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Many people consider Canada, particularly in comparison to its southern cousin, as a "peaceable kingdom." However, as the historical record demonstrates, Canadians have never been a thoroughly non-violent people. Violence in Canada highlights from an interdisciplinary perspective the major areas and contexts where violence takes place. Consisting of thirteen contributions, the book forms an indispensable guide to the subject. All of the authors are experts in their field, many with international reputations, and are drawn from the fields of sociology, political science, history, and criminology. The foreword by Ted Robert Gurr, author of Violence in America, is followed by an historical anal...
Many people consider Canada, particularly in comparison to its southern cousin, as a "peaceable kingdom." However, as the historical record demonstrates, Canadians have never been a thoroughly non-violent people. Violence in Canada highlights from an interdisciplinary perspective the major areas and contexts where violence takes place.Consisting of thirteen contributions, the book forms an indispensable guide to the subject. All of the authors are experts in their field, many with international reputations, and are drawn from the fields of sociology, political science, history, and criminology. The foreword by Ted Robert Gurr, author of Violence in America, is followed by an historical analy...
The Mountie may be one of Canada's best-known national symbols, yet much of the post-nineteenth century history of the Royal Canadian Mounted Police remains unexamined, particularly the period between 1914 and 1939, when the RCMP underwent enormous transformation. The nature of this transformation as it took place in Alberta and Saskatchewan - where the Mounties have traditionally dominated policing - is the focus of Steve Hewitt's Riding to the Rescue. During the 1914-to-1939 period, the nineteenth-century model of the RCMP was evolving into a twentieth-century version, and the institution that emerged responded to a nation that was being transformed as well. Forces such as industrializatio...
This volume examines 150 years of Canadian political life in light if one of the country's most intractable problems, its cultural identity. Although many thoughtful Canadians remain dubious about the existence of a truly Canadian way of life, Douglas Verney argues that in fact Canada's political traditions embody and reflect a unique culture; and that although the Canadian government has been the primary instrument for nurturing this culture, it has been at the same time the entity most guilty of obscuring and ignoring it.
This book explores how Canada is imagined primarily by US writers, and what readers and scholars on both sides of the Canada-US border can learn from these recent depictions by examining a selection of US-authored fiction from 9/11 to the present. The novels — and occasionally paintings, films, and musicals — that are the subject of the book provide a deliberately varied set of case studies to probe how US texts, along with works of art produced on both sides of the Canada-US border, uncover moments in Canadian historical and literary studies that have been buried or occluded to protect Canada's self-representation as an exceptional nation.
This book places itself at the nexus of current issues of violence, masculinity and power in the postcolonial context and its representation in its films in challenging, normalising, or contesting these major concerns of our times. The essays address the interplay of critical and theoretical insights both from literature and social studies in analysing the films based on societal violence in postcolonial cultures: be it in the context of sophisticated terrorism, suicide bombings, the underworld, any organised crime, mob violence etc. The writers look at the the dynamics of the representation of these issues as cinematic plots and techniques. They draw attention to the affective value of the ...
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