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In one of the first ethnographies of contemporary studio music production, author Eliot Bates investigates the emergence of a transnational market for Anatolian minority popular musics in the Turkish music industry. With its unique interdisciplinary approach, Digital Traditions sets a new standard for the study of recorded music.
The tales of the mi'raj describe the prophet Muhammad's journey through the heavens, his encounters with prophets and angels, and his visit to heaven and hell. The tales are among Islam's most popular, appearing in Arabic, Persian, and Turkish literature, and in later adaptations throughout the Muslim world. Often serving as narratives designed to promote the worldview of particular Muslim groups, the tales were also a means for communities to construct rules of normative behavior and ritual practices, and were used to assert the superiority of Islam over other religions. The essays in this collection discuss the formation of this narrative, the mi'raj as a missionary text, its various adaptations, its application to esoteric thought, and its use in performance and ritual. -- Book jacket.
The saz or bağlama, a generic name for long-necked lutes in Turkey, plays an important role in Turkish musical culture. This volume focusses on the instrument's cultural-historical background while briefly discussing various saz or bağlama types and their construction, tuning, and playing techniques.
The Annual Bibliography of the History of the Printed Book and Libraries aims at recording articles of scholarly value which relate to the history of the printed book, to the history of arts, crafts, techniques and equipment, and of the economic social and cultural environment, involved in its production, distribution, conservation and description.
Research on Middle Eastern press is of great importance for comparative historical studies. Many editors of newspapers and magazines were not only journalists, but also writers, poets, thinkers and politicians. These intellectual leaders used non-official journals as a means of accelerating public discourse on reforms in the Ottoman Empire and later on in its successor states. Introducing new genres of literature to the Middle East they serialized novels, short stories and travelogues, experimented with new kinds of poetry and let satire blossom. The 15 contributors approach this thematics from different perspectives: Some concentrate on certain newspapers, literary journals or satirical magazines, others centre on the biographies of editors or writers. Although the main focus of this book is on the Ottoman and Persian press until 1914, some articles extend this scope to include Post-Ottoman Iraq, Syria, Turkey and Cyprus.