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This book reconstructs the historical transition in the undivided Panjab during the sixteenth and seventeenth centuries. It shows that the assertion of Mughal and Afghan suzerainty faced sustained resistance from local elements, particularly the autonomous tribes and hill chiefdoms. In central plains, Dulla Bhatti mobilized the toilers of his ancestral domain and, leading a relentless fight against the Mughal oppression, became an abiding symbol of resistance in the collective memory. The multicultural legacy of Panjab evolved through diverse strands of spirituality. The jogis, wedded to monastic discipline, supernatural abilities and land grants, gained acceptance through their exertions fo...
This book seeks to reconstruct the past of undivided Panjab during five medieval centuries. It opens with a narrative of the efforts of Turkish warlords to achieve control in the face of tribal resistance, internal dissensions and external invasions. It examines the linkages of the ruling class with Zamindars and Sufis, paving the way for canal irrigation and agrarian expansion, thus strengthening the roots of the state in the region. While focusing on the post-Timur phase, it tries to make sense of the new ways of acquiring political power. This work uncovers the perpetual attempts of Zamindars to achieve local dominance, particularly in the context of declining presence of the state in the...
Captures the lives of those living close to the border areas of Jammu and their stories of contesting or reinforcing India-Pakistan boundaries.
This book explores the organic lives of popular Sufi shrines in contemporary Northwest India. It traverses the worldview of shrine spaces, rituals and their complex narratives, and provides an insight into their urban and rural landscapes in the post-Partition (Indian) Punjab. What happened to these shrines when attempts were made to dissuade Sikhs, Muslims and Hindus from their veneration of popular saints in the early twentieth century? What was the fate of popular shrines that persisted even when the Muslim population was virtually wiped off as a result of migration during Partition? How did these shrines manifest in the context of the threat posed by militants in the 1980s? How did such ...
How does the sacred/secular opposition explain itself in the context of musical production? This volume traces this binary as it frames Western Classical music and Indian Classical music in the 18th and 19th centuries, laying the ground for a contemporary exploration of what is ostensibly sacred music in South Asia. Offering a potent critique of musicological knowledge-making, Virinder S. Kalra explores examples of South Asian musics in various domains and traverses a new cartography of music in which the sacred and the secular overlap. Drawing on examples which include Qawwali, kirtan and popular devotional genres, Sacred and Secular Musics offers new empirical material, as well as new insi...
I am the story of the perennial lovers, Ranjha and Heer. I am the story of Waris Shah, of Bulleh Shah’s dhammal, the rise of the Sikh misl and the fall of the Mughal Empire. I am a story told in two parts, in two different narrative styles. On the one hand, I am the story of a young Waris, displaced from his home and his journey to Kasur, Pakpattan and Malka Hans, where he finally composed this most iconic love legend of Punjab. On the other hand, I am the story of Heer and Ranjha, being written by Waris Shah. Throughout the novel, I flow between these two narratives, these two worlds—of eighteenth-century Punjab and a timeless Punjab.
Recentering the Sufi Shrine is a study of ritual, Sufi eschatology, and vernacular theopoetics of pilgrimage to Sufi shrines in the Indus region of Pakistan. The book examines the distinction between two different ritual contestations over pilgrimage to Sufi tombs: (1) an exposition of Ṭariqa-i Muhammadiyya’s millenarian Scripturalist reform of Sufism, and (2) Bulleh Shah’s (d. 1767) vernacular Sufism, a hard-hitting Sufi-poet of textual ("bookish") knowledge of religious scholars. This is the first work examining the legal theology of ritual intervention in using scripture to regulate the resurrected bodies of saints, on the one hand, and the ritual metaphysics of presence in understanding the significance and meaning of Sufi shrines, on the other.
Provides a radical re-orientation of the way we understand the nature of imperial sovereignty in the eighteenth and nineteenth centuries.
This book offers the first social history of music in undivided Punjab (1800-1947), beginning at the Lahore court of Maharaja Ranjit Singh and concluding at the Patiala royal darbar. It unearths new evidence for the centrality of female performers and classical music in a region primarily viewed as a folk music centre, featuring a range of musicians and dancers -from 'mirasis' (bards) and 'kalawants' (elite musicians), to 'kanjris' (subaltern female performers) and 'tawaifs' (courtesans). A central theme is the rise of new musical publics shaped by the anglicized Punjabi middle classes, and British colonialists' response to Punjab's performing communities. The book reveals a diverse connoisseurship for music with insights from history, ethnomusicology, and geography on an activity that still unites a region now divided between India and Pakistan.