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Punk Football tells the story of how supporters have made the incredible journey from the terraces to the boardroom. The fan-ownership movement has touched every echelon of the game. There have been highs and lows, successes and failures, but through it all the dogged determination of fans to be more than paying customers has shone through.
Does the sight of half-scarves enrage you? Does transfer-deadline day make you want to throw a brick through the TV? Do the opening bars of goal music make your ears bleed? If the answer is 'yes', then this could be the book for you. Since English football's very own 'Year Zero' in 1992, the game has changed beyond recognition, rejecting the rough-and-ready days of the past. And like any change, not all of it has been welcome. The quality of the 'football product' might be better but it's come with spiralling levels of debt, yawning inequality and Neymar advertising batteries. These, and many other ills of the modern game, form Jim Keoghan's exploration of the nation's favourite pastime. Navigating a world populated by dodgy owners, celebrity referees and Ray Winstone's floating head, he searches for an answer to the question: Is it Just Me or is Modern Football S**t?
Evertonians know what it is to experience greatness. Since the club first came to life in 1878 there have been titles won, European adventures and trips to Wembley. The fans have seen records broken, legends make their mark, matches of undeniable class. Every decade that Everton have been in existence has yielded moments of wonder, games that supporters at the time have cherished for their entire lives and which fans of subsequent generations have looked back on with undeniable pride. From the earliest days, when St Domingo's first morphed into something recognisable as a modern football club, the whole span of Everton's narrative is covered here. Those earliest title wins, those earliest finals, Dean, Lawton, Hickson, the Holy Trinity, Latchford, the glory of Kendall, the agony of Wimbledon, the joy of Royle and restoration under Moyes. Everton Greatest Games is more than just a selection of the moments that have stirred the soul of Blues. It is the story of Everton, the tale of how a church team grew into an English giant.
The 1990s, what a time to be an Evertonian! Brushes with relegation, financial ups and downs, a club drifting without purpose; it was a decade that saw Everton fall off the pace, abandoning the club's long-held position as a member of English football's elite. Highs, Lows & Bakayokos explores this trans-formative time for one of the game's oldest and grandest clubs. It searches for the causes of Everton's troubles, looking for reasons why peers raced away, grasping the opportunities presented by the dawning of the Sky-era. But it seeks to redefine this often maligned decade too. Memorable games, silverware and moments of unadulterated elation; the 1990s was a time of emotional intensity, an era that moved fans in ways that have been all-too-absent at Goodison Park during the stable years of the past decade.
Showcasing a robust conceptual model primed for use in future studies, this work offers a close analysis of the culture of the fast-moving football club ownership world, football fandom and consumption, and what it might mean for the future of the sport.
This inspirational book charts the history of the anti-racism movement in English football and beyond, shining a light on both the divisive and unifying power of the beautiful game. Discover the star footballers, which include the likes of Arthur Wharton, Walter Tull and Clyde Best from the early days, to the modern greats such as Raheem Sterling, Marcus Rashford and Bukayo Saka who have faced and fought racial bigotry on the pitch and helped advance the cause. There are also commentaries and insights from coaches, referees as well as grassroots activists who are prominent voices in the mainstream and social media. Features inspiring vox pops from young, modern-day aspiring players and fans from different ethnic backgrounds, explaining their experiences and their own battle (and triumphs) to be treated equally on the pitch and in society.
This book explores how recent football fiction has negotiated the decisive political developments in English football after the 1989/90 publication of the 'Taylor Report'. A direct response to the 1989 Hillsborough Disaster and growing concerns of hooliganism, the 'Taylor Report' suggested a number of measures for stricter regulation of fan crowds. In consequence, stadiums in the top divisions were turned into all-seated venues and were put under CCTV surveillance. The implementation of these measures reduced violent incidents drastically, but it also led to an unparalleled increase in ticket prices, which in turn significantly altered the demographics of the crowd. This development, which also enabled football's entry into other mainstream cultural forms, changed the game decisively. Piskurek traces patterns across prose and film to detect how these fictions have responded to the changed circumstances of post-Taylor football. Lending a cultural lens to these political changes, this book is pioneering in its analysis of football fiction as a whole, offering a fresh perspective to a range of scholars and students interested in cultural studies, sociology, leisure and politics.
The 1990s, what a time to be an Evertonian! After a decade of success in the 1980s which saw Everton triumphant, the 1990s brought brushes with relegation, financial ups and downs, and a club drifting without purpose. It was a decade that saw Everton fall off the pace, abandoning the club's long-held position as a member of English football's elite. Highs, Lows and Bakayokos explores this transformative for one of the game's oldest and grandest clubs. It searches for the causes of Everton's troubles, looking for reasons why peers raced away, grasping the opportunities presented by the dawning of the Sky-era. But it seeks to rescue and redefine this often maligned decade too. Memorable games, silverware and moments of unadulterated elation; the 1990sa was a time of emotional intensity, an era that moved fans in ways that have been all absent at Goodison Park during the recent era of stability. Book jacket.
Liverpool’s dynamic music scene gave the world The Beatles. What city could hope to follow that? But 12 years later, in 1974, lightning nearly struck twice. Deaf School were a band formed in John Lennon’s old art college, rehearsing in the very same rooms. With their chaotic and wildly entertaining brand of rock cabaret, Deaf School were tipped for instant stardom and signed up by Warner Brothers in California. But suddenly, with the world at their feet, Deaf School were swept aside by Britain’s punk rock revolution. “A great band,” said the Sex Pistols’ manager Malcolm McLaren. “But it’s just as bad being too early as too late.” Though their hopes were dashed the band has never surrendered. And 40 years on, Deaf School’s influence is acknowledged by British bands from Madness to Dexy's Midnight Runners. Their reunion shows, still madly glamorous and eccentric, are tribal gatherings for a fanbase that never forgot them. The band’s first full-length biography is written by British music writer Paul Du Noyer, a follower since Deaf School’s early days in Liverpool. “Deaf School are such a delicious secret,” he says. “It’s almost a shame to reveal it.”