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Sara Richardson, a middle-aged clergyman’s wife, wakes up one morning with the thought that something out of the ordinary was going to happen. As she carried her coffee into the family room, the thought from earlier almost made her spill her coffee. She was told to go to the window near the front door, and look out. Not wanting to disobey what she thought might be a message from God, she does what it asked. The spot nearest the door was still in the shadows. As her eyes adjusted, she made out what appeared to be a body lying just feet from her door. Not believing what she saw, she closed her eyes then looked again. Sure enough, there was a body! It was an old woman, lying face down, her long white hair spread around her face. Who was this old woman and what was she doing on Sara’s front lawn? Was she alive, or God forbid dead? Follow Sara’s journey as she takes a leap of faith into doing what God asked of her, with no questions asked.
This multidisciplinary volume, the first of its kind, presents an account of China’s contemporary transformation via one of its most important yet overlooked cities: Shenzhen, located just north of Hong Kong. In recent decades, Shenzhen has transformed from an experimental site for economic reform into a dominant city at the crossroads of the global economy. The first of China’s special economic zones, Shenzhen is today a UNESCO City of Design and the hub of China’s emerging technology industries. Bringing China studies into dialogue with urban studies, the contributors explore how the post-Mao Chinese appropriation of capitalist logic led to a dramatic remodeling of the Chinese city and collective life in China today. These essays show how urban villages and informal institutions enabled social transformation through cases of public health, labor, architecture, gender, politics, education, and more. Offering scholars and general readers alike an unprecedented look at one of the world’s most dynamic metropolises, this collective history uses the urban case study to explore critical problems and possibilities relevant for modern-day China and beyond.
Arthur Beauchamp, a heralded criminal lawyer, has moved to a quiet island off the British Columbia coast. While trying to recover from a marriage gone sour, his retirement is interrupted by his former law partners—they want Arthur to take charge of the defense trial of Jonathan O'Donnell, the acting dean of a law school. O'Donnell has been accused of rape by one of the students, Kimberley Martin, a smart but arrogant woman who is engaged to a rich businessman. After much pleading, Beauchamp agrees to handle the case. He is drawn into complex legal situations dealing with gender and sex, while his personal life takes a provocative turn as well. A courtroom drama ensues, with unpredictable twists and bizarre events. This replaces 0771026730.
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In this absorbing analysis of modern Irish writing, an acknowledged expert considers the hybrid character of modern Irish writing to show how language, culture, and history have been affected by the colonial encounter between Ireland and Britain. Examining the great themes of loss and struggle, David Pierce traces the impact on Irish writing of the Great Famine and cultural nationalism and considers the way the work of Ireland’s two leading writers, W. B.Yeats and James Joyce, complicate and elucidate our view of "the harp and the crown.” The book draws a contrast between the West of Ireland in the 1930s, when the new Irish State enjoyed its first full independent decade, and the North of Ireland in the 1980s, when the spectre of British imperialism threatened the stability of Ireland. Pierce then surveys contemporary Irish writing and reflects on the legacy of the colonial encounter and on the passage to a postmodern or postnationalist Ireland in the work of such crucial living writers as John Banville, Derek Mahon, and John McGahern.
If you’ve ever had a medical check-up, did you wonder why they put a cuff around your forearm, gave it a squeeze, and made you sit still and quiet? Or why they asked you to open your mouth so they could stick a thermometer under your tongue? Or put that cold stethoscope against your chest while you took deep breaths followed by sticking a clothespin thingamabob on your finger? What’s up with all the gizmos and gadgets and why all the bother?
What’s up is that all of these instrumen...