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Set on a hillside near Cluny, in a region associated with religious institutions and sacred architecture (including Le Corbusier's La Tourette), Le Carmel de la Paix, designed by José Luis Sert, remains tranquilly unvisited and quietly erased from architectural history. Why? This unusual convent falls outside the standard categories of Sert's architecture and has been overlooked in most publications about his work. As J.K. Birksted explains, the design and construction process for this building proved nightmarish, resulting in a building which, at first sight, appears to be 'ineloquent'. This first detailed examination of this building shows how the convent and the story of its creation off...
Spain has had a long history of exiles. Since the destruction of the last Muslim territories in Granada in 1492, wave after wave of its people have been driven from the country. The Disinherited paints a vivid picture of Spain’s diverse exiles, from Muslims, Jews and Protestants to Liberals, Socialists and Communists, artists, writers and musicians. Kamen describes the ways in which many of these expelled citizens have shaped Spanish culture – or impoverished it by leaving – and enriched their adopted homes through their creative responses to exile and to encounters with new worlds, Picasso, Miró, Dali and Buñuel among them. Henry Kamen’s compelling and sympathetic account tells the story of their incalculable impact on the world.
Situated in a Mediterranean landscape, the Maeght Foundation is a unique Modernist museum, product of an extraordinary collaboration between the architect, Jos?uis Sert, and the artists whose work was to be displayed there. The architecture, garden design and art offer a rare opportunity to see work in settings conceived in active collaboration with the artists themselves. By focusing on the relationship between this art foundation and its Arcadian setting, including Joan Mir?labyrinth, George Braque's pool, Tal-Coat's mosaic wall and Giacometti's terrace, Jan K. Birksted demonstrates how the building articulates many of the ideas that preoccupied this group of artists during the culminating...
The modern city is not only pavement and concrete. Parks, gardens, trees, and other plants are an integral part of the urban environment. Often the focal points of social movements and political interests, green spaces represent far more than simply an effort to balance the man-made with the natural. A city's history with -- and approach to -- its parks and gardens reveals much about its workings and the forces acting upon it. Our green spaces offer a unique and valuable window on the history of city life. The essays in Greening the City span over a century of urban history, moving from fin-de-siècle Sofia to green efforts in urban Seattle. The authors pre-sent a wide array of cases that sp...
Brasilia, Caracas, Mexico City, Rio de Janeiro ... cities synonymous with some of the most innovative and progressive architecture of the past century.
Considering the influence of the forms and tectonics of the Mediterranean vernacular on modern architectural practice and discourse from the 1920s to the 1960s.
The work of Sert is a clear reinterpretation of Mediterranean architecture: the brise-soleil -- as a kind of revitalizing of the wall, the building taken into its own self-reflection, turned to the inside as a place of repose and introspection -- in short, the patio house. Buildings like Sert's own in Cambridge, the Miro Foundation in Barcelona or the Maeght Foundation in Saint Paul-de-Vence -- all of these provide examples of the way Sert profoundly worked these concepts in his architecture. The treatment of light is another fundamental aspect in the architecture Sert developed. The highly characteristic skylights that adorn his pieces are elements that capture the natural light and reflect it indirectly, diffusing it through the building's interior. Book jacket.
Recull de més de tres-cents goigs marians de totes les èpoques del Bisbat de Solsona, la majoria en català i alguns en castellà. No hi ha inclosos tan sols els goigs pròpiament dits, sinó també les cobles i lloances marianes diverses, com ara els himnes, virolais, cançons que es canten més o menys dins el temple.