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The Lost Books of Jane Austen
Hardcore bibliography meets Antiques Roadshow in an illustrated exploration of the role that cheap reprints played in Jane Austen's literary celebrity—and in changing the larger book world itself. Gold Winner of the 2019 Foreword INDIES Award for History by FOREWORD Reviews In the nineteenth century, inexpensive editions of Jane Austen's novels targeted to Britain's working classes were sold at railway stations, traded for soap wrappers, and awarded as school prizes. At just pennies a copy, these reprints were some of the earliest mass-market paperbacks, with Austen's beloved stories squeezed into tight columns on thin, cheap paper. Few of these hard-lived bargain books survive, yet they m...
Graphic Design, Print Culture, and the Eighteenth-Century Novel
The uniformity of the eighteenth-century novel in today's paperbacks and critical editions no longer conveys the early novel's visual exuberance. Janine Barchas explains how during the genre's formation in the first half of the eighteenth century, the novel's material embodiment as printed book rivalled its narrative content in diversity and creativity. Innovations in layout, ornamentation, and even punctuation found in, for example, the novels of Richardson, an author who printed his own books, help shape a tradition of early visual ingenuity. From the beginning of the novel's emergence in Britain, prose writers including Daniel Defoe, Jonathan Swift, and Henry and Sarah Fielding experimented with the novel's appearance. Lavishly illustrated with more than 100 graphic features found in eighteenth-century editions, this important study aims to recover the visual context in which the eighteenth-century novel was produced and read.
Matters of Fact in Jane Austen
In Matters of Fact in Jane Austen: History, Location, and Celebrity, Janine Barchas makes the bold assertion that Jane Austen’s novels allude to actual high-profile politicians and contemporary celebrities as well as to famous historical figures and landed estates. Barchas is the first scholar to conduct extensive research into the names and locations in Austen’s fiction by taking full advantage of the explosion of archival materials now available online. According to Barchas, Austen plays confidently with the tension between truth and invention that characterizes the realist novel. Of course, the argument that Austen deployed famous names presupposes an active celebrity culture during t...
The Cambridge Companion to ‘Emma'
This essay collection by leading scholars provides a comprehensive guide to Jane Austen's Emma, one of the greatest English novels.
The Governess
Published in 1749, the story of Mrs. Teachum and the nine pupils who make up her “little female academy” is widely recognized as the first full-length novel for children, and the first to be aimed specifically at girls. The daily experiences of Mrs. Teachum’s charges are interwoven with fables and fairy tales illustrating the book’s underlying principles, which draw on contemporary theories of education and virtue. As central to the history of the novel as it is to the development of children’s literature, The Governess is a pioneering work by one of the eighteenth century’s most respected women writers. This Broadview edition includes a critical introduction that places The Governess in its cultural and literary context; appendices include examples of eighteenth-century educational literature and selections from Fielding’s correspondence.
Jane Austen and the Reformation
Jane Austen’s England was littered with remnants of medieval religion. From her schooling in the gatehouse of Reading Abbey to her visits to cousins at Stoneleigh Abbey, Austen faced constant reminders of the wrenching religious upheaval that reordered the English landscape just 250 years before her birth. Drawing attention to the medieval churches and abbeys that appear frequently in her novels, Moore argues that Austen’s interest in and representation of these spaces align her with a long tradition of nostalgia for the monasteries that had anchored English life for centuries until the Reformation. Converted monasteries serve as homes for the Tilneys in Northanger Abbey and Mr. Knightle...
Anna Letitia Barbauld
Anna Letitia Barbauld: New Perspectives is the first collection of essays on poet and public intellectual Anna Letitia Barbauld (1743–1825). By international scholars of eighteenth-century and Romantic British literature, these new essays survey Barbauld’s writing from early to late: her versatility as a stylist, her poetry, her books for children, her political writing, her performance as editor and reviewer. They explore themes of sociability, materiality, and affect in Barbauld’s writing, and trace her reception and influence. Rooted in enlightenment philosophy and ethics and dissenting religion, Barbauld’s work exerted a huge impact on the generation of Wordsworth and Coleridge, and on education and ideas about childhood far into the nineteenth century. William McCarthy’s introduction explores the importance of Barbauld’s work today, and co-editor Olivia Murphy assesses the commentary on Barbauld that followed her rediscovery in the early 1990s. Anna Letitia Barbauld: New Perspectives is the indispensible introduction to Barbauld’s work and current thinking about it.
Minervas Gothics
This project has several distinctive features. The first is statistical analysis of publishing records for all British novels (Minerva and otherwise) published between 1780 and 1829 (data are compiled from James Raven’s and Peter Garside’s The English Novel, 1770-1829: a Bibliographical Survey of Prose Fiction Published in the British Isles). This analysis confirms that Minerva novelists are more prolific than most female novelists in the period. It is rarely noted that Minerva novelists also often publish on occasion with other presses, something to which the data calls attention. The book’s scope and content challenges an anachronism that still permeates studies of the Romantic era. Minerva’s Gothics restores a forgotten pathway between first-generation Romantic reactions to popular print culture and Percy Shelley’s influential conceptualization of the poet.
A Time of Scandal
Was the founding director of the US Veterans Bureau a criminal—or a scapegoat? In the early 1920s, with the nation still recovering from World War I, President Warren G. Harding founded a huge new organization to treat disabled veterans: the US Veterans Bureau, now known as the Department of Veterans Affairs. He appointed his friend, decorated veteran Colonel Charles R. Forbes, as founding director. Forbes lasted in the position for only eighteen months before stepping down under a cloud of criticism and suspicion. In 1926—after being convicted of conspiracy to defraud the federal government by rigging government contracts—he was sent to Leavenworth Penitentiary. Although he was known ...
