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Highlights the life and accomplishments of the Swiss philospher and musician who contributed to the Enlightenment.
Bringing together critical assessments of the broad range of Rousseau's thought, with a particular emphasis on his political theory, this systematic collection is an essential resource for both student and scholar.
In this study, Merle L. Perkins links individual freedom with national power in offering a close reading of Jean-Jacques Rousseau's major texts. He sees in Rousseau's thought an extreme tension and interdependence between the idiosyncrasy of nonconforming character and an almost obsessive concern with the external pressures operating on the state.
� I HAVE begun on a work which is without precedent, whose accomplishment will have no imitator. I propose to set before my fellow-mortals a man in all the truth of nature; and this man shall be myself. I have studied mankind and know my heart; I am not made like any one I have been acquainted with, perhaps like no one in existence; if not better, I at least claim originality, and whether Nature has acted rightly or wrongly in destroying the mold in which she cast me, can only be decided after I have been read.
List of PlatesMapIntroduction1. Geneva2. Bossey3. Annecy4. Turin5. A Sentimental Education6. Chambery7. Les Charmettes8. Lyons9. Paris10. Venice11. 'Les Muses Galantes'12. The Encyclopaedist13. The Moralist14. The Philosopher of Music and Language15. On the Origins of Inequality16. The Reformer Reformed17. The Return to GenevaList of the Principal Abbreviations Used on the NotesNotesIndex Copyright © Libri GmbH. All rights reserved.
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"Educators as well as students of philosophy will find much to admire in Rousseau's still fresh and innovative ideas."--BOOK JACKET.
In order to grasp what it means to call Rousseau an "author" of the Revolution, as so many revolutionaries did, it is necessary to take full measure of the difficulties of literary interpretation to which Rousseau's work gives rise, particularly around such a charged term as "author." On Jean-Jacques Rousseau shows that Rousseau's texts consistently generate a division in their own reading, a division both designated and masked by the fiction of authorship. These divisions can occur successivelyas in the narrative reversals and discontinuities characteristic of Rousseau's fictional and autobiographical worksor simultaneously, in the form of incompatible attempts to apply the lessons of a...
This is the first book to set out comprehensively Rousseau's theoretical statements on the arts: music and opera, theatre, fiction, poetry, the visual arts and dance. These statements are seen in terms of the phases of his intellectual development: the early years, the social criticism of the 1750s, the future-orientated theory of Emile and other texts, and finally the increasing self-scrutiny. This approach, conscious at all times of the element of personal commitment in his thinking, permits a sympathetic understanding, if not a resolution, of the famous paradoxes. The chief of these, his simultaneous condemnation and practice of drama, music and literature, is seen less as a personal contradiction than as a pointer to the ills of society which outrage him. Despite the huge social, political and economic upheavals since his death in 1778, Rousseau emerges as a thinker who has much to teach those concerned for the health of the arts in a modern world and for the moral values which attend them.