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Considers the legitimacy and authority of international law, showing how it can be more than simply an exercise of power.
Temos o prazer de lançar o primeiro livro internacional do ano de 2022 voltado a área do desenvolvimento, que tem como título Principles and concepts for development in nowadays society, essa obra contém 152 artigos voltados a área multidisciplinar, sendo a mesma pela Seven Publicações Ltda. A Seven Editora, agradece e enaltasse os autores que fizeram parte desse livro. Desejamos uma boa leitura a todos
The twin-island state of São Tomé and Príncipe, located in the Gulf of Guinea, is the second smallest African country, after the Seychelles. The essays of this collection highlight crucial periods and important events in the country’s varied and eventful history, which spans more than 500 years. Portugal colonised the islands twice in significantly different economic and historical contexts: first, in the sixteenth century during its maritime expansion, and secondly in the latter half of the nineteenth century, at the beginning of the colonisation of Africa by European powers. In these two periods, the small islands played a pioneering role in the economic history of sugar and cocoa, respectively. Following independence in 1975, the country’s economic development has fallen far short of expectations and consequently its dependence on foreign aid has persisted. Nevertheless, external observers have considered the archipelago of 225,000 inhabitants to be a model of parliamentary democracy in Africa.
Rescues the libertarian sentiment of the late 19th century , when addressing the last rebellion in Goiana , Pernambuco province. Paulo Cavalcanti examines how the Pernambuco reacted against the will and the Portuguese rule , and his report addresses the crucial moment in 1871, marked by political crises and the great dissatisfaction with the Portuguese monopoly on trade, which has remained unchanged even after several insurgent movements.
Opera in the Tropics is an engaging exploration of theater with music in Brazil from the mid 1500s to the early 1820s. Author Rogério Budasz delves into the practices of the actors, singers, poets, and composers who created and performed Jesuit moral plays, Spanish comedias, and Portuguese vernacular operas and entremezes during the colonial period, as well as the Italian operas that celebrated the new independent nation in 1822. A Brazilian producer claimed in 1825 that the goal of music-theater was to instruct, entertain, and distract the population. Budasz argues that this threefold goal had in fact been present throughout the colonial period, in different combinations and with different...
This issue of the Portuguese Studies Review features essays by José D’Assunção Barros, George Bryan Souza, Lorraine White, Stefan Halikowski-Smith, José Mauricio Saldanha Álvarez, Francisco Carlos Palomanes Martinho, Carlos Cordeiro and Artur Boavida Madeira†, Vanessa Ribeiro Simon Cavalcanti, Marzia Grassi, Suzy Casimiro, and Douglas Wheeler. The topics range from Galego-Portuguese troubadour poetry in the thirteenth century to Portuguese colonial administration and the Indian Ocean trade, lineage histories of sixteenth- to seventeenth-century noble families involved in imperial administrative service, (re)interpretive synopses of the Portuguese overseas expansion, art as political theater in colonial Brazil, Vargas and labour policy in Brazil in terms of multiple transitions from traditionalism to modernity, the beginnings of Azorean immigration to Canada, human rights and women's rights in Brazil, local markets in Cape Verde, Portuguese immigration to Australia, and the military historiography of Portuguese-influenced Africa.