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“L’Étrurie est à la mode”, French archaeologist Salomon Reinach bluntly stated in 1927. Since the beginning of the nineteenth century, Etruria had not only been attracting the attention of archaeologists and specialists of all sorts, but it had also been a fascinating and, in some cases, captivating destination for poets, novelists, painters and sculptors from all over Europe. This volume deals with the impact of the constantly expanding knowledge on the Etruscans and their mysterious civilisation on Italian, French, English, and German literature, arts and culture, with particular regard to the modernist period (1890–1950). The volume brings a distinctive point of view to the subj...
Who are we? Who do we want to become? How do we imagine our futures? Located at the intersection of theory and practice, this anthology brings together the voices of scholars, graduate students, and educational practitioners as they explore foundational concepts that inform questions of identity and citizenship and shape the way we think about the future. Concepts - such as narrative, dreams, imagination, and hope - are explored from both a philosophical perspective and from the perspective of young people from Israel and Germany who reflect on their own experiences. (Series: Political Philosophy and Anthropological Studies / Politische Philosophie und Anthropologische Studien - Vol. 3)
German art student Otto Schubert was 22 years old when he was drafted into the Great War. As the conflict unfolded, he painted a series of postcards that he sent to his sweetheart, Irma. During the battles of Ypres and Verdun, Schubert filled dozens of military-issued 4” x 6” cards with vivid images depicting the daily realities and tragedies of war. Beautifully illustrated with full-color reproductions of his exquisite postcards, as well as his wartime sketches, woodcuts, and two lithograph portfolios, Postcards from the Trenches is Schubert's war diary, love journal, and life story. His powerful artworks illuminate and document in a visual language the truths of war. Postcards from the...
A groundbreaking account of the Nazi-Islamist alliance that changed the course of World War II and influences the Arab world to this day
First published in 1981. Routledge is an imprint of Taylor & Francis, an informa company.
In this beautifully illustrated and closely argued book, a completely updated and much expanded third edition of his magisterial survey, Curl describes in lively and stimulating prose the numerous revivals of the Egyptian style from Antiquity to the present day. Drawing on a wealth of sources, his pioneering and definitive work analyzes the remarkable and persistent influence of Ancient Egyptian culture on the West. The author deftly develops his argument that the civilization of Ancient Egypt is central, rather than peripheral, to the development of much of Western architecture, art, design, and religion. Curl examines: the persistence of Egyptian motifs in design from Graeco-Roman Antiquity, through the Medieval, Baroque, and Neo-Classical periods rise of Egyptology in the nineteenth and twentieth-century manifestations of Egyptianisms prompted by the discovery of Tutankhamun’s tomb various aspects of Egyptianizing tendencies in the Art Deco style and afterwards. For students of art, architectural and ancient history, and those interested in western European culture generally, this book will be an inspiring and invaluable addition to the available literature.
"Based on three slightly differently organised manuscripts"--P. [7]
Tocharian and Indo-European Studies is an international scholarly journal dedicated to the study of two closely related Indo-European languages, Tocharian A and B, attested in Central Asian manuscripts from the second half of the first millennium AD. This volume contains 11 articles by some of the world's leading specialists on Tocharian, as well as reviews of the most important publications in the field. The important article by Werner Winter was one of the last to be written by this outstanding scholar.
This volume reprints — with additions and corrections — seven papers originally published 1962–1973, on the indigenous grammars of Tibet and their linguistic tradition. Two ancient treatises commonly attributed to “Thon-mi Sambhoṭa” are studied extensively, as well as extracts from many other Tibetan texts, with translations, commentaries, and detailed bibliographical data, covering a wide range of linguistic doctrines, from the early 11th to the beginning of the 20th century. The final article incorporates a complete grammatical sketch of Classical Tibetan; this, together with the comprehensive indexes of Tibetan and Indic grammatical and technical terms, proper names, titles, etc., will facilitate the use of the volume as a basic reference-source for all future work on the Tibetan grammarians.
This book is the first fascicle in a series that is designed as a reader's Companion to a Sourcebook that presents all written sources with regard to Hunnic Peoples in Central and South Asia from the 4th to the 6th centuries of the Common Era. Both these books are the outcome of an international research project, funded by the European Research Council, which aimed at collecting and exploring the texts regarding the Eastern, non-European Huns in more than a dozen original languages. The first fascicle of the Companion Series focuses on the history of Hunnic People in South Asia, where they are known as Hūṇa in Sanskrit literature or Alkhan according to their own coinage. These Alkhan ente...