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Aesthetics in Performance
In various ways, the essays presented in this volume explore the structures and aesthetic possibilities of music, dance and dramatic representation in ritual and theatrical situations in a diversity of ethnographic contexts in Europe, the Americas, Africa and Asia. Each essay enters into a discussion of the "logic" of aesthetic processes exploring their social and political and symbolic import. The aim is above all to explore the way artistic and aesthetic practices in performance produce and structure experience.
Seneca in Performance
The plays of Seneca the Younger, minister and philosopher under Nero, are today increasingly studied, appreciated and performed. Here, in twelve new papers from a distinguished international cast, scholars explore established questions, such as whether the plays were written for the stage, and newer topics such as the playwright's subtleties of characterisation, his relation to contemporary Roman spectacle and art - and the problems arising in translating him to modern text or stage.
Beckett in Performance
A critical look at the work of one of the twentieth century's most influential playwrights emerges from the viewpoint of numerous Beckett actors and directors and includes the author's personal experiences as well.
Feedback in Performance Reviews
Performance reviews vary from one organization to the next. This guidebook will help you understand how to use feedback in whatever performance review context you find yourself. It explains three feedback principles and four different types of feedback. It will help you understand when to use the different types of feedback and how to frame a complete feedback message, making it more likely that your feedback will be well received. The rest is practice.
Profiles in Performance
Too many organizations invest in performance management and business intelligence projects, without first establishing the needed conditions to ensure success. But the organizations that lay the groundwork for effective change first reap the benefits. In Profiles in Performance: Business Intelligence Journeys and the Road Map for Change, Howard Dresner (author of The Performance Management Revolution) worked with several extraordinary organizations to understand their thriving "performance-directed culture." In doing so, he developed a unique maturity model-which served as both a filter to select candidates and as a lens to examine accomplishments. Interviews with people from all sides of the organization: business users, finance, senior management and the IT department Provides a complete picture of their progress from inception to current state The models, analyses and real world accounts from these cases will be an invaluable resource to any organization hoping to improve or initiate their own performance-directed culture.
The Body in Performance
Lively yet intriguing, The Body in Performance is a varied collection of essays about this much-discussed area. Posing the question "Why this current preoccupation with the performed body?" the collection of specially commissioned essays from both academics and practitioners - in some cases one and the same person - considers such cutting edge topics as the abject body and performance, censorship and live art, the presentation of violence on stage, carnal art, and the vexed issue of mimesis in the theatre. Drawing variously on the work of Franko B., Orlan, Annie Sprinkle, Karen Finley, and Forced Entertainment, it concludes with a creative piece about a 'Famous New York Performance Artist.' Contributors include Rebecca Schneider whose book The Explicit Body in Performance is a key text in this area, and Joan Lipkin, director and writer.
Putu Wijaya in Performance
This is a tribute to one of the foremost writers and directors in Indonesia, with essays on his work, a script of his play Geez!, and various reflections by his peers. Distributed for the Center for Southeast Asian Studies, University of Wisconsin–Madison
Wagner in Performance
This book, addressed to both specialists and the opera-going public, brings together a team of acknowledged authorities from round the world to examine the performance history and reception of Wagner's works in Europe and America. A connected sequence of essays on conducting, singing, production and stage design explores the nature of Wagner's demands on his interpreters. The book raises questions about the realization of opera on the stage: about the authority of the composer vis-a-vis the director and the audience: about the sanctity of the text, score and stage directions; and about the role of art itself in society.
Mapping Intermediality in Performance
This insightful book explores the relationship between theater and digital culture. The authors show that the marriage of traditional performance with new technologies leads to an upheaval of the implicit “live” quality of theatre by introducing media interfaces and Internet protocols, all the while blurring the barriers between theater-makers and their audience.
