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This book is a collection of chapters on dermatoscopy, which is a fast, easy-to-learn, low-cost, and non-invasive diagnostic method utilizing the Rayleigh scattering phenomenon to visualize epidermal and subepidermal structures. Dermatoscopy has become increasingly popular for allowing visualization of structures that are impossible to see with the naked eye. Its use provides insight into the biological potential of skin lesions, enabling efficient management and follow-up. The book focuses on the features of some of the most common skin neoplasms, such as combined nevi, as well as those that are more challenging to assess, such as pigmented lesions of the eyelid margins. It also provides novel insights into the role of dermatoscopy in palmoplantar dermatoses and discusses precautions in dermatoscopy during the SARS-CoV2 pandemic.
This book studies the key genres in contemporary Japanese cinema through analysis of their key representative films. It considers both those films whose generic lineage is clearly definable (samurai, yakuza, horror) as well as the singularity of several r
The first book of poems by the great Japanese surrealist to be published in English In 1923, Shuzo Takiguchi’s first year at Tokyo’s Keio University was cut short by the Great Kanto Earthquake, which nearly destroyed the Japanese capital. When he returned to school two years later, he was hit by a second earthquake—French Surrealism. Takiguchi (1903–1979) began to write surrealist poems, translate surrealist writers, curate exhibitions of surrealist art, write art criticism, and, later, paint, helping introduce Surrealism to Japan. He eventually became a major Japanese artistic and cultural figure whose collected works number fourteen volumes. In A Kiss for the Absolute, Mary Jo Bang...
From the revered classics of Akira Kurosawa to the modern marvels of Takeshi Kitano, the films that have emerged from Japan represent a national cinema that has gained worldwide admiration and appreciation. Directory of World Cinema: Japan provides an insight into the cinema of Japan through reviews of significant titles and case studies of leading directors, alongside explorations of the cultural and industrial origins of key genres. As the inaugural volume of an ambitious series from Intellect documenting world cinema, the directory aims to play a part in moving intelligent, scholarly criticism beyond the academy by building a forum for the study of film that relies on a disciplined theoretical base. It takes the form of an A–Z collection of reviews, longer essays and research resources, accompanied by fifty full-colour film stills highlighting significant films and players. The cinematic lineage of samurai warriors, yakuza enforcers and atomic monsters take their place alongside the politically charged works of the Japanese New Wave, making this a truly comprehensive volume.
This book describes the use of dermatoscopy to diagnose a wide spectrum of non-pigmented skin diseases. This is particularly important as the absence of pigment renders these lesions particularly challenging to diagnose. The book uses clinical cases, modeling when a dermatologist is presented with a patient presenting with non-pigmented lesions. Dermatoscopy opens a new and very wide field of skin appearance that cannot be seen with the naked eye and, with appropriate training and the use of this book, improves clinical diagnosis of non-pigmented lesions. Dermatoscopic Atlas of Non-Pigmented Lesions: Case-based Analysis and Management Options adds significantly to the analysis of cases from the editors’ previous volumes by teaching the technique through specially selected, complex and interesting clinical cases and providing the reader a thorough understanding of the techniques and methodologies associated with diagnosis using dermatoscopy. This book represents a valuable addition to pre-existing literature and enhance clinicians to expand their dermatoscopic skills and improve their daily practice.
At a critical point in the development of photography, this book offers an engaging, detailed and far-reaching examination of the key issues that are defining contemporary photographic culture. Photography Reframed addresses the impact of radical technological, social and political change across a diverse set of photographic territories: the ontology of photography; the impact of mass photographic practice; the public display of intimate life; the current state of documentary, and the political possibilities of photographic culture. These lively, accessible essays by some of the best writers in photography together go deep into the most up-to-date frameworks for analysing and understanding photographic culture and shedding light on its histories. Photography Reframed is a vital road map for anyone interested in what photography has been, what it has become, and where it is going.
In the modern lexicon, ‘object’ refers to an entity that is materially constituted, spatially defined, and functionally determined. In contrast, the Latin word ‘fantasia’ has, since antiquity, referred to an apparition or the ability to imagine something that could be equally an object, an image, or a concept. This tension prompts further inquiry into the interrelations and differences between the experience of tangible objects (their perception and handling) and the creation of new objects (their conception and formation). What correlations exist between object fantasies, the self-consciousness of subjects, and the concrete and imagined conditions of human beings’ social lives? By addressing this question, this interdisciplinary book opens new perspectives in the field of object studies.
Circulation and Urbanization is a theorisation of ′the urban′ and an interrogation of the question, ′what is the relation between circulation and power?′, among others.
Despite the censorship of dissident material during the decade between the Manchurian Incident of 1931 and the outbreak of the Pacific War in 1941, a number of photographers across Japan produced a versatile body of Surrealist work. In a pioneering study of their practice, Jelena Stojkovic draws on primary sources and extensive archival research and maps out art historical and critical contexts relevant to the apprehension of this rich photographic output, most of which is previously unseen outside of its country of origin. The volume is an essential resource in the fields of Surrealism and Japanese history of art, for researchers and students of historical avant-gardes and photography, as well as forreaders interested in visual culture.
The first book to apply the concept of the 'minor' to the theory of photography. The notion of the minor, developed by Gilles Deleuze and Félix Guattari in Kafka, Towards a minor literature (1975), is introduced and connected applied here for the very first time to the field of photography theory. Deleuze and Guattari defined minor literature in terms of deterritorialization, politicization and collectivization. By transferring 'the minor' to the medium of photography, this book enlarges the idea of 'the minor' and opens it up to all kinds of mutations in the process. The essays gathered in this book discuss the ways in which photography can make the dominant codes of representation stammer...