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Dictionary of the Undoing
For John Freeman - literary critic, essayist, editor, poet and 'one of the preeminent book people of our time' (Dave Eggers) - it is a rare moment when words are not enough. But in the wake of the election of 2016, words felt useless, even indulgent. Action was the only reasonable response. He took to the streets in protest and the sense of community and collective conviction felt right. But the assaults continued - on citizens' rights and long-held compacts, on the core principles of our culture and civilisation, and on our language itself. Words seemed to be losing the meanings they once had and Freeman was compelled to return to their defence. The result is his Dictionary of the Undoing. ...
Your Murderer
From Russia comes this ironic, satirical, multi-layered, modern pop-art parable by Vassily Aksyonov. Your Murderer is a richly grotesque hodgepodge of different linguistic levels that defies all rules and mixes a powerful cocktail out of traditional slogans, invented obscentities, foreign words and phrases, terminology from sports and heavy drinking, and pure nonsense. Daniel Gerould is Lucille Lortel Distinguished Professor of Theater and Comparative Literature at the City University of New York. He is the Editor of Slavic and East European Performance and of harwood academic publishers's Polish and East European Theater Archive series. Your Murderer comes from Russia and is an ironic, satirical, multi-layered, modern pop-art parable - richly grotesque and on different linguistic levels. that defies all rules, mixing a powerful cocktail out of traditional slogans, invented obscentities, foreign words and phrases, terminology from sports and heavy drinking, and pure nonsense.
Russian Mirror
The three playwrights presented together in this volume On the Road to Ourselves), Elena Gremina (Behind the Mirror) and Olga Mikhailova (Russian Dream). The selected plays contain many elements which will appeal to Western directors and audiences: well-drawn characters, engaging plots, lively wit. Central to the three plays selected in this volume is a complex interaction of Russian and Western value systems, a theme that becomes increasingly relevant for Russian audiences with each passing season and no less relevant for Europeans and Americans.
Abuse of Process
Based on actual civil investigations, Abuse of Process provides the readers with an inside look on how two individuals attempted to use the legal system of the Unites States to extort funds from a wealthy individual. The plan was very well orchestrated and was almost successful had it not been for a very thorough and complex investigation as well as the tenacity of the investigators and the defense attorney. The abuse of the legal system for any illegal or extortionate scheme cannot be tolerated in a democracy such as ours. The victim, Mr. Nelson Peltz received a lot of wide ranging and unfavorable publicity when the accusations were made however as usual, when exonerated, the coverage was minimal. WHERE CAN HE GO TO FULLY RESTORE HIS REPUTATION and to ensure that everyone that read or heard the unfounded allegations will read or hear about the extortion that was attempted against him?
Russian Comedy of the Nikolaian Rea
These four Russian comedies were written during the reign of Nicholas I, a period of considerable repression and censorship. They represent the most popular genres of the period. Lensky's Her First Night was an immensely popular vaudeville which held the stage for years; Kozma Prutkov's Fantasy is a parody of vaudeville which was banned after one night. Turgenev's Luncheon with the Marshal is a comedy of manners about provincial life, and Saltykov-Schedrin's Pazukhin's Death is a satire of greed and corruption so savage that it was forbidden during the author's lifetime. This collection constitutes a remarkable comic spectrum which will assist in enlarging the English language repertoire with a set of newly available and hightly stageworthy scripts.
Lyric Incarnate
Lyric Incarnate examines the plays of Aleksandr Blok, the pre-eminent poet of Russian Symbolism and one of the greatest poets of the twentieth century. Blok's plays have received less attention than his poetry in the West, and this book is the first and only English-language monograph devoted to Blok the playwright. In chronological succession, each of Blok's major plays is examined in detail. Special attention is accorded to Blok's relations with the major directors of his time, particularly Meyerhold and Stanislavsky. Blok's role, for instance, in Meyerhold's formulation of the theatre of the grotesque proved to be critical, and his relation to the Moscow Art Theatre just before the October Revolution helped to define the future course of that theatre. Blok's innovative dramatic technique is carefully studied at each stage in his career, from his earliest "lyric dramas" , such as A Puppet Show and The Stranger, to his great tragedy The Rose and the Cross.
The Death of Tarelkin and Other Plays
Sukhovo-Kobylin's "Trilogy - Krechinshy's Wedding, The Case"and "The Death of Tarelkin" represent the sole literary legacy of their aristocratic author whose involvement in a sensational murder case became one of the great scandals of mid-19th century Russian society. Out of the drama of his own life, Sukhovo-Kobylin fashioned a trilogy of plays remarkable for the acidity of their satire against the tsarist bureaucracy and police. It is not only for their pungent satire that the plays have continued to attract attention ever since. They are, above all, splendidly theatrical and encompass not one but several different traditions of theatre from the "well-made play" of Scribe to the absurd comedy of Gogol. "As for sheer stagecraft," writes Price D.S. Mirsky in his "A History of Russian Literature," "they have no rivals in Russian literary drama." Harold B. Segel is Professor of Slavic and Comparative Literature at Columbia University, New York. He is the author of ten books and numer
Register of Commissioned and Warrant Officers of the United States Naval Reserve
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