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Portrays the cruelty of white "justice" and the courage of African men and women in preindependent Angola. It is the story of a tractor driver with nationalist sympathies who is arrested, tortured and murdered by the colonial police.
These three stories are set in the slums of Angola's capital, Luanda, during the 1940s and 1950s. Originally published in Portuguese, this book won the Writers' Society's Grand Prize for Fiction in 1965.
Our Musseque is a tale of growing up in one of the vibrant shanty towns (musseques) of Luanda during the 1940s and 1950s. Weaving back and forwards through his half-remembered childhood, the narrator draws us into a close-knit world of labourers, shopkeepers, drunks, prostitutes and determined women battling to bring up their families, as Angola hurtles towards the beginning of its armed struggle against Portuguese colonial rule. Meanwhile the children laugh, play, squabble and fight, puzzle at racial taunts and move rapidly through adolescence towards sexual awakening and a greater awareness of political realities around them. Written in prison in 1961-62 but not published until over 40 years later, the novel is shot through with a sense of nostalgia for the lost innocence of childhood and a community swept away by the encroaching city, together with the exhilaration, hopes and fears for what is about to come.
These three stories are set in the slums of Angola's capital, Luanda, during the 1940s and 1950s. Originally published in Portuguese, this book won the Writers' Society's Grand Prize for Fiction in 1965.
Context in Literary and Cultural Studies is an interdisciplinary volume that deals with the challenges of studying works of art and literature in their historical context today. The relationship between artworks and context has long been a central concern for aesthetic and cultural disciplines, and the question of context has been asked anew in all eras. Developments in contemporary culture and technology, as well as new theoretical and methodological orientations in the humanities, once again prompt us to rethink context in literary and cultural studies. This volume takes up that challenge. Introducing readers to new developments in literary and cultural theory, Context in Literary and Cult...
This volume brings together interviews on the topic of the postcolonial nation and its narrations with prominent writers from Angola and Mozambique. The interviewees offer personal insights into the history of post-independence Angola and Mozambique and into the role of the intellectual elite in the complex processes of deconstructing colonial heritage and (re)constructing national identity in a multinational or multiethnic state. Their testimonies provide a parallel narrative that complements the many fictional narrators found in Angolan and Mozambican novels, short stories and poems. The authors interviewed in the book are Luandino Vieira, Ana Paula Tavares, Boaventura Cardoso, José Eduardo Agualusa, Ondjaki and Pepetela from Angola; and João Paulo Borges Coelho, Marcelo Panguana, Mia Couto, Paulina Chiziane, Ungulani Ba Ka Khosa and Luís Carlos Patraquim from Mozambique.
Situates the cultures of Portuguese-speaking Africa within the postcolonial, global era.
The Caribbean imagination as framed within a Dutch historical setting has deep Portuguese-African roots. The Seven Provinces were the first European power, in the first half of the 17th century, to challenge the Iberian countries directly for a share in the slave trade. This book analyzes the philosophy underlying this transoceanic link, when contacts with Africa started to be developed. The ambiguous morality of the `air of liberty? governing the Afro-Portuguese past had its impact on the creole cultures (white, black, Jewish) of the Dutch territories of Suriname and Curacao. Although this influence is gradually disappearing, it is astonishing to witness the engagement with which writers an...
Now a firmly established part of world literature course offerings in many general education curricula, African literature is no longer housed exclusively with African Studies programs, and is often studied in English, French, Portuguese, Women's Studies, and Comparative Studies departments. This book helps fill the great need for research materials on this topic, presenting the best resources available for 300 African writers. These writers have been carefully selected to include both well-known writers and those less commonly studied yet highly influential. They are drawn from both the Sub-Sahara and the Maghreb, the major geographical regions of Africa. The study of Africa was introduced ...