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Advanced Modelling in Mathematical Finance
This Festschrift resulted from a workshop on “Advanced Modelling in Mathematical Finance” held in honour of Ernst Eberlein’s 70th birthday, from 20 to 22 May 2015 in Kiel, Germany. It includes contributions by several invited speakers at the workshop, including several of Ernst Eberlein’s long-standing collaborators and former students. Advanced mathematical techniques play an ever-increasing role in modern quantitative finance. Written by leading experts from academia and financial practice, this book offers state-of-the-art papers on the application of jump processes in mathematical finance, on term-structure modelling, and on statistical aspects of financial modelling. It is aimed at graduate students and researchers interested in mathematical finance, as well as practitioners wishing to learn about the latest developments.
Benjamin and Vladka Meed Registry of Jewish Holocaust Survivors 2000
description not available right now.
Benjamin and Vladka Meed Registry of Jewish Holocaust Survivors 2000
description not available right now.
The Cross
The “skilled translators of this admirably edited volume” offer English-speaking readers the chance to savor this Yiddish author’s “tale-telling power” (Harold Bloom). Lamed Shapiro (1878–1948) was the author of groundbreaking and controversial short stories, novellas, and essays. Himself a tragic figure, Shapiro led a life marked by frequent ocean crossings, alcoholism, and failed ventures, yet his writings are models of precision, psychological insight, and daring. Shapiro focuses intently on the nature of violence: the mob violence of pogroms committed against Jews; the traumatic aftereffects of rape, murder, and powerlessness; the murderous event that transforms the innocent ...
Processing Choreography
Told from the perspective of the dancers, »Processing Choreography: Thinking with William Forsythe's Duo« is an ethnography that reconstructs the dancers' activity within William Forsythe's Duo project. The book is written legibly for readers in dance studies, the social sciences, and dance practice. Considering how the choreography of Duo emerged through practice and changed over two decades of history (1996-2018), Elizabeth Waterhouse offers a nuanced picture of creative cooperation and institutionalized process. She presents a compelling vision of choreography as a nexus of people, im/material practices, contexts, and relations. As a former Forsythe dancer herself, the author provides novel insights into this choreographic community.
