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The Ascendancy of Finance
The global financial crisis of 2008 ushered in a system of informal decision-making in the grey zone between economics and politics. Legitimized by a rhetoric of emergency, ad hoc bodies have usurped democratically elected governments. In line with the neoliberal credo, the recent crisis has been used to realize the politically impossible and to re-align executive power with the interests of the finance industry. In this important book, Joseph Vogl offers a much longer perspective on these developments, showing how the dynamics of modern finance capitalism have always rested on a complex and constantly evolving relationship between private creditors and the state. Combining historical and th...
On Tarrying
Western culture has been marked by deep divisions between action and contemplation, intervention and passivity, and decisiveness and withdrawal. Conceived as radical opposites, these terms structure the history of religion, philosophy, and political theory, and have left their imprint on the most intimate processes of individual decision-making and geo-political strategies. But, in On Tarrying, Joseph Vogl argues for a third way, a mode of thought that doesn't insist on these divisive either/ors. Neither an active refusal to engage with the world nor a consistent strategy of resistance, tarrying, as defined by Vogl, defers, multiplies, and suspends the strictures of decision-making. In his f...
The Specter of Capital
In his brilliant interdisciplinary analysis of the global financial crisis, Joseph Vogl aims to demystify finance capitalism—with its bewildering array of new instruments—by tracing the historical stages through which the financial market achieved its current autonomy. Classical and neoclassical economic theorists have played a decisive role here. Ignoring early warnings about the instability of speculative finance markets, they have persisted in their belief in the inherent equilibrium of the market, describing even major crises as mere aberrations or adjustments and rationalizing dubious financial practices that escalate risk while seeking to manage it. "The market knows best": this is...
The Financial Image
The Financial Image: Finance, Philosophy, and Contemporary Film draws on a broad range of narrative feature films, documentaries, and moving image installations in the US, Europe, and Asia. Using frameworks from contemporary philosophy and critical finance studies, the book explores how contemporary cinema has registered recent financial and economic issues. The book focuses on how filmmakers have found formal means to explore, celebrate, and critique the increasingly important role that the financial sector plays in shaping global economic, political, ethical, and social life.
Economic Growth and the Origins of Modern Political Economy
Economic Growth and the Origins of Modern Political Economy addresses the intellectual foundations of modern economic growth and European industrialization. Through an examination both of the roots of European industrialization and of the history of economic ideas, this book presents a uniquely broad examination of the origins of modern political economy. This volume asks what can we learn from ‘old’ theories in terms of our understanding of history, our economic fate today, and the prospects for the modern world’s poorest countries. Spanning across the past five hundred years, this book brings together leading international contributors offering comparative perspectives with countries...
Transforming Topoi
Traditionen leben von der Dialektik der Wiederholung, die das Gleiche stets anders inszeniert. Sie speisen sich aus den Erinnerungen; an der Grenze von bedacht und selbstverständlich getan lassen sie sich nur als selbstverständliche Überzeugungen bestimmen. Aber wie ist es dennoch möglich, Traditionen zu beeinflussen? Der vorliegende Band widmet sich der Frage, wie man mit Traditionen Symbolpolitik machen kann. Was sind die Zumutungen der Traditionen, wenn sie politisch instrumentalisiert werden? Gibt es Grenzen der Manipulation, die im Wesen der jeweiligen Traditionen liegen und sie folglich definieren? Die BeiträgerInnen geben eine Vielzahl von Antworten, indem sie sich Topoi aus Mitt...
Towards the Critique of Violence
In the past two and a half decades, Walter Benjamin's early essay 'Towards the Critique of Violence' (1921) has taken a central place in politico-philosophic debates. The complexity and perhaps even the occasional obscurity of Benjamin's text have undoubtedly contributed to the diversity, conflict, and richness of contemporary readings. Interest has heightened following the attention that philosophers such as Jacques Derrida and Giorgio Agamben have devoted to it. Agamben's own interest started early in his career with his 1970 essay, 'On the Limits of Violence', and Benjamin's essay continues to be a fundamental reference in Agamben's work. Written by internationally recognized scholars, To...
Sea Fortune
This new series presents original scholarly and essayistic work addressing the central status of literature in and for the human sciences. At stake in the monographs and essay collections are paradigms of literary forms for thinking the human sciences: the knowledge involved in a literary work; how modes of reading and writing shape and depend on an epoch or area of thinking; literature's affinities and points of resistance to what we call the humanities and the sciences. In other words, the series examines how literature works with and upon philosophy, rhetoric, technology, anthropology, sociology, statistics, economics, history, experimental science, mathematics etc. Paradigms is primarily...
Mediating the Real
As a literary genre, the nonfictional reportage has particular implications for the role of the writer. Pascal Sigg shows how six U.S. American writers, including David Foster Wallace, George Saunders, and Rachel Kaadzi Ghansah, reflect on themselves as human media in their reportage. The writers assert themselves in a postmodern way by scrutinizing their own mediation. As it also traces and develops the theorization of reportage as genre along the reporters' early concerns with technical media, this pioneering contribution to literary journalism studies paves a way for a new materialist approach in the under-researched field.
