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The Sinews of Habsburg Power
The Sinews of Habsburg Power explores the domestic foundations of the immense growth of central European Habsburg power from the rise of a permanent standing army after the Thirty Years' War to the end of the Napoleonic wars. With a force that grew irregularly in size from around 25,000 soldiers to as many as half a million in the War of the Sixth Coalition, the Habsburg monarchy participated in shifting international constellations of rivalry from western Europe to the Near East and in some two dozen, partly overlapping armed conflicts. Raising forces of such magnitude constituted a central task of Habsburg government, one that ultimately required the cooperation of society and its elites. ...
Authorship and Publicity Before Print
Widely recognized by contemporaries as the most powerful theologian of his generation, Jean Gerson (1363-1429) dominated the stage of western Europe during a time of plague, fratricidal war, and religious schism. Yet modern scholarship has struggled to define Gerson's place in history, even as it searches for a compelling narrative to tell the story of his era. Daniel Hobbins argues for a new understanding of Gerson as a man of letters actively managing the publication of his works in a period of rapid expansion in written culture. More broadly, Hobbins casts Gerson as a mirror of the complex cultural and intellectual shifts of the fourteenth and fifteenth centuries. In contrast to earlier t...
The Practice of Music at Melk Monastery in the Eighteenth Century
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The Life and Works of Gottlieb Muffat (1690-1770)
Gottlieb Muffat (1690-1770) has been heralded as one of the first composers of keyboard music to display 'distinctly Austrian traits'. In light of both the extent and quality of his œuvre, he was undoubtedly the single most important composer of keyboard music in Vienna in the first half of the eighteenth century. A prodigious child, he performed for the Emperor when he was around ten years old and his formative years were shaped by two of the most renowned composers of the period: his father Georg and Johann Joseph Fux. Muffat served as organist at the Viennese imperial court for over half a century and was responsible for teaching several members of the imperial family. This book explores both his career and quotidian existence and presents much hitherto unknown information about other members of this musical family. A thematic catalogue, which includes descriptions of all known manuscript sources of his music, comprises the second part of this study and serves to highlight the significance of his output and the reception and transmission of his work.
The First Proofs of the Universal Catalogue of Books on Art
Reprint of the original, first published in 1870.
