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Jean-Jacques Rousseau
  • Language: en
  • Pages: 116

Jean-Jacques Rousseau

Highlights the life and accomplishments of the Swiss philospher and musician who contributed to the Enlightenment.

Jean-Jacques Rousseau: Paradoxes and interpretations
  • Language: en
  • Pages: 422

Jean-Jacques Rousseau: Paradoxes and interpretations

Bringing together critical assessments of the broad range of Rousseau's thought, with a particular emphasis on his political theory, this systematic collection is an essential resource for both student and scholar.

Jean-Jacques Rousseau
  • Language: en
  • Pages: 422

Jean-Jacques Rousseau

In this study, Merle L. Perkins links individual freedom with national power in offering a close reading of Jean-Jacques Rousseau's major texts. He sees in Rousseau's thought an extreme tension and interdependence between the idiosyncrasy of nonconforming character and an almost obsessive concern with the external pressures operating on the state.

THE CONFESSIONS OF JEAN-JACQUES ROUSSEAU
  • Language: en
  • Pages: 717

THE CONFESSIONS OF JEAN-JACQUES ROUSSEAU

� I HAVE begun on a work which is without precedent, whose accomplishment will have no imitator. I propose to set before my fellow-mortals a man in all the truth of nature; and this man shall be myself. I have studied mankind and know my heart; I am not made like any one I have been acquainted with, perhaps like no one in existence; if not better, I at least claim originality, and whether Nature has acted rightly or wrongly in destroying the mold in which she cast me, can only be decided after I have been read.

Jean-Jacques
  • Language: en
  • Pages: 398

Jean-Jacques

List of PlatesMapIntroduction1. Geneva2. Bossey3. Annecy4. Turin5. A Sentimental Education6. Chambery7. Les Charmettes8. Lyons9. Paris10. Venice11. 'Les Muses Galantes'12. The Encyclopaedist13. The Moralist14. The Philosopher of Music and Language15. On the Origins of Inequality16. The Reformer Reformed17. The Return to GenevaList of the Principal Abbreviations Used on the NotesNotesIndex Copyright © Libri GmbH. All rights reserved.

Jean Jacques Rousseau
  • Language: en
  • Pages: 476

Jean Jacques Rousseau

  • Type: Book
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  • Published: 1906
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  • Publisher: Unknown

description not available right now.

Original Correspondence of Jean Jacques Rousseau, with Mad. La Tour de Franqueville and M. Du Peyrou
  • Language: en
  • Pages: 382

Original Correspondence of Jean Jacques Rousseau, with Mad. La Tour de Franqueville and M. Du Peyrou

  • Type: Book
  • -
  • Published: 1804
  • -
  • Publisher: Unknown

description not available right now.

Emile, Or, Treatise on Education
  • Language: en
  • Pages: 362

Emile, Or, Treatise on Education

  • Type: Book
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  • Published: 2003
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  • Publisher: Unknown

"Educators as well as students of philosophy will find much to admire in Rousseau's still fresh and innovative ideas."--BOOK JACKET.

On Jean-Jacques Rousseau
  • Language: en
  • Pages: 338

On Jean-Jacques Rousseau

In order to grasp what it means to call Rousseau an "author" of the Revolution, as so many revolutionaries did, it is necessary to take full measure of the difficulties of literary interpretation to which Rousseau's work gives rise, particularly around such a charged term as "author." On Jean-Jacques Rousseau shows that Rousseau's texts consistently generate a division in their own reading, a division both designated and masked by the fiction of authorship. These divisions can occur successively—as in the narrative reversals and discontinuities characteristic of Rousseau's fictional and autobiographical works—or simultaneously, in the form of incompatible attempts to apply the lessons of a...

Jean-Jacques Rousseau's Doctrine of the Arts
  • Language: en
  • Pages: 536

Jean-Jacques Rousseau's Doctrine of the Arts

  • Categories: Art

This is the first book to set out comprehensively Rousseau's theoretical statements on the arts: music and opera, theatre, fiction, poetry, the visual arts and dance. These statements are seen in terms of the phases of his intellectual development: the early years, the social criticism of the 1750s, the future-orientated theory of Emile and other texts, and finally the increasing self-scrutiny. This approach, conscious at all times of the element of personal commitment in his thinking, permits a sympathetic understanding, if not a resolution, of the famous paradoxes. The chief of these, his simultaneous condemnation and practice of drama, music and literature, is seen less as a personal contradiction than as a pointer to the ills of society which outrage him. Despite the huge social, political and economic upheavals since his death in 1778, Rousseau emerges as a thinker who has much to teach those concerned for the health of the arts in a modern world and for the moral values which attend them.