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Describes and visualizes over 1,200 magical lands found in literature and film, discussing such exotic realms as Atlantis, Tolkien's Middle Earth, and Oz.
Over 1500 entries and 400 illustrations describe and visualize magical lands found in literature and film, discussing such exotic places as Dracula's Castle, Toad Hall, the Coast of Coromandel, and Middle Earth.
Now in paperback, this dreamy, gorgeously detailed picture book leads children on a journey to impossible but wonderfully imagined places. Upside-down mountains, volcanoes that spew bubble gum, a gentle humpback whale keeping an entire city afloat. These and other wonderful worlds may not exist on Earth, but elsewhere--who knows? Each spread of this captivating book invites readers on a fantastic voyage. Ana de Lima's whimsical, softly colored illustrations are filled with surprising details that reward close examination, while Mia Cassany's soothing narrator is a nameless fellow traveler. A jungle where the animals exchange stripes, spots, and markings each time they sneeze, an archipelago made up of dessert-shaped islands, and a lighthouse so tall you can draw a new galaxy with your finger are just some of the wild places to visit. Perfect for before-bed reading, or daytime dreaming, this stunningly illustrated book will delight young readers and encourage them to conjure their own imaginary places.
WINNER, Edward Stanford Travel Writing Awards 2022: Illustrated Travel Book of the Year. HIGHLY COMMENDED, British Cartographic Society Awards 2022. From Stephen King's Salem's Lot to the superhero land of Wakanda, from Lilliput of Gulliver's Travels to Springfield in The Simpsons, this is a wondrous atlas of imagined places around the world. Locations from film, tv, literature, myths, comics and video games are plotted in a series of beautiful vintage-looking maps. The maps feature fictional buildings, towns, cities and countries plus mountains and rivers, oceans and seas. Ever wondered where the Bates Motel was based? Or Bedford Falls in It's a Wonderful Life? The authors have taken years ...
How can we understand the infinite variety of cities? Darran Anderson seems to exhaust all possibilities in this work of creative nonfiction. Drawing inspiration from Marco Polo and Italo Calvino, Anderson shows that we have much to learn about ourselves by looking not only at the cities we have built, but also at the cities we have imagined. Anderson draws on literature (Gustav Meyrink, Franz Kafka, Jaroslav Hasek, and James Joyce), but he also looks at architectural writings and works by the likes of Bruno Taut and Walter Gropius, Medieval travel memoirs from the Middle East, mid-twentieth-century comic books, Star Trek, mythical lands such as Cockaigne, and the works of Claude Debussy. Anderson sees the visionary architecture dreamed up by architects, artists, philosophers, writers, and citizens as wedded to the egalitarian sense that cities are for everyone. He proves that we must not be locked into the structures that exclude ordinary citizens--that cities evolve and that we can have input. As he says: "If a city can be imagined into being, it can be re-imagined as well.”
An account of life in the Arctic through human history. Describes early doomed expeditions and the work of fur traders, ivory hunters, and whalers.
Recent years have seen an explosive growth in the phenomenon of people visiting locations from popular novels, films or television series. Places of the Imagination presents a timely and insightful analysis of this form of media tourism, exploring the question of how best to explain the increasing popularity of media tourism within contemporary culture. Drawing on extensive empirical and interview material, this book examines the representation of landscapes in popular narratives that have inspired media tourism, whilst also investigating the effects over time of such tourism on local landscapes, and the processes by which tourists appropriate the landscape, experiencing and accommodating them into their imagination. Oriented around three central case studies of popular television detective shows, famous films and classic literature, Places of the Imagination develops a new theoretical understanding of media tourism. As such, it will appeal to sociologists and cultural geographers, as well as those working in the fields of media and cultural studies, popular and fan culture, tourism and the sociology of leisure.