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Hedwig and the Angry Inch
Tells the story of transsexual rocker Hedwig Schmidt, an East German immigrant whose sex change operation has been botched and who finds herself living in a trailer park in Kansas.
Mitchell and Trask's Hedwig and the Angry Inch
'... love creates something that was not there before.' – Hedwig John Cameron Mitchell and Stephen Trask’s Hedwig and the Angry Inch opened on Valentine’s Day,1998, in New York City, and ever since, it and its genderqueer heroine have captivated audiences around the world. As the first musical to feature a genderqueer protagonist as its lead, the show has had an extraordinary life on film, Broadway and in the music field. A glam rock musical with a complex relationship to issues related to art, eroticism and matters of identity formation, Hedwig and the Angry Inch is a darkly exuberant fairy tale about a child that discovers she is one of a kind, but also potentially among her own kind, if she dares travel past borders that confine and try to stabilise her being and identity. Caridad Svich examines this exhilarating work through the lenses of visual and vocal rock ’n’ roll performance, the history of the American musical, and its positioning within LGBTIQ+ theatre.
The the World Below the Brine
Nineteenth-century poet Walt Whitman employs the language of his day to express a wonder about the world below the sea that is timeless.
The Advocate
The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.
Technical Difficulties: Plays for Online Theatre
This collection of socially distant shorts is designed to be performed on the internet as well as the stage. Playful and inventive, TECHNICAL DIFFICULTIES taps into the delights and frustrations of staying connected. HEY STRANGER by Steph Del Rosso. Years after a messy breakup, Eve and Gideon reunite. What could go wrong? Possibly everything. A comedy about mixed signals and bad internet, loneliness and autonomy. And one very precocious high schooler. (1M, 2W.) OYSTER by Elaine Romero. Marisela negotiates a potential opportunity in a border world where kids live in government cages and being bilingual comes at a price. (1W.) INTRO TO FICTION (VIRTUAL) by Ken Urban. During office hours, a pro...
Hedwig and the Angry Inch
Hedwig and the Angry Inch, "the best rock musical ever" (Rolling Stone) follows the journey of "internationally ignored song stylist" Hedwig Schmidt, victim of a botched sex-change operation, as dazzlingly recounted by Hedwig (née Hansel) herself in the form of a lounge act, backed by the rockband The Angry Inch, and transported to the Belasco Theatre "for one night only" and taking over the set for Hurt Locker: The Musical. This is the original text from the Broadway production of John Cameron Mitchell and Stephen Trask’s landmark American musical.
The Beautiful Room Is Empty
When the narrator of White's poised yet scalding autobiographical novel first embarks on his sexual odyssey, it is the 1950s, and America is "a big gray country of families on drowsy holiday." That country has no room for a scholarly teenager with guilty but insatiable stirrings toward other men. Moving from a Midwestern college to the Stonewall Tavern on the night of the first gay uprising--and populated by eloquent queens, butch poseurs, and a fearfully incompetent shrink--The Beautiful Room is Empty conflates the acts of coming out and coming of age. "With intelligence, candor, humor--and anger--White explores the most insidious aspects of oppression.... An impressive novel."--Washington Post book World
Hello Again
THE STORY: Ten nameless characters pair up in ten different scenes of sexual pleasure and/or despair. One character from each scene moves on to the next, seemingly dumping his old partner in favor of new prey. The play begins in 1900 with a Prostit
Language and Power on the Rhetorical Stage
Through a fusion of narrative and analysis, Language and Power on the Rhetorical Stage examines how theater can enact critical discourse analysis, and how micro-instances of iniquitous language use have been politically and historically reiterated to oppress and deny equal rights to marginalized groups of people. Drawing from Aristophanes' rhetorical plays as a template for rhetoric in action, the author poses the stage as a rhetorical site whereby we can observe, see, and feel 20th-century rhetorical theories of the body. Using critical discourse analysis and Judith Butler’s theories of the performative body as a methodological and analytical lens, the book explores how a handful of Ameri...
Diary of a Drag Queen
Longlisted for the Polari First Book Prize 2020 Life's a drag... Why not be a queen? 'Stories like the one where you shagged a 79-year-old builder and knocked over his sister's ashes while feeding him a Viagra. Or the time you crashed your car because you were giving a hand job in barely moving traffic and took your eye off the car in front. That's the kind of dinner-party ice-breaker I'm talking about.' Northern, working-class and shagging men three times her age, Crystal writes candidly about her search for 'the one'; sleeping with a VIP in an attempt to become a world famous journalist; getting hired and fired by a well-known fashion magazine; being torn between losing weight and gorging on KFC; and her need for constant sexual satisfaction (and where that takes her). Charting her day-to-day adventures over the course of a year, we encounter tucks, twists and sucks, heinous overspending and endless nights spent sprinting from problem to problem in a full face of make-up. This is a place where the previously unspeakable becomes the commendable - a unique portrayal of the queer experience. (c) 2019, Crystal Rasmussen (P) 2019 Penguin Audio
