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Immanence and Transcendence; the Theater of Jean Rotrou, 1609-1650
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Metatheater and Modernity
Metatheater and Modernity: Baroque and Neobaroque is the first work to link the study of metatheater with the concepts of baroque and neobaroque. Arguing that the onset of European modernity in the early seventeenth century and both the modernist and the postmodernist periods of the twentieth century witnessed a flourishing of the phenomenon of theater that reflects on itself as theater, the author reexamines the concepts of metatheater, baroque, and neobaroque through a pairing and close analysis of seventeenth and twentieth century plays. The comparisons include Jean Rotrou's The True Saint Genesius with Jean-Paul Sartre's Kean and Jean Genet's The Blacks; Pierre Corneille's L'Illusion com...
Annals of the French Stage from Its Origin to the Death of Racine: 1668-1699
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La Duchesse
A rich portrait of a compelling, complex woman who emerged from a sheltered rural childhood into the fraught, often deadly world of the French royal court and Parisian high society—and who would come to rule them both. Married off at sixteen to a military officer she barely knew, Marie de Vignerot was intended to lead an ordinary aristocratic life, produce heirs, and quietly assist the men in her family rise to prominence. Instead, she became a widow at eighteen and rose to become the indispensable and highly visible right-hand of the most powerful figure in French politics—the ruthless Cardinal Richelieu. Richelieu was her uncle and, as he lay dying, the Cardinal broke with tradition an...
