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The startling, frighteningly convincing sequel to The Holy Blood and the Holy Grail that reveals the very nature of the Messianic Legacy. After the shocking revelations of The Holy Blood and the Holy Grail the authors, in their quest to determine the discrepancies between early and modern 'Christian' thought, found that they were forced to ask such questions as: *Was there more than one Christ? *Was Christ the founder of Christianity? *Were the disciples as peace-loving as it is traditionally assumed? *What links the Vatican, the CIA, the KGB, the Mafia, Freemasonry, P2, Opus Dei and the Knights Templar *What mysterious modern crusade implicates British industry, Churchill and de Gaulle, the...
The common solutions of a finite number of polynomial equations in a finite number of variables constitute an algebraic variety. The degrees of freedom of a moving point on the variety is the dimension of the variety. A one-dimensional variety is a curve and a two-dimensional variety is a surface. A three-dimensional variety may be called asolid. Most points of a variety are simple points. Singularities are special points, or points of multiplicity greater than one. Points of multiplicity two are double points, points of multiplicity three are tripie points, and so on. A nodal point of a curve is a double point where the curve crosses itself, such as the alpha curve. A cusp is a double point where the curve has a beak. The vertex of a cone provides an example of a surface singularity. A reversible change of variables gives abirational transformation of a variety. Singularities of a variety may be resolved by birational transformations.
"Addresses the question of human rights in the international context, focusing in particular on the interaction between human rights as a value and norm in international relations and Islam as a constitutent of political culture in particular societies" -- Back cover.
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At a time when traditional film theory privileged the purely visual, Film Hieroglyphs introduced a new way of watching film—examining the ways in which writing bears on cinema. Author Tom Conley gives special consideration to the points (ruptures) at which story, image, and writing appear to be at odds with one another. Conley hypothesizes that major directors—Renoir, Lang, Walsh, Rossellini—tend unconsciously to meld history and ideology. Graphic elements are seen as simultaneously foreign and integral to the field of the image. From these contradictions hieroglyphs emerge that mark a design attesting to a hidden rhetoric and to configurations of meaning that cinema cannot always control. Tom Conley is Lowell Professor of romance languages and visual and environmental studies at Harvard University. Among his books is The Self-Made Map (1996), as well as translations of The Fold (1992) by Gilles Deleuze and In the Metro (2002) by Marc Augé, all available from the University of Minnesota Press.
This book serves to introduce the general notions, the concepts, and the methods which underlie the theories of algebraic numbers and algebraic functions, primarily in one variable. It also introduces the theory of elliptic modular functions, which has deep applications in analytic number theory.
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