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Espirais de madeira
A Studio Nobel está lançando o livro Espirais de Madeira: uma história da arquitetura de Curitiba, do arquiteto Irã Taborda Dudeque. A obra nos permite compreender o papel da arquitetura no processo de afirmação cultural, política e econômica que Curitiba de 1920 a 1990. Para isso, a narrativa do autor parte de um conjunto de idéias literárias e artísticas (que formariam um quadro de referências simbólicas), e acompanha os desenvolvimentos destas idéias na política, na economia e na arquitetura. ¿Assim, a arquitetura de Curitiba não foi analisada para explicar os sucessivos estágios da arquitetura de Curitiba, num ciclo auto-referente. Serviu, em vez disso, como um corpo documental para tentar aclarar e compreender as pessoas que fizeram e fazem a cidade de Curitiba e, por conseguinte, o Estado do Paraná e o Brasil. A pretensão é que, entendendo-se esse processo histórico, fique mais claro o valor cultural da arquitetura produzida, ao mesmo tempo que se possa entender algumas das razões que levaram ao reconhecimento dos arquitetos por parte de uma sociedade¿, descreve Irã Dudeque.
500 Cookies
500 Cookies truly is the only cookie compendium you'll ever need. With this second edition, home cooks will find 150 scrumptious new receipes that are sure to be crowd pleasers. New recipes include tasty ingredient combinations such as Peanut butter amp; Praline Chunk Swirl cookies, Chocolate amp; Lemon Pinwheel Cookies, and Coconut amp; Cherry Macaroons.
How to be Funny
No one knows more about comedy than Steve Allen. For more than five decades as a writer, performer, and keen observer of the social scene, he has looked into every aspect of who's funny, what's funny, and why. Allen shares his discoveries in How to Be Funny, the book designed to help everyone develop their special talent for funniness. Now reissued in paperback, How to Be Funny covers all the basics, including joke telling, ad-libbing, writing humorously, performing comedy, emceeing, and much more. Allen takes you inside the world of comedy, from the early writings of Mark Twain, to the more contemporary work of Rodney Dangerfield and Bill Maher. Allen even provides homework assignments for the budding comic! Yet How to Be Funny is far more than just a book for aspiring comedians it will help anyone who wants to be a more amusing conversationalist, a more effective public speaker, and everyone who just wants to be the life of the party.
Ukulele Magic
Ukulele Magic is the perfect tutor for children and for teachers. Rock to ragtime, bluegrass to swing, tango, calypso and the blues - they're all here in instantly accessible songs to play straight away ~ whether solo, with friends, or with the whole class. Fully supported by video tutorials and audio performances and backings. The teacher's edition, BOOK+CD-ROM, contains a whiteboard e-book with embedded audio and video tutorials for every song, making it ideal for classroom teaching. The 25 pieces carefully progress from playing open strings (eg Stringalong Rag) to songs with one chord (Shortnin bread, A minor miracle, F major march) to two chords (Baboushka, Tab tango, Calypso strum) and finally three chords (In South Africa, Playing the blues). Finger-picking and strumming styles are all introduced step by step in pieces which are fun and stylistic. This is a thoroughly musical introduction to an immensely popular instrument, opening the way to independent music-making for all. Website extras for teachers include lesson plans with teaching support and extra song suggestions to sing and play.
The Little Blue Horse
Designed to be used by children in their first six months of school PM Starters One and Two
Elementary Training for Musicians
Originally published in the 1940s, Paul Hindemith's remarkable textbooks are still the outstanding works of their kind. In contrast to many musical textbooks written by academic musicians, these were produced by a man who could play every instrument of the orchestra, could compose a satisfying piece for almost every kind of ensemble, and who was one of the most stimulating teachers of his day. It is therefore not surprising that nearly forty years later these books should remain essential reading for the student and the professional musician.
