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Sexuality and Subordination
Sexuality and Subordination uses the insights of a range of disciplines to examine the construction of gender in nineteenth-century Britain and France. With contributions from history, literature, sociology and philosophy, its interdisciplinary approach demonstrates the extent to which a common focus can illuminate problems inaccessible to any single discipline. 'Victorianism' is generally understood to mean sexual double standards, hypocrisy and prudery among the middle classes. But, as this collection shows, the representation of sexuality in the nineteenth century was more diverse and complex than is sometimes realized. Both art and literature point to the deployment of sexual metaphors and imagery, and the language of educated public opinion was shaped by the dichotomy between mind and matter, between rationality and sexuality. The contributors to this volume explore how women, in questioning their subordination, had to challenge a construction of femininity which imposed sexual ignorance.
Cultures of Empire
The contributors include Joanna de Groot, Nancy Leys Stephan, Gyan Prakash, John Barrell, Nicholas Thomas and Patricia Hayes.
Reports of Cases Decided in the Court of Chancery of the State of New Jersey
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Reports of Cases Determined in the Court of Chancery And, on Appeal, in the Court of Errors and Appeals of the State of New Jersey
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Reports of Cases Determined in the Court of Chancery, And, on Appeal, in the Court of Errors and Appeals of the State of New Jersey
description not available right now.
Gender, Imperialism and Global Exchanges
Gender, Imperialism and Global Exchanges presents a collection of original readings that address gendered dimensions of empire from a wide range of geographical and temporal settings. Draws on original research on gender and empire in relation to labour, commodities, fashion, politics, mobility, and visuality Includes coverage of gender issues from countries in Africa, the Americas, Europe, and Asia between the eighteenth to twentieth centuries Highlights a range of transnational and transregional connections across the globe Features innovative gender analyses of the circulation of people, ideas, and cultural practices
American Missionaries in Iran during the 1960s and 1970s
This work explores the interaction of American Protestant missionaries with Iranians during the 1960s and 1970s. It focuses on the missionary activities of four American Protestant groups: Presbyterians, Assemblies of God, International Missions, and Southern Baptists. It argues that American missionaries’ predisposition toward their own culture confused their message of the gospel and added to the negative perception of Christianity among Iranians. This bias was seen primarily in the American missionaries’ desire to modernize Iran through education and healthcare, and between the missionaries’ relationship with Iranian Christians. Iranian attitudes towards missionary involvement in these areas are investigated, as is the changing American missionary strategy from a traditional method where missionaries had the final say on most matters related to American and Iranian Christian interaction, to the beginnings of an indigenous system where a partnership developed between the missionary and the Iranian Christian.
Europe, Empire, and Spectacle in Nineteenth-Century British Music
This volume illuminates musical connections between Britain and the continent of Europe, and Britain and its Empire. The seldom-recognized vitality of musical theatre and other kinds of spectacle in Britain itself, and also the flourishing concert life of the period, indicates a means of defining tradition and identity within nineteenth-century British musical culture. The objective of the volume has been to add significantly to the growing literature on these topics. It benefits not only from new archival research, but also from fresh musicological approaches and interdisciplinary methods that recognize the integral role of music within a wider culture, including religious, political and social life. The essays are by scholars from the USA, Britain, and Europe, covering a wide range of experience. Topics range from the reception of Bach, Mozart, and Liszt in England, a musical response to Shakespeare, Italian opera in Dublin, exoticism, gender, black musical identities, British musicians in Canada, and uses of music in various theatrical genres and state ceremony, and in articulating the politics of the Union and Empire.
