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The past few decades have seen a remarkable surge in Jewish influences on American culture. Entertainers and artists such as Jerry Seinfeld, Adam Sandler, Allegra Goodman, and Tony Kushner have heralded new waves of television, film, literature, and theater; a major klezmer revival is under way; bagels are now as commonplace as pizza; and kabbalah has become as cool as crystals. Does this broad range of cultural expression accurately reflect what it means to be Jewish in America today? Bringing together fourteen new essays by leading scholars, You Should See Yourself examines the fluctuating representations of Jewishness in a variety of areas of popular culture and high art, including litera...
A unique, positive collection of essays profiles a number of forgotten female Jewish leaders who played key roles in various American social and political movements, from suffrage and birth control to civil rights and fair labor practices.
Fanny Brandeis grows up Jewish in Winnebago, Wisconsin in the early twentieth century.
Shows how Ozick’s characters attempt to mediate a complex Jewish identity, one that bridges the differences between traditional Judaism and secular American culture.
Joseph Conrad (1857-1924) is widely considered one the great modern writers in English literature. This 21-volume set contains titles, originally published between 1976 and 1990 as well as a biography from 1957 written by one of his closest friends. The first 18 books are a set of concordances and indexes to Conrad’s printed works, which were part of a project directed by Todd K. Bender at the University of Wisconsin-Madison, USA and are among the first attempts to use the power of computers to enhance our reading environment and assist in lexicography, scholarly editing, and literary analysis. The set also contains a meticulously compiled bibliography of writings on Joseph Conrad, as well as an original and powerful analysis of his major work.
Focusing on a diversely rich selection of writers, the pieces featured in Unfinalized Moments: Essays in the Development of Contemporary Jewish American Narrative explore the community of Jewish American writers who published their first book after the mid-1980s. It is the first book-length collection of essays on this subject matter with contributions from the leading scholars in the field. The manuscript does not attempt to foreground any one critical agenda, such as Holocaust writing, engagements with Zionism, feminist studies, postmodern influences, or multiculturalism. Instead, it celebrates the presence of a newly robust, diverse, and ever-evolving body of Jewish American fiction. This...
"Cohen has succeeded in showing a fusion of Ozick's writing as sacred and comic. Defining humor broadly, Cohen persuasively argues that levity and liturgy are natural companions, enriching each other, especially in the creative imagination of Cynthia Ozick." -- Midstream "... a thoughtful introduction to a monumental though underrated writer." -- SHOFAR "This study is a welcome addition to the growing body of scholarly criticism of Ozick and focuses on her comedic style." -- Choice "Cohen has written an important... book, one that celebrates Ozick's 'liturgical laughter,' emphasizing on every occasion the connection between the comic and the sacred. It is a connection we should be reminded o...
"Bibliography of ethical criticism": p. 505-534. Presents arguments for the relocation of ethics to the center of literature, examining periods, genres, and particular works.
In this brave and original work, Federica Clementi focuses on the mother-daughter bond as depicted in six works by women who experienced the Holocaust, sometimes with their mothers, sometimes not. The daughtersÕ memoirs, which record the Òall-too-humanÓ qualities of those who were persecuted and murdered by the Nazis, show that the Holocaust cannot be used to neatly segregate lives into the categories of before and after. ClementiÕs discussions of differences in social status, along with the persistence of antisemitism and patriarchal structures, support this point strongly, demonstrating the tenacity of traumaÑindividual, familial, and collectiveÑamong Jews in twentieth-century Europe.