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"By contrasting American experience with the Canadian context, which includes a unique Quebec identity and a Native dimension, Sandra Alfoldy argues that the development of organizations, advanced education for craftspeople, and exhibition and promotional opportunities have contributed to the distinct evolution of professional craft in Canada over the past forty years. Alfoldy focuses on 1964-74 and the debates over distinctions between professional, self-taught, and amateur craftspeople and between one-of-a-kind and traditional craft objects. She deals extensively with key people and events, including American philanthropist Aileen Osborn Webb and Canadian philanthropist Joan Chalmers, the foundation of the World Crafts Council (1964) and the Canadian Crafts Council (1974), the Canadian Fine Crafts exhibition at Expo 67, and the In Praise of Hands exhibition of 1974. Drawing upon a wealth of previously unexploited materials, this richly documented survey includes descriptions and illustrations of significant works and identifies the challenges that lie ahead for professional crafts in Canada."--Pub. desc
This history of human origin studies covers a wide range of disciplines. This important new study analyses a number of key episodes from palaeolithic archaeology, palaeoanthropology, primatology and evolutionary theory in terms of various ideas on how one should go about such reconstructions and what, if any, the uses of such historiographical exercises can be for current research in these disciplines. Their carefully argued point is that studying the history of palaeoanthropological thinking about the past can enhance the quality of current research on human origins. The main issues in the present volume are the uses of disciplinary history in terms of present-day research concerns, the relative weight of cultural and other 'external' contexts, and continuity and change in theoretical perspectives. The book's overall approach is an epistemological one. It does not, in other words, primarily address anthropological data as such, but our ways of handling such data in terms of our most fundamental, but usually quite implicit theoretical presuppositions.
Longlisted for the 2017 Walter Scott Prize for Historical Fiction In the 1600s Sara de Vos loses her young daughter suddenly to illness. In her grief, she secretly begins painting a dark landscape of a girl watching a group of ice skaters from the edge of a wood. In 1950s New York, Martijn de Groot has At the Edge of a Wood hanging above his bed. Though it is a dark, peculiar painting, he holds it dear and when it is stolen, he is bereft. In Brooklyn, struggling art student Ellie Shipley accepts a commission to paint an intricate forgery of the painting, not realising that her decision will come to haunt her successful academic career. Gorgeously written, brilliantly conceived and executed, filled with tension and revelation, The Last Painting of Sara de Vos is one of those rare books that stops time as you read it. This is a novel you will want to revisit for the sheer pleasure of watching a master at work.
The Ecology of Java and Bali is a comprehensive ecological survey of two of the most ecologically diverse islands in the Pacific. It also contains the results of original research, interviews and personal experience. It will be useful to resource managers, ecologists and government planners, as well as to all others interested in the region. Java and Bali are the best known of all the islands in the Indonesian archipelago. Nowhere else in the country are ecological issues of such importance, and nowhere else is there a better chance of the major development problems being solved. This is because Java has the greatest concentration of development projects, the densest population, excellent human resources, and the interest of many of the most powerful decision makers. Bali, meanwhile, has the eyes of the world on it as an important tourist destination enjoyed by both domestic and foreign visitors.