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Nanetti outlines a methodology for deploying artificial intelligence and machine learning to enhance historical research. Historical events are the treasure of human experiences, the heritage that societies have used to remain resilient and express their identities. Nanetti has created and developed an interdisciplinary methodology supported by practice-based research that serves as a pathway between historical and computer sciences to design and build computational structures that analyse how societies create narratives about historical events. This consilience pathway aims to make historical memory machine-understandable. It turns history into a computational discipline through an interdisciplinary blend of philological accuracy, historical scholarship, history-based media projects, and computational tools. Nanetti presents the theory behind this methodology from a humanities perspective and discusses its practical application in user interface and experience. An essential read for historians and scholars working in the digital humanities.
Many histories of science have been written, but A New History of the Humanities offers the first overarching history of the humanities from Antiquity to the present. There are already historical studies of musicology, logic, art history, linguistics, and historiography, but this volume gathers these, and many other humanities disciplines, into a single coherent account. Its central theme is the way in which scholars throughout the ages and in virtually all civilizations have sought to identify patterns in texts, art, music, languages, literature, and the past. What rules can we apply if we wish to determine whether a tale about the past is trustworthy? By what criteria are we to distinguish...
The History of Philosophical and Formal Logic introduces ideas and thinkers central to the development of philosophical and formal logic. From its Aristotelian origins to the present-day arguments, logic is broken down into four main time periods: Antiquity and the Middle Ages (Aristotle and The Stoics) The early modern period (Bolzano, Boole) High modern period (Frege, Peano & Russell and Hilbert) Early 20th century (Godel and Tarski) Each new time frame begins with an introductory overview highlighting themes and points of importance. Chapters discuss the significance and reception of influential works and look at historical arguments in the context of contemporary debates. To support independent study, comprehensive lists of primary and secondary reading are included at the end of chapters, along with exercises and discussion questions. By clearly presenting and explaining the changes to logic across the history of philosophy, The History of Philosophical and Formal Logic constructs an easy-to-follow narrative. This is an ideal starting point for students looking to understand the historical development of logic.
In Grammars of Approach, Cynthia Wall offers a close look at changes in perspective in spatial design, language, and narrative across the late eighteenth and early nineteenth centuries that involve, literally and psychologically, the concept of “approach.” In architecture, the term “approach” changed in that period from a verb to a noun, coming to denote the drive from the lodge at the entrance of an estate “through the most interesting part of the grounds,” as landscape designer Humphrey Repton put it. The shift from the long straight avenue to the winding approach, Wall shows, swung the perceptual balance away from the great house onto the personal experience of the visitor. At...
The 32 papers of this volume were selected from 78 papers read at ICHoLS VI, were contributed by linguists from 16 countries of Europe, Asia, and the Americas. They are presented in six sections:1. General Concerns 2. Oriental Linguistics and Related Issues 3. From the Early Middle Ages to the End of the 17th Century 4. On 19th-century European Linguistics 5. On the Verge of Modernity: From the 19th to the 20th Century 6. Contemporary IssuesIndividual topics range from dealing with overriding concerns of linguistic historiography to focusing on specific fields of inquiry within a limited frame and involving a large variety of topical areas. Most of the papers are written in English. The exceptions are one French and two German contributions.
In Timothie Bright and the Origins of Early Modern Shorthand, J.D. Fleming brings together two areas of sixteenth-century intellectual history. One is the period emergence of artificial systems for verbatim shorthand notation—a crucial episode in the history of information. The other is the ancient medical discourse of melancholy humour, or black bile. Timothie Bright (1550–1615), physician and priest, prompts the juxtaposition. For he was the author, not only of the period’s original shorthand manual—Characterie (1588)—but also of the first book in English on the dark humour: The Treatise of Melancholy (1586). Bright’s account of melancholy involves a cybernetic phenomenology of...
Volume XX/1 of History of Universities contains the customary mix of learned articles, book reviews, conference reports, and bibliographical information, which makes this publication such an indispensable tool for the historian of higher education. Its contributions range widely geographically, chronologically, and in subject-matter. The volume is, as always, a lively combination of original research and invaluable reference material.
This book discusses three linguistic projects carried out in the seventeenth century: the artificial languages created by Dalgamo and Wilkins, and Leibniz's uncompleted scheme. It treats each of the projects as self contained undertakings, which deserve to be studied and judged in their own right. For this reason, the two artificial languages, as well as Leib niz's work in this area, are described in considerable detail. At the same time, the characteristics of these schemes are linked with their intellectual context, and their multiple interrelations are examined at some length. In this way, the book seeks to combine a systematical with a historical ap proach to the subject, in the hope tha...
An alternative history of software that places the liberal arts at the very center of software's evolution. In The Software Arts, Warren Sack offers an alternative history of computing that places the arts at the very center of software's evolution. Tracing the origins of software to eighteenth-century French encyclopedists' step-by-step descriptions of how things were made in the workshops of artists and artisans, Sack shows that programming languages are the offspring of an effort to describe the mechanical arts in the language of the liberal arts. Sack offers a reading of the texts of computing—code, algorithms, and technical papers—that emphasizes continuity between prose and program...