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Essie can tell from the moment she lays eyes on Harriet Abbott: this is a woman who has taken a wrong turn in life. Why else would an educated, well-dressed, clearly upper-crust girl end up in the Triangle Shirtwaist Factory setting sleeves for six dollars a day? As the unlikely friendship between Essie and Harriet grows, so does the weight of the question hanging between them: Who is lost? And who will be found? This is a powerful novel about friendship, loss, and the resiliency of the human spirit, set against the backdrop of the teeming crowds and scrappy landscape of the Lower East Side of Manhattan in the early 1900s.
This is the first book to comprehensively examine Latin America's literary response to the deadly HIV virus. Proposing a bio-political reading of AIDs in the neoliberal era, Lina Meruane examines how literary representations of AIDS enter into larger discussions of community, sexuality, nation, displacement and globalization.
In the 1920s, many of Cuba's intellectuals, like Jorge Mañach, were confronted with how to deal with a new postcolonial universe whose neocolonial leanings were undeniable. A palpable unease runs throughout An Inquiry into Choteo (first delivered as a lecture in 1928), as Mañach anxiously attempts to explain this idiosyncratic Cuban attitude or humor that he deems prevalent in the first few turbulent decades of the 20th century. Esteemed in the Spanish-speaking world, only two of Mañach's writings, Martí: Apostle of Freedom, 1950 and Frontiers in the Americas: A Global Perspective (1970), have been published in English—a language which, as an adolescent in Massachusetts, Mañach inhabi...
In Somebody's Mother, Somebody's Daughter, Carol Ann Lee tells, for the first time, the stories of those women who came into Sutcliffe's murderous orbit, restoring their individuality to them and giving a voice to their families, including the twenty-three children whom he left motherless.
At the intersection of cultural history, material culture studies, memory studies and feminist geopolitics, Journeys of Soviet Things is an oral history of socialist globalisation constructed around the journeys of Cold War era Soviet objects in India and Cuba. During the Cold War, an important means to perpetuate Soviet ideals of modernisation and anti-imperialist solidarity across the world was the circulation of ‘banal’ objects, produced in the Soviet Union and purchased, awarded, and gifted for use in homes across the world. Based on oral accounts of Indian and Cuban interlocutors, this book examines the itineraries of Soviet objects such as cars, washing machines, cameras, books, ne...
A personal and cultural mediation, Philip D. Beidler’s The Island Called Paradise explores the fascinating ways Cuban history and culture have permeated North American consciousness, and vice versa. In The Island Called Paradise, Philip D. Beidler shares his personal discovery of the vast, rich, and astonishing history of the island of Cuba and the interrelatedness of Cuba and the US. Cuba first entered Beidler’s consciousness in the early 1960s when he watched with mesmerized anxiety the televised reports of the Cuban missile crisis, a conflict that reduced a multifaceted, centuries-old history between North America and Cuba to the stark duotones of Cold War politics. Fifty years later,...
With the collapse of the Soviet Union in the 1990s, during an economic crisis termed its “special period in times of peace,” Cuba began to court the capitalist world for the first time since its 1959 revolution. With the U.S. dollar instated as domestic currency, the island seemed suddenly accessible to foreign consumers, and their interest in its culture boomed. Cuban Currency is the first book to address the effects on Cuban literature of the country’s spectacular opening to foreign markets that marked the end of the twentieth century. Based on interviews and archival research in Havana, Esther Whitfield argues that writers have both challenged and profited from new transnational mar...
Exploring the cultural politics of Cuba's epic military engagement in the Angolan civil war, this book narrates the transformation of Cuban national identity from Latin African to Caribbean through the experience of internationalism in Angola.
This visionary volume examines how queer bodies are theatrically represented on the Cuban stage in ways that challenge one of the state’s primary revolutionary tools, the categorization and homogenization of individuals. Bretton White critically analyzes contemporary performances that upset traditional understandings of performer and spectator, as well as what constitutes the ideal Cuban citizenry. Following the 1959 revolution, nonconformists were monitored and reported by local committees and punished or reformed by the government. Censorship was rampant, and Cuban art suffered as the state tried to control the national message. Through the lens of queer theory, White explores how the bo...
This collection examines Cuban cultural production during the Special Period of the 1990s, following the collapse of the Soviet Bloc. Contributors address the cultural forms; and the associated ethics and practices of labour, leisure, and bureaucratic organization that arose in the transformation of the socialist cultural infrastructure.