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An interdisciplinary environmental humanities volume that explores human-environment relationships on our permanently polluted planet. While toxicity and pollution are ever present in modern daily life, politicians, juridical systems, media outlets, scholars, and the public alike show great difficulty in detecting, defining, monitoring, or generally coming to terms with them. This volume’s contributors argue that the source of this difficulty lies in the struggle to make sense of the intersecting temporal and spatial scales working on the human and more-than-human body, while continuing to acknowledge race, class, and gender in terms of global environmental justice and social inequality. T...
Water plants of all sizes, from the 60-meter long Pacific Ocean giant kelp (Macrocystis pyrifera) to the micro ur-plant blue-green algae, deserve attention from critical plant studies. This is the first book in environmental humanities to approach algae, swimming across the sciences, humanities, and arts, to embody the mixed nature and collaborative identity of algae. Ranging from Medieval Islamic texts describing algae and their use, Japanese and Nordic cultural practices based in seaweed and algae, and confronting the instrumentalization of seaweed to mitigate cow methane release and the hype of algal photobioreactors, amongst many other standpoints, this volume comprehensively addresses the ancestors of terrestrial plants through appreciating their unique aquatic medium.
Through the prism of Jesse Lee Peterson's fascinating life experience and his history of grassroots community work on the streets of riot-torn South Central Los Angeles, this provocative book takes a critical look at the current civil rights establishment. With a foreword by best-selling ethicist Dennis Prager.
Contemporary audiences are often shocked to learn that in the late 19th and early 20th centuries, medical students around the world posed for photographic portraits with their cadavers; a genre known as dissection photography. Featuring previously unseen images, stories, and anecdotes, this book explores the visual culture of death within the gross anatomy lab through the tradition of dissection photography, examining its historical aspects from both photographic and medical perspectives. The author pays particular attention to the use of dissection photographs as an expression of student identity, and as an evolving transgressive ritual intricately connected to, and eventually superseding, the act of dissection itself.
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In this provocative book, Rev. Jesse Lee Peterson, the most outspoken critic of the civil-rights establishment in America today, lays bare its corrupt leadership, courageously taking aim at the bigest names?Jesse Jackson, Louis Farrakhan, Al Sharpton, Maxine Waters, among others?claiming they are nothing more than scam artists profiting off the hatred and disorder they foster in the black community. Peterson insists it's time to throw off the oppression of the established black leadership and stand for the American ideals of freedom, personal responsibility, free enterprise, and moral principle.