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Dr Sagona has conducted many seasons of excavation and survey work in eastern Turkey. This extravagantly illustrated book traces the history of the region from the beginning of settled life (c.11,000-5,500 BC) to the spread of Islam and the resplendent Ottoman period that followed. Among its fascinating subjects are details of the obsidian trade, the emergence of agriculture and stock-breeding; the development of metallurgy; the rise of a merchant class; the constantly changing political boundaries under the Urartians, Hittites and Persians; the Roman and Christian periods; and the Arab Conquest followed by the invasion of the Seljuks and their wonderful arts. The text is supported by the rare and beautiful photography of the sites and monuments, and of artefacts produced by the many different peoples who have inhabited this fascinating region.
Pictorial history celebrating 25 years of The Victorian College of the Arts. Founded in 1972 the school draws upon its distinguished antecedent institutions such as the National Gallery of Victoria Art School, Ballet Victoria School and Melbourne Teachers College. Highlights the aims of the College, such as nourishing artistic talent and passing it on to the next generation by teaching and mentoring. Illustrated throughout with photos and includes chapters on each school, interviews and references. Foreword by Governor of Victoria Sir James Gobbo. Simultaneously published in hardcover and paperback.
Jointly published by the National Gallery of Victoria and Macmillan Publishers Australia this book is the first publication to document in depth the nature, extent and history of the National Gallery of Victorias celebrated glass collection. Its author, and expert on the art of glass, Geoffrey Edwards, has selected the most magnificent works from the collection, each reproduced in colour, as the basis for a broader discussion of the history of glassmaking in the worlds leading production centres, from the ancient Mediterranean to the present day. With fine photographs by Garry Sommerfeld, this book provides a most spectacular visual array.
Hanna Kay describes her journal, begun in summer 2003, as a dialogue between one and oneself. She says: 'Keeping a journal is like meeting this person inside me head-on'. And that person is an artist whose journal helps the reader understand something of the way an artist thinks. Both her journal and the paintings produced in her studio measure the passing of the seasons and the artist's emotional empathy with the Australian landscape the and living things about her as she responds to the seasonal changes wrought by Nature. She says: 'The locals [in rural NSW] refer to my Studio as "the shed". For me the 200 square metres framed by iron-bark posts and corrugated iron, is a sanctuary in which I dare to experiment, question, or be idle. The solid structure and the five acres that surround it protect me from the world's follies.' Her observations of the environment are recorded poetically, her own musing interspersed with references to world literature. The book is dedicated: 'To Nature, while she's still around'.
Grahame Kings life as an artist began with his mastery of the new art of colour reproduction as a photolithographic colour etcher in Melbourne in the 1930s. At the same time, study at the National Gallery Art School with George Bell assisted his development as a painter. After war service and travels abroad, King returned to Melbourne with his wife, the sculptor Inge King. The two held a number of joint exhibitions of paintings and sculptures in Australia throughout the 1950s and then, from c.1962 Grahame King turned his attention, increasingly, towards the art of lithography becoming a master in this field of printmaking. He has also devoted himself to promoting the art of lithography and printmaking generally through the Print Council of Australia. He is often called Australias patron saint of printmaking. The book examines his seven decades working as an artist in Melbourne and is lavishly illustrated with colour reproductions throughout.
Paintings by Brian Kewley of favourite places around Port Phillip and Westernport bays.
Exploring the rich variety of pictorial rhetoric in early modern northern European genre images, this volume deepens our understanding of genre's place in early modern visual culture. From 1500 to 1700, artists in northern Europe pioneered the category of pictures now known as genre, portrayals of people in ostensibly quotidian situations. Critical approaches to genre images have moved past the antiquated notion that they portray uncomplicated 'slices of life,' describing them instead as heavily encoded pictorial essays, laden with symbols that only the most erudite contemporary viewers and modern iconographers could fully comprehend. These essays challenge that limiting binary, revealing a ...
Cubism was a movement that changed fundamentally the course of twentieth-century art. It had far-reaching effects, both conceptual and stylistic, which are still being felt today. Described in 1912 by French poet and commentator Guillaume Apollinaire as 'not an art of imitation, but an art of conception', Cubism irreversibly altered art's relationship to visual reality. 'I paint things as I think them, not as I see them', Picasso said. Cubism and Australian Art examines for the first time the impact of this transformative art movement on the work of Australian artists, from the early 1920s to the present day. The authors argue that by its very nature, Cubism was characterised by variation an...
Arthur Boyd (1920-1999) produced numerous artworks based on the life and legends of St Francis of Assisi. This volume examines each of the artworks in detail, and each is reproduced (the pastels and tapestries in full colour). It also includes a discussion of the significance of St Francis in Italy and key Italian artistic renderings of the saint.
Collection of poems, essays and short stories by various Australian authors and contributors from other countries, renouncing violence as a way of solving conflict.