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In this work, the first critical monograph on Suite française, Nathan Bracher shows how, first amid the chaos and panic of the May-June 1940 debacle, and then within the unsettling new order of the German occupation, Némirovsky's novel casts a particularly revealing light on the behavior and attitudes of the French as well as on the highly problematic interaction of France's social classes
Following France's military defeat in 1940, Marshal Pétain and his Vichy regime drastically expanded upon the role of a top secret organization known as the Postal Surveillance System. The organization served two purposes: to find out how people felt about Vichy's policies, including collaboration with Nazi Germany, and to keep an eye on activities the new government deemed suspicious. Over seventy years later the private letters, telegrams, and phone conversations collected through the Postal Surveillance System provide a wealth of information about the dark years of 1940-1944. Every Word You Write . . . Vichy Will Be Watching You draws from these communications to vividly convey what life was like for the French as they coped with intolerable living conditions. It also details the scurrilous treatment handed out to foreign and French-born Jews by Pétain's government. By allowing the stolen words of ordinary French citizens to speak for themselves, Robert W. Parson offers us a view of history that we seldom find in textbooks.
On February 6, 1945, Robert Brasillach was executed for treason by a French firing squad. He was a writer of some distinction—a prolific novelist and a keen literary critic. He was also a dedicated anti-Semite, an acerbic opponent of French democracy, and editor in chief of the fascist weekly Je Suis Partout, in whose pages he regularly printed wartime denunciations of Jews and resistance activists. Was Brasillach in fact guilty of treason? Was he condemned for his denunciations of the resistance, or singled out as a suspected homosexual? Was it right that he was executed when others, who were directly responsible for the murder of thousands, were set free? Kaplan's meticulous reconstructi...
From 1943 to 1947, Albert Camus was editor-in-chief of the famous underground and post-Liberation French newspaper Combat. Among his journalist writings during this period were eloquent essays that grappled with questions of revolution, violence, freedom, justice, ethics, and the emerging social order. The 41 pieces collected here--most never before published in English--tell the story of a sensitive man's odyssey from "hell to reason" at a time of tremendous upheaval while also providing a missing link between Camus's pre-war and post-war works. Almost lyrical in their intensity of thought and language, these newspaper pieces show a Camus new to most American readers and are a unique testim...
Patrons of Enlightenment emphasizes the dependency of thinkers upon patrons and compares the patron-client relationships in the French, English, and Scottish republics of letters.
The first comparative study of how the French Popular Front and its right-wing opponents transformed the masses into the people, whether in demonstrations and festivals, or theatre and film. Seven chapters examine the representation of the crowd, workers, electorate, nation and symbolic community, exploring parallels between left and right.
This volume traces the modern critical and performance history of this play, one of Shakespeare's most-loved and most-performed comedies. The essay focus on such modern concerns as feminism, deconstruction, textual theory, and queer theory.
"Jean Guéhenno's [diary] ... is the most oft-quoted piece of testimony on life in occupied France. A sharply observed record of day-to-day life under Nazi rule in Paris and a bitter commentary on literary life in those years, it has also been called 'a remarkable essay on courage and cowardice' ... Here, David Ball provides not only the first English translation of this important historical document, but also the first ever annotated, corrected edition"--
David Drake chronicles the lives of ordinary Parisians during WWII, drawing on diaries and reminiscences of people who endured these years. From his account emerge the broad rhythms and shifting moods of the city and the contingent lives of resisters, collaborators, occupiers, and victims who, unlike us, could not know how the story would end.