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The Believer is the weird and chilling true story of Dr. John Mack. This eminent Harvard psychiatrist and Pulitzer Prize-winning biographer risked his career to investigate the phenomenon of human encounters with aliens and to give credibility to the stupefying tales shared by people who were utterly convinced they had happened. Nothing in Mack's four decades of psychiatry had prepared him for the otherworldly accounts of a cross section of humanity including young children who reported being taken against their wills by alien beings. Over the course of his career his interest in alien abduction grew from curiosity to wonder, ultimately developing into a limitless, unwavering passion. Based on exclusive access to Mack's archives, journals, and psychiatric notes and interviews with his family and closest associates, The Believer reveals the life and work of a man who explored the deepest of scientific conundrums and further leads us to the hidden dimensions and alternate realities that captivated Mack until the end of his life.
Analyzes how location-shot crime films of the 1970s reflected and influenced understandings of urban crisis. The early 1970s were a moment of transformation for both the American city and its cinema. As intensified suburbanization, racial division, deindustrialization, and decaying infrastructure cast the future of the city in doubt, detective films, blaxploitation, police procedurals, and heist films confronted spectators with contemporary scenes from urban streets. Welcome to Fear City argues that the location-shot crime films of the 1970s were part of a larger cultural ambivalence felt toward urban life, evident in popular magazines, architectural discourse, urban sociology, and visual cu...
To millions, Johnny Cash was the rebellious Man in Black, the unabashed patriot, the redeemed Christian-the king of country music. But Johnny Cash was also an uncertain country boy whose dreams were born in the cotton fields of Arkansas and who struggled his entire life with a guilt-ridden childhood, addictions, and self-doubt. A sensitive songwriter with profound powers of musical expression, Cash told America and the world the stories of a nation's heroes and outcasts.Johnny Cash: The Biography explores in depth many often-overlooked aspects of the legend's life and career. It examines the powerful artistic influence of his older brother, Roy, and chronicles Cash's air force career in the ...
John Allen Paulos is a master at shedding mathematical lights on our everyday world:What exactly did Lani Guinier say about quotas?What is the probability of identifying a murderer through DNA testing?Which are the real risks to our health and which the phony ones?Employing the same fun-filled, user-friendly, and quirkily insightful approach that put Innumeracy on best-seller lists, Paulos now leads us through the pages of the daily newspaper, revealing the hidden mathematical angles of countless articles. From the Senate, the SATs, and sex to crime, celebrities, and cults, Paulos takes stories that may not seem to involve mathematics at all and demonstrates how mathematical naïtéan put readers at a distinct disadvantage.Whether he's using chaos theory to puncture economic and environmental predictions, applying logic and self-reference to clarify the hazards of spin doctoring and news compression, or employing arithmetic and common sense to give us a novel perspective on greed and relationships, Paulos never fails to entertain and enlighten.Even if you hated math in school, you'll love the numerical vignettes in this book.
A voyage of exploration to the outer reaches of our inner lives. UFOs are a myth, says David J. Halperin—but myths are real. The power and fascination of the UFO has nothing to do with space travel or life on other planets. It's about us, our longings and terrors, and especially the greatest terror of all: the end of our existence. This is a book about UFOs that goes beyond believing in them or debunking them and to a fresh understanding of what they tell us about ourselves as individuals, as a culture, and as a species. In the 1960s, Halperin was a teenage UFOlogist, convinced that flying saucers were real and that it was his life's mission to solve their mystery. He would become a profes...
Louis Barfe's elegantly written, authoritative and highly entertaining history charts the meteoric rise and slow decline of the popular recording industry. Barfe shows how the 1920s and 1930s saw the departure of Edison from the phonograph business he created and the birth of EMI and CBS. In the years after the war, these companies, and the buccaneers, hucksters, impresarios and con-men who ran them, reaped stupendous commercial benefits with the arrival of Elvis Presley, who changed popular music (and sales of popular music) overnight. After Presley came the Beatles, when the recording industry became global and record sales reached all time highs. Where Have All The Good Times Gone? also charts the decline from that high-point a generation ago. The 1990s ushered in a period of profound crisis and uncertainty in the industry, encapsulated in one word: Napster. Barfe shows how the almost infinite amounts of free music available online have traumatic and disastrous consequences for an industry that has become cautious and undynamic.
Opening with David Mancuso's seminal “Love Saves the Day” Valentine's party, Tim Lawrence tells the definitive story of American dance music culture in the 1970s—from its subterranean roots in NoHo and Hell’s Kitchen to its gaudy blossoming in midtown Manhattan to its wildfire transmission through America’s suburbs and urban hotspots such as Chicago, Boston, San Francisco, Los Angeles, Newark, and Miami. Tales of nocturnal journeys, radical music making, and polymorphous sexuality flow through the arteries of Love Saves the Day like hot liquid vinyl. They are interspersed with a detailed examination of the era’s most powerful djs, the venues in which they played, and the records ...
Dr. Jan Louise Jones, Southern Connecticut State University --Book Jacket.
With a fine-tuned ethnographic sensibility, Janis H. Jenkins explores the lived experience of psychosis, trauma, and depression among people of diverse cultural orientations, revealing how mental illness engages fundamental human processes of self, desire, gender, identity, attachment, and interpretation. Extraordinary Conditions illuminates the cultural shaping of extreme psychological suffering and the social rendering of the mentally ill as nonhuman or not fully human. Jenkins contends that mental illness is better characterized in terms of struggle than symptoms and that culture is central to all aspects of mental illness from onset to recovery. Her analysis refashions the boundaries between the ordinary and the extraordinary, the routine and the extreme, and the healthy and the pathological. This book asserts that the study of mental illness is indispensable to the anthropological understanding of culture and experience, and reciprocally that understanding culture and experience is critical to the study of mental illness.
If you drive into any American city with the car stereo blasting, you’ll undoubtedly find radio stations representing R&B/hip-hop, country, Top 40, adult contemporary, rock, and Latin, each playing hit after hit within that musical format. American music has created an array of rival mainstreams, complete with charts in multiple categories. Love it or hate it, the world that radio made has steered popular music and provided the soundtrack of American life for more than half a century. In Top 40 Democracy, Eric Weisbard studies the evolution of this multicentered pop landscape, along the way telling the stories of the Isley Brothers, Dolly Parton, A&M Records, and Elton John, among others. ...