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The Romance of the Holy Land in American Travel Writing, 1790–1876
This book is the first to engage with the full range of American travel writing about nineteenth-century Ottoman Palestine, and the first to acknowledge the influence of the late-eighteenth-century Barbary captivity narrative on nineteenth-century travel writing about the Middle East. Brian Yothers argues that American travel writing about the Holy Land forms a coherent, if greatly varied, tradition, which can only be fully understood when works by major writers such as Twain and Melville are studied alongside missionary accounts, captivity narratives, chronicles of religious pilgrimages, and travel writing in the genteel tradition. Yothers also examines works by lesser-known authors such as Bayard Taylor, John Lloyd Stephens, and Clorinda Minor, demonstrating that American travel writing is marked by a profound intertextuality with the Hebrew and Christian scriptures and with British and continental travel narratives about the Holy Land. His concluding chapter on Melville's Clarel shows how Melville's poem provides an incisive critique of the nascent imperial discourse discernible in the American texts with which it is in dialogue.
The Cambridge Companion to Slavery in American Literature
The Cambridge Companion to Slavery in American Literature brings together leading scholars to examine the significance of slavery in American literature from the eighteenth century to the present day. In addition to stressing how central slavery has been to the study of American culture, this Companion provides students with a broad introduction to an impressive range of authors including Olaudah Equiano, Frederick Douglass, Harriet Beecher Stowe and Toni Morrison. Accessible to students and academics alike, this Companion surveys the critical landscape of a major field and lays the foundations for future studies.
Missionary of Reconciliation
Missionary of Reconciliation: The Role of the Doctrine of Reconciliation in the Preaching of Festo Kivengere of Uganda, 1971–1988 Alfred Olwa (Sydney, Australia) In the period 1971–1988, the Christian doctrine of reconciliation was central to Festo Kivengere’s preaching in Uganda and beyond. This doctrine so gripped Kivengere that it shaped his attitude to life, to others, and even to his enemies. He exhorted his audiences to be reconciled with God and then with their fellow human beings, as part of God’s remedy for a broken world. In his preaching, Kivengere depicts Jesus as a missionary of reconciliation who brings a fresh and alternative life, characterized by the reconciling love and peace from God. He preached the Christian doctrine of reconciliation into a Uganda where Christians lived under the horrors of Amin’s rule and its aftermath. According to Kivengere, the world changes through the preaching of the reconciliation centered in Jesus Christ.
Rethinking Islamic Studies
A groundbreaking response to the challenges of interpreting Islamic religion in the post-9/11 and post-Orientalist era Rethinking Islamic Studies upends scholarly roadblocks in post-Orientalist discourse within contemporary Islamic studies and carves fresh inroads toward a robust new understanding of the discipline, one that includes religious studies and other politically infused fields of inquiry. Editors Carl W. Ernst and Richard C. Martin, along with a distinguished group of scholars, map the trajectory of the study of Islam and offer innovative approaches to the theoretical and methodological frameworks that have traditionally dominated the field. In the volume's first section the contr...
As We See It
In As We See It, Suzanne Newman Fricke invites readers to explore the work and careers of ten contemporary Native American photographers: Jamison Banks, Anna Hoover, Tom Jones, Larry McNeil, Shelley Niro, Wendy Red Star, Beverly Singer, Matika Wilber, William Wilson, and Tiffiney Yazzie. Inspired by As We See It, an exhibition of these artists’ work cocurated by Fricke in 2015, the book showcases the extraordinary achievements of these groundbreaking photographers. As We See It presents dialogues in which the artists share their unique perspectives about the history and current state of photography. Each chapter includes an overview of the photographer’s career as well as examples of the...
Mothertrucker
'A beautifully written exploration of a woman's endeavour to let go of fear' JOEY SOLOWAY, creator of Transparent and I Love Dick 'An unputdownable page-turner . . . an adventure into the expanse of Alaska's wild . . . I never wanted this book to end' T KIRA MADDEN, author of Long Live the Tribe of Fatherless Girls 'There's truth and beauty on every page of this gorgeous and gripping book' CHERYL STRAYED, author of Wild Amy Butcher was an accomplished college professor, mentor and writer, but in her own home, she was embarrassed and emotionally burdened by an increasingly abusive relationship. Exhausted and terrified of the ways her partner's behaviour could escalate, Amy reached out to Inst...
The Cambridge Companion to Early American Literature
This book introduces readers to early American literary studies through original readings of key literary texts.
Historical Dictionary of NATO and Other International Security Organizations
The North Atlantic Treaty Organization (NATO) is a military alliance established by the signing of the North Atlantic Treaty on April 4, 1949. The treaty was signed by Belgium, the Netherlands, Luxemburg, France, United Kingdom, United States, Canada, Portugal, Italy, Norway, Denmark and Iceland. Today there are a total of 26 countries that belong to NATO. The Historical Dictionary of NATO and Other International Security Organizations covers the Atlantic Alliance's origins, structure and organization through a list of acronyms and abbreviations, a chronology, an introductory essay, a bibliography, and over 1,000 cross-referenced dictionary entries on its Secretaries-Generals, its Supreme Al...
René Girard and Creative Reconciliation
The contribution of this book to the field of reconciliation is both theoretical and practical, recognizing that good theory guides effective practice and practice is the ground for compelling theory. Using a Girardian hermeneutic as a starting point, a new conceptual Gestalt emerges in these essays, one not fully integrated in a formal way but showing a clear understanding of some of the challenges and possibilities for dealing with the deep divisions, enmity, hatred, and other effects of violence. By situating discourse about reconciliation within the context of Girardian thought, it becomes clear that—like Peter who vowed he would never deny Jesus but ended up doing it three times—any of us is susceptible to the siren call of angry resentment and retaliation. It is with a profound awareness of the power of violence that the emergence of mimetic discourse around reconciliation takes on particular urgency.
The Politics of Gender in Early American Theater
In the late 18th and early 19th centuries, the American theater emerged as a crucial cultural space for debates around gender stereotypes, gendered conduct, sexual desire, the politics of intimacy and domesticity, female authorship, as well as the complex intersections of gender and other markers of cultural difference, such as race, ethnicity, socioeconomic class, age, or nation. This collection explores the role of gender in the formation of American theatrical culture in this period. It features essays on well-known early American dramatists such as Susanna Rowson or Judith Sargent Murray, but also sheds light on anonymous authors and more obscure theatrical practices.
