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Collections of scenes and texts designated variously as the "Book of the Earth," "Creation of the Solar Disc," and "Book of Aker" were inscribed on the walls of royal sarcophagus chambers throughout Egypt's Ramessid period (Dynasties 19-20). This material illustrated discrete episodes from the nocturnal voyage of the sun god, which functioned as a model for the resurrection of the deceased king. These earliest "Books of the Earth" employed mostly ad hoc arrangements of scenes, united by shared elements of iconography, an overarching, bipartite symmetry of composition, and their frequent pairing with representations of the double sky overhead. From the Twenty-First Dynasty and later, selections of programmatic tableaux were adapted for use in private mortuary contexts, often in conjunction with innovative or previously unattested annotations. The present study collects and analyzes all currently known Book of the Earth material, including discussions of iconography, grammar, orthography, and architectural setting.
Among the many scenes and texts that occur for the first time in the Nineteenth Dynasty cenotaph of Seti I at Abydos is a representation of the awakening of Osiris by Horus, which appears directly beneath a vignette depicting the transit of the solar barques. The annotations to this bi-partite tableau appear in a mixture of standard, hieroglyphic Egyptian and cryptographic scripts. Similar groups of scenes and texts occur in the Twentieth Dynasty royal tombs of Ramesses VI (KV9) and Ramesses IX (KV6), the Twenty-Second Dynasty tomb of Sheshonq III at Tanis (NRT5), and the Twenty-Sixth Dynasty private tomb of Mutirdis at Thebes (TT410). In addition, significant, albeit partial parallels occur...
This is the first synthesis on Egyptian enigmatic writing (also referred to as “cryptography”) in the New Kingdom (c.1550–1070 BCE). Enigmatic writing is an extended practice of Egyptian hieroglyphic writing, set against immediate decoding and towards revealing additional levels of meaning. The first volume consists of studies by the main specialists in the field. This second volume is a lexicon of all attested enigmatic signs and values.
This is the first synthesis on Egyptian enigmatic writing (also referred to as “cryptography”) in the New Kingdom (c.1550–1070 BCE). Enigmatic writing is an extended practice of Egyptian hieroglyphic writing, set against immediate decoding and towards revealing additional levels of meaning. This first volume consists of studies by the main specialists in the field. The second volume is a lexicon of all attested enigmatic signs and values.
Traditionally, writing--a graphic, multidimensional form of communication--has been approached as a vehicle for representing, and therefore conveying, the spoken word. Moving beyond this manner of analysis, this volume interrogates writing as a medium that is not simply a handmaiden to oral and aural exchange but a communication system that is richly layered and experienced. To exploit this aspect of visual code, scholars from the fields of Egyptology, Sinology, Hittitology, and Assyriology, together with Mesoamericanists, art historians, and a sign language specialist, are brought together in this volume. In its pages, these contributors incorporate into their analyses methods more commonly...
The thirty-nine articles in this volume, One Who Loves Knowledge, have been contributed by colleagues, students, friends, and family in honor of Richard Jasnow, professor of Egyptology at Johns Hopkins University. Despite his claiming to be just a demoticist, Richard Jasnow's research interests and specialties are broad, spanning religious and historical topics, along with new editions of demotic texts, including most particularly the Book of Thoth. A number of the authors demonstrate their appreciation for Jasnow's contributions to the understanding of this difficult text. The volume also includes other studies on literature, Ptolemaic history, and even the god Thoth himself, and features detailed images and abundant hieroglyphic, hieratic, demotic, Coptic, and Greek texts.
Written by specialists in the field of Egyptology, this book is a readable introduction to ancient Egypt, covering all anticipated subjects and stressing the monuments and material culture of this remarkable ancient civilization. The rich natural resources of ancient Egypt provided a wealth of raw material for its structures, sculptures, and art, while its geographic isolation helped to ensure the survival of its rich culture for centuries. While other references focus on the people and battles central to Egyptian history, this reference explores the material culture and social institutions of ancient Egypt. The book focuses on pharaonic Egypt, covering the period from roughly 5000 BCE to th...
This volume of collected studies takes stock of most recent developments in Egyptology and the Digital Humanities, considering future directions for the application of new technologies in Egyptology. The book presents the results of an international conference held in 2019 at Indiana University – Bloomington, in which Egyptologists and digital humanists with interest in Egyptology gathered in 2019 to present current projects in 3D modeling, virtual and augmented reality, game technology, digital pedagogy, database projects, computational and corpus linguistics and E-publications. Those projects, along with a selection of others that were not presented in Bloomington, are now described and discussed in this volume.
Just in time for the centennial of the discovery of Tutankhamun's tomb, this volume of studies dedicated to the leading expert on the "boy king" brings together scholars from all over the world to celebrate the career of C. Nicholas Reeves. It includes a biography and bibliography of Reeves along with cutting-edge discussions of a wide variety of topics concentrating on New Kingdom Egypt and Tutankhamun.
This book investigates Hellenistic popular religion through an interdisciplinary study of terracotta figurines of Egyptian deities, mostly from domestic contexts, from the trading port of Delos. A comparison of the figurines’ iconography to parallels in Egyptian religious texts, temple reliefs, and ritual objects suggests that many figurines depict deities or rituals associated with Egyptian festivals. An analysis of the objects’ clay fabrics and manufacturing techniques indicates that most were made on Delos. Additionally, archival research on unpublished notes from early excavations reveals new data on many figurines’ archaeological contexts, illuminating their roles in both domestic and temple cults. The results offer a new perspective on Hellenistic reinterpretations of Egyptian religion, as well as the relationship between “popular” and “official” cults.