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Houses of Study
Houses of Study is an eloquent memoir of a Jewish woman?s life and her efforts to reconcile the traditions of her faith with her belief in women?s equality and the pull of modern American living. Ilana M. Blumberg traces her path from a childhood immersed in Hebrew and classical Judaic texts alongside Anglo-American novels and biographies to a womanhood where the two literatures suddenly represent mutually exclusive possibilities for life. Set in ?houses of study,? from a Jewish grammar school and high school to a Jerusalem yeshiva for women to a secular American university, her intimate and poignant memoir asks what happens when the traditional Jewish ideal of learning asserts itself in a woman directed by that same tradition toward a life of modesty, early marriage, and motherhood. This Bison Books edition is updated with discussion questions.
Open Your Hand
Fifteen years into a successful career as a college professor, Ilana M. Blumberg faced a teaching crisis that shook her core beliefs and sent her on a life-changing journey. Open Your Hand shares her remarkable personal story, drawing upon Blumber's Jewish faith and her American ideals to forge a teaching practice with the potential to transform society
Victorian Sacrifice
Studies the works of writers such as Charlotte Mary Yonge, Charles Dickens, George Eliot, Anthony Trollope, Wilkie Collins, and Mary Augusta Ward to significantly reconsider the Victorian ethic of self-sacrifice.
Giving Women
Drawing on novels, poetry, periodicals, and political pamphlets, Giving Women examines the literary expression and cultural consequences of gift exchange among English women from the 1820s until the end of the First World War.
Sacrifice and Modern War Literature
This book explores how writers from the early nineteenth century to the present have addressed the intimacy of sacrifice and war. Each chapter presents fresh insights into the literature of a particular conflict. The range of literature examined complements the rich array of topics related to wartime sacrifice that the contributors discuss.
The Aesthetics of Antichrist
In Dr. Faustus, Christopher Marlowe wrote a profoundly religious drama despite the theater's newfound secularism and his own reputation for anti-Christian irreverence. The Aesthetics of Antichrist explores this apparent paradox by suggesting that, long before Marlowe, Christian drama and ritual performance had reveled in staging the collapse of Christianity into its historical opponents—paganism, Judaism, worldliness, heresy. By embracing this tradition, Marlowe's work would at once demonstrate the theatricality inhering in Christian worship and, unexpectedly, resacralize the commercial theater. The Antichrist myth in particular tells of an impostor turned prophet: performing Christ's life...
Silas Marner
Gold! - his own gold - brought back to him as mysteriously as it had been taken away! Falsely accused of theft, Silas Marner is cut off from his community but finds refuge in the village of Raveloe, where he is eyed with distant suspicion. Like a spider from a fairy-tale, Silas fills fifteen monotonous years with weaving and accumulating gold. The son of the wealthy local Squire, Godfrey Cass also seeks an escape from his past. One snowy winter, two events change the course of their lives: Silas's gold is stolen and, a child crawls across his threshold. Combining the qualities of a fable with a rich evocation of rural life in the early years of the nineteenth century, Silas Marner (1861) is a masterpiece of construction and a powerful meditation on the value of communal bonds in a mysterious world.
The Moonstone
Who, in the name of wonder, had taken the Moonstone out of Miss Rachel's drawer? A celebrated Indian yellow diamond is first stolen from India, then vanishes from a Yorkshire country house. Who took it? And where is it now? A dramatist as well as a novelist, Wilkie Collins gives to each of his narratorsa household servant, a detective, a lawyer, a cloth-eared Evangelical, a dying medical manvibrant identities as they separately tell the part of the story that concerns themselves. One of the great triumphs of nineteenth-century sensation fiction, The Moonstone tells of a mystery that for page after page becomes more, not less inexplicable. Collins's novel of addictions is itself addictive, moving through a sequence of startling revelations towards the final disclosure of the truth. Entranced with double lives, with men and women who only know part of the story, Collins weaves their narratives into a web of suspense. The Moonstone is a text that grows imaginatively out of the secrets that the unconventional Collins was obliged to keep as he wrote the novel.
Un/Bound
Life writing often explores the profound impact of border crossings, both physical and metaphorical. Writers navigate personal and cultural boundaries, reflecting on identity, belonging, and the transformative power of crossing thresholds. These narratives unveil the complexities of migration, immigration, or internal journeys, offering intimate perspectives on adapting to new environments or confronting internal conflicts. Un/Bound is a collection of essays about such narratives, with an emphasis on mobility and border metaphors, the ethical dimensions of cross-border storytelling, and questions of access, translation, and circulation. Scholarly interest in borders, mobility, and related topics has greatly intensified in the context of public health emergencies and recent conflicts in international relations. The chapters in this book contribute to this dialogue by exploring internal and external, and physical and abstract borders and divisions. This book will be of great interest to scholars and researchers of literature, translation studies and political philosophy. The chapters in this book were originally published as a special issue of a/b: Auto/Biography Studies.
Food Restraint and Fasting in Victorian Religion and Literature
Through an interdisciplinary lens of theology, medicine, and literary criticism, this book examines the complicated intersections of food consumption, political economy, and religious conviction in nineteenth-century Britain. Scholarship on fasting is gendered. This book deliberately faces this gendering by looking at the way in which four Victorian women writers - Christina Rossetti, Alice Meynell, Elizabeth Gaskell and Josephine Butler - each engage with food restraint from ethical, social and theological perspectives. While many studies look at fasting as a form of spiritual discipline or punishment, or alternatively as anorexia nervosa, this book positions limiting food consumption as an ethical choice in response to the food insecurity of others. By examining their works in this way, this study repositions feminine religious practice and writing in relation to food consumption within broader contexts of ecocriticism, economics and social justice.
