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Cinematicity in Media History
In a world where change has become the only constant, how does the perpetually new relate to the old? How does cinema, itself once a new medium, relate both to previous or outmoded media and to what we now refer to as New Media? This collection sets out to examine these questions by focusing on the relations of cinema to other media, cultural productions and diverse forms of entertainment, demarcating their sometimes parallel and sometimes more closely conjoined histories. It makes visible the complex ways in which media anticipate, interfere with and draw on one other, demonstrating how cinematicity makes itself felt in practices of seeing, reading, writing and thinking both before and after the 'birth' of cinema.Examining the interrelations between cinema, literature, photography and other modes of representation not only to each other, but amid a host of other minor and major media - the magic lantern, the zoetrope, the flick-book, the iPhone and the computer - Cinematicity in Media History provides crucial insights into the development of media and their overlapping technologies and aesthetics.
Film Analysis
Film Analysis offers concise analyses of fifty diverse and historically significant films—each written exclusively for the text by a leading scholar. Written with the undergraduate in mind, the essays are clear, readable, and great models for students to follow in helping them to hone their own writing. The Second Edition includes six new essays, a new, detailed guide to writing film analysis, and an extensive, up-to-date glossary of critical film terms.
The White Room
The author spins a tale of excitement. Jonah Bosworth was only nineteen years old when he discovered a room full of unbelievably dark secrets, a room most people didn't make it out of alive. Four years later, Jonah tells the tale of the White Room, how he was forced to go in there, and how he managed to live to share the story.
American Documentary Film
Richard Wall Memorial Award 2012 - Finalist. What key concerns are reflected in documentaries produced in and about the United States? How have documentaries engaged with competing visions of US history, culture, politics, and national identity? This book examines how documentary films have contributed to the American public sphere - creating a kind of public space, serving as sites for community-building, public expression, and social innovation. Geiger focuses on how documentaries have been significant in forming ideas of the nation, both as an imagined space and a real place. Moving from the dawn of cinema to the present day, this is the first full-length study to focus on the extensive r...
Over the Top Judaism
Over the Top Judaism offers criticism of scores of television episodes and films, mainly between 1980 and 2002, that highlight the beliefs and practices of Judaism, real or perceived. Author Elliot Gertel examines parallels and precedents in both media, and organizes the works topically, concluding with the most promising efforts. Chapters on classic television episodes cite interviews with writers and producers from Gertel's rare oral histories.
German Prisoners of War at Camp Cooke, California
In 1943, the first great wave of Hitler’s soldier’s came to America, not as goose-stepping conquering heroes, but as prisoners of war. By the time World War II ended in 1945, more than six hundred German POW camps had sprung up across America holding a total of 371,683 POWs. One of these camps was established at the U.S. Army’s training installation Camp Cooke on June 16, 1944. The POW base camp at Cooke operated sixteen branch camps in six of California’s fifty-eight counties and is today the site of Vandenberg Air Force Base in Santa Barbara County. Compared to other prisoner of war camps in California, Camp Cooke generally held the largest number of German POWs and operated the mo...
ReFocus: The Films of Pablo Larrain
Assessing his work in the context of film aesthetics, philosophy, history, adaptation studies and cultural studies, this is the first book-length English-language anthology about this important director's cinema, offering a wide range of perspectives by a diverse range of international scholars.
Facing the Pacific
The enduring popularity of Polynesia in western literature, art, and film attests to the pleasures that Pacific islands have, over the centuries, afforded the consuming gaze of the west—connoting solitude, release from cares, and, more recently, self-renewal away from urbanized modern life. Facing the Pacific is the first study to offer a detailed look at the United States’ intense engagement with the myth of the South Seas just after the First World War, when, at home, a popular vogue for all things Polynesian seemed to echo the expansion of U.S. imperialist activities abroad. Jeffrey Geiger looks at a variety of texts that helped to invent a vision of Polynesia for U.S. audiences, focu...
Anglo-American Imperialism and the Pacific
This interdisciplinary collection explores the confluence of American and British (neo)imperalism in the Pacific, as represented in various forms of Pacific discourse including literature, ethnography, film, painting, autobiography, journalism, and environmental discourse. It investigates the alliances and rivalries between these two colonial powers during the crucial transition period of the early-to-mid twentieth century, also exploring indigenous Pacific responses to Anglo-American imperialism during and beyond the decolonization period of the late twentieth century. While the relationship between Britain and the US has been analyzed through prominent forms of economic and cultural exchan...
Exploring Seriality on Screen
This collective book analyzes seriality as a major phenomenon increasingly connecting audiovisual narratives (cinematic films and television series) in the 20th and 21st centuries. The book historicizes and contextualizes the notion of seriality, combining narratological, aesthetic, industrial, philosophical, and political perspectives, showing how seriality as a paradigm informs media convergence and resides at the core of cinema and television history. By associating theoretical considerations and close readings of specific works, as well as diachronic and synchronic approaches, this volume offers a complex panorama of issues related to seriality including audience engagement, intertextual...
