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Fiction. Like an expanded Dictionary of Received Ideas, THE BOOK OF FREAKS takes its subject matter from everyday life. Both hilarious and poker-faced in equal measures, this faux encyclopedia categorizes mundanities and renders them starkly unexpected. From circus freaks, to nationalities, to you and everyone you've ever met, THE BOOK OF FREAKS points out what we already knew, but never acknowledged: every one of us, in our own little ways, is a weirdo. THE BOOK OF FREAKS is bewildering in a good way—a bluntly informational yet oddly poetic tour de force. "Jamie Iredell can spin around with a disc in his hand and then throw that disc incredible distances. He can also do freakish things with words."—Michael Kimball
This is a collection of prose poems that when collected tell the tale of a young man and his cross country travels.
I am a Catholic. I was baptized Catholic as a baby, and Mom raised me as such. The priests baptized Miquel Josep Serra a Catholic, born 1713 in Petra, Mallorca. Dad converted, and became Catholic. Twenty years before Serra's birth, the Spanish Inquisition held autos de fe in Palma, Mallorca's capital, and Jews were burned at the stake. My brother and sister are Catholics. Four more Jews were burned in 1720, when Miquel was seven. Grandma and Grandpa were Catholics. For his Holy Orders, Miquel Josep adopted the name of Father Fray Junipero Serra, and later still he came to what we know today as California, state where I was born and raised a Catholic. In Last Mass Jamie Iredell navigates the complex history of colonial California, his own personal history as a Catholic growing up in that state, and the process of writing itself, with all its pitfalls and revelations."
"Born unto a father steeped in violence, the fat kid grows up tortured for his ever-expanding girth. As a young man, the fat kid tends bar where his friends and coworkers muddle about the drinkers, including the fat kid's own daddy. They are all subject to the influence of a mysterious blond-haired and black-garbed stranger who comes and goes, known only as the Man. Unbeknownst to all save the fat kid's daddy--who migrated across the vast country with the Man, experiencing savage murder, near-starvation, and cannibalism--the fat kid and his friends' fates are sealed. In alternating narratives from the perspectives of the fat kid and his daddy, the story takes place in a vast country full of great plains and towering rocky mountains, dusty deserts and shimmering lakes, a landscape beautifully at odds with the horrow in the lives of those who live upon it."--Back cover.
"Everything is Quiet is a full-length poetry book comprised of individual poems about love, life, and loss. Just kidding. Everything is Quiet is a woman sitting calmly near a glass window, hungover and smoking a cigarette in the aftermath of dealing with strange lovers who shush her, smack her, ask her to be more vocal, and for some reason, really enjoy dirty period sex. Everything is Quiet is a person riding a train alone in a big world with an open sky, trying to remember what happened last night, but not really caring."--Matthew Savoca.
Literary Nonfiction. After two full-length collections of fiction that mixed his irreverent treatment of form and gritty real-life candor, Jamie Iredell delivers an assured and honest collection of personal essays. I WAS A FAT DRUNK CATHOLIC SCHOOL INSOMNIAC reveals a writer who takes on his (literal) highs and (existential) lows with the unembellished voice of an anthropologist. Erudite, funny, and fearless, Iredell dives into subjects like drugs, alcoholism, body image, racism, feminism, and religion, and shines a light on some of the darkest moments of life. The essays are personal, confessional, and ultimately full of hope.
In Elegy on Toy Piano, Dean Young's sixth book of poems, elegiac necessity finds itself next to goofy celebration. Daffy Duck enters the Valley of the Eternals. Faulkner and bell-bottoms cling to beauty's evanescence. Even in single poems, Young's tone and style vary. No one feeling or idea takes precedence over another, and their simultaneity is frequently revealed; sadness may throw a squirrelly shadow, joy can find itself dressed in mourning black. As in the agitated "Whirlpool Suite": "Pain / and pleasure are two signals carried / over one phoneline." In taking up subjects as slight as the examination of a signature or a true/false test, and as pressing as the death of friends, Young's poems embrace the duplicity of feeling, the malleability of perception, and the truth telling of wordplay.
"A More Obedient Wife blends fact and fiction to tell the story of two women--married to Supreme Court Justices James Iredell and James Wilson--who find themselves swept up in the events of the federal government's turbulent first decade"--P. [4] of cover.
The short vignette-style tales in Troy James Weaver's literary debut, Witchita Stories, combine to make an evocative brew of small town melancholy, working class gloom, and coming of age charm. Told through the eyes of a young man who yearns to find excitement, truth, and a deeper family bond in his life, Weaver's approachable and revealing stories, lists, fragments, and memories delve into the weird, funny, and sometimes unsettling world of a midwest kid finding his own path. "Thank god you can come across a writer like Troy James Weaver. In the future people will just say these stories are like Troy James Weaver stories and you'll know exactly what they mean." --Scott McClanahan "There are...
NOUNS OF ASSEMBLAGE collects sixty-three of the strongest voices in small press fiction, from J. A. Tyler to xTx, from Kevin Sampsell to Cameron C. Pierce, with stories ranging from romantic to absurd to over-the-top violent and back again, covering the full gamut of what small press has to offer. Every story in this collection was written from a different collective noun, or "noun of assemblage," such as A MURDER OF CROW (by Tyler Gobble), or A LITTER OF PUPS (by Joseph Riippi), or A PLAGUE OF LOCUSTS (by Frank Hinton), and none of these stories are available anywhere else. This is the first official title from HOUSEFIRE, the innovative and groundbreaking publishing company located in Portland Oregon.