with permanent metallic implants such as, restenosis, thrombosis, permanent physical irritation, and inability to adapt to growth and changes in human body. Volume 2 of this important new book explores practical issues of magnesium and magnesium alloys, physical and mechanical modification and coatings to enhance this material for biomedical applications. - Includes expert analysis on chemical solution deposition of hydroxyapatite (HAp) and octacalcium (OCP) phosphate coatings for magnesium - Comprehensive coverage of biomimetic modifications, surface functionalization of biomolecules, natural, conducting and biodegradable polymeric coatings - Lucid dissection of chemical, physical, mechanical and electromechanical modifications of magnesium and its alloys for biomedical applications
Imprints of Kinship
Recent discoveries of bronze ritual vessels from ancient China provide the ground for this collection of essays, which focus in particular on the nature and patterns of family lineages as seen from these artifacts found in tombs throughout north China. Based on careful readings of the inscriptions on the bronze vessels, the editor and his eight contributors reconstruct the genealogies, kinship structures, political identities, and relationship networks of leading families and individuals from BronzeAge China. The rich scholarship also contributes to our understanding of the archaeology, chronology, warfare, and legal structures of ancient China. "The bronze inscriptions from ancient China ar...
Kingship, Ritual, and Royal Ideology in Western Zhou China
In accounts of Chinese history, the Western Zhou period has been lionized as a golden age of ritual, when kings created the ceremonies that underlay the traditions of imperial governance. In this book, Paul Nicholas Vogt rediscovers their roots in the vagaries of Western Zhou royal geopolitics through an investigation of inscriptions on bronze vessels, the best contemporary source for this period. He shows how the kings of the Western Zhou adapted ritual to create and retain power, while introducing changes that affected later remembrances of Zhou royal ritual and that shaped the tradition of statecraft throughout Chinese history. Using ritual and social theory to explain Western Zhou history, Vogt traces how the traditions of pre-modern China were born, how a ruling dynasty establishes and holds on to power, how religion and politics can support and restrain each other, and how ancient peoples made, used, and assigned meaning to art and artifacts.
