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Titian
Titian (Tiziano Vecelli) was the Venetian school's greatest painter and is one of the best-loved Italian artists of all time. This book examines Titian's work, from his early years training under Giovanni Bellini to his later mature work.
Battle of Britain
A talented pilot who never loses his determination to defend his country against immense obstacles both technical and personal. A squadron undertakes heart-stopping missions to combat the intense night-time assaults of the Axis air force. Set against the backdrop of the Battle of Britain comes an enthralling collection of aviation and heroism featuring daredevil pilots and the lengths they go to stop the German Luftwaffe attacking Britain.
By Accident or Design
'On the banks of the Thames it is a tremendous chapter of accidents'. As Henry James surveys London in 1888, he sums up what had fascinated urban observers for a century: the random and even accidental development of this unprecedented form of human settlement, the modern metropolis. By Accident or Design: Writing the Victorian Metropolis takes James at his word, arguing that accident was both a powerful metaphor and material context through which the Victorians arrested the paradoxes of metropolitan modernity and reconfigured understandings of form and change. Paul Fyfe shows how the material conditions of urban accidents offer new and compelling modes of analysis for intellectual and liter...
Isle of the Dead
VENICE, ITALY: CITY OF SPLENDOUR. CITY OF SECRETS. CITY OF THE SKIN HUNTER. In October 1555 the Italian master Titian painted the portrait of Angelico Vespucci - a Venetian merchant whose cruelty words could not capture. When Vespucci was revealed to be the elusive monster who had been flaying young women across the city, he vanished inexplicably, along with the painting. All that remained was a chilling warning: when the portrait emerges, so will the man. Now the lost Titian masterpiece has surfaced in modern-day London, and skinless corpses are amassing across the globe. And it will fall to an unlikely man from the fringes of the art world to unravel half a millennium of myth, mystery and murder.
Shakespearean Maternities
This study explores maternity in the 'disciplines' of early modern England. Placing the reproductive female body centre-stage in Shakespeare's theatre, Laoutaris ranges beyond the domestic sphere in order to recuperate the wider intellectual, epistemological, and archaeological significance of maternity to the Renaissance imagination. Focusing on 'anatomy' in Hamlet, 'natural history' in The Tempest, 'demonology' in Macbeth, and 'heraldry' in Antony and Cleopatra, this book reveals the ways in which the maternal body was figured in, and in turn contributed towards the re-conceptualisation of, bodies of knowledge. Laoutaris argues that Shakespeare resists a monolithic concept of motherhood, presenting instead a range of contested 'maternities' which challenge the distinctive 'ways of knowing' these early disciplines worked to impose on the order of created nature.
