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The Kiss
Kate Willis’s marriage to a possessive, abusive woman is the biggest mistake of her life. Worried about her three-year-old daughter’s emotional state, Kate attempts to convince her wife they need marriage counseling, fails, and files for divorce. Moving from Ohio to start a new life, she settles near her sister in Michigan and joins a hiking group where she meets Leslie, and they share the most incredible kiss ever. Leslie Baily runs the family restaurant she’ll one day own. On days off, she hikes. The last thing she expects is to meet an intriguing woman she can’t stop thinking about, let alone be kissed senseless. Kate has a child to support, is waiting for her ex to sign divorce papers, and has absolutely no business falling for Leslie. When her wife refuses the divorce and begins to stalk her, threatening not only her chance at happiness but her life, Kate realizes to protect Leslie she has to let her go, even if it breaks her heart.
The Life of the Author: D. H. Lawrence
THE LIFE OF THE AUTHOR D. H. LAWRENCE Addresses the whole of D. H. Lawrence’s life and writing career—integrating biography, critical analysis, and recent scholarship in a single volume The Life of the Author: D. H. Lawrence is a focused exploration of the whole of the author’s life and writing career. Combining biographical detail and close readings of works in different genres, the book illuminates the complexities of Lawrence’s writing through a careful, questioning approach to biographical sources and recent scholarship. Andrew Harrison provides original insights into Lawrence’s relationship to working-class experience, his anti-suffragist feminist views, his reaction to the Gr...
Supreme Fictions
In grouping together in a single study the work of Blake, Carlyle, Yeats, and D. H. Lawrence, one becomes aware of a common tradition in which they all participate, of certain shared principles, attitudes, and values, and, despite the individual inflexion of voice, a common language. No matter how distinct each author may be—and the intrinsic individuality of each should not be underestimated—that tradition is obviously Romantic and, more particularly, vitalist. Moreover, as one sees the continuation of that Romantic vitalism, often to varying degrees and taking different forms, in more contemporary writers—from Dylan Thomas, Richard Eberhart, the American Beat writers of the fifties, to Ted Hughes and, more recently, the Children of Albion—one recognizes also that Yeats's prediction, “We were the last romantics” was too gloomy in its finality.
The Plumed Serpent
Kate Leslie, an Irish widow visiting Mexico, finds herself equally repelled and fascinated by what she sees as the primitive cruelty of the country. As she becomes involved with Don Ramon and General Cipriano, her perceptions change.
