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This collection brings together academic contributions from specialists working in a newly emergent area of study, that of education in situations of conflict. It seeks to promote understanding of the complex ways in which education can play both a reproductive and a transformative role in such circumstances.
The most powerful weapon against evil is sacrifice. Attorney Scott Ellis is defending Lester Garrison, a 16-year-old accused of opening gunfire on a Sunday afternoon church gathering. At the same time, Scott's volunteer work at the local high school brings him into contact with Kay Wilson, an English teacher and former girlfriend. Unknown to either of them, Catawba High School is not just a place of learning--it's a battleground for an age-old struggle between good and evil. On one side are praying students and a simple janitor with an extraordinary faith. On the other side is a deeply troubled young man intent on mass destruction. Caught in the middle, Scott and Kay learn that lasting victory will require the ultimate sacrifice.
Christian popular culture has tremendous influence on many American churchgoers. When we have a choice between studying the Bible and reading novels, downloading movies, or watching television, we become less familiar with Numbers than with Narnia. This book examines popular Christian narratives with rigorous scholarly methods and assumes that they are just as complex, fascinating, and worthy of investigation as the latest secular Netflix series or dystopian novel. While most scholars focus on the religious aspects of Christian texts, this study takes a new approach by analyzing their social responsibility in portraying the complex dynamics of race, class, and gender in a profoundly unequal America. Close readings of six case studies--The Chronicles of Narnia, Francine Rivers's Redeeming Love, Jan Karon's Mitford novels, Left Behind, the films of the Sherwood Baptist Church, and Duck Dynasty--uncover both harmful stereotypes and Christians serving as leaders in social justice.
Kay Adler is a hardworking Chicago detective who seeks justice for the victims of murder. She has one close friend, no lovers, and a difficult family. Her life is her work. If she drinks enough on her off hours, it suits her just fine. When people she knows start dying, her team works to track down the killer. He’s a master of disguise and impossible to find, and she must look at uncomfortable parts of her past to find a suspect. She finds two. She’s removed from the case because of her personal involvement and is replaced by Detective Jamie Sidwell, a woman with whom she has a troubled relationship. Their uneasy alliance takes them places they never would have guessed, but their bond is tested when the killer turns his sights on Kay.
During his forty-five-year career, William Wyler (1902--1981) pushed the boundaries of filmmaking with his gripping storylines and innovative depth-of-field cinematography. With a body of work that includes such memorable classics as Jezebel (1938), Mrs. Miniver (1942), Ben-Hur (1959), and Funny Girl (1968), Wyler is the most nominated director in the history of the Academy Awards and bears the distinction of having won an Oscar for Best Director on three occasions. Both Bette Davis and Lillian Hellman considered him America's finest director, and Sir Laurence Olivier said he learned more about film acting from Wyler than from anyone else. In William Wyler, Gabriel Miller explores the career...
[Siren Everlasting Classic ManLove: Erotic Alternative Fantasy Paranormal Romance, shape-shifter, M/M, HEA] Adrien Giltbert, omega coyote, hates dragons. They killed his parents, kidnapped him and his family, and tortured him. If he were stronger, he would get his revenge. But he's not strong. He can only keep his head down and bear the brunt of the abuse for the sake of his sister. When all hope seems lost, rescue comes from an unlikely source. The dragons. Tristan Bragg, warrior dragon, badass and one of Arthur King's men, will stop at nothing to retrieve his mate. He knew what Adrien was the moment he set eyes on the man, and the people who took him are going to suffer. A lot. But his mate comes to him broken, afraid of dragons, and wanting nothing to do with their kind. Tristan can show his mate that not all dragons are bad. Some are even a good kind of bad, if only Adrien will open up and let Tristan protect him. ** A Siren Erotic Romance Marcy Jacks is a Siren-exclusive author.
“Please let her be all right–I haven’t even had a chance to tell her how much I love her!” Devoted wife and mother Emily Stratton has spent her life suppressing the knowledge that she is attracted to women. A systems analyst with the Maine State Police, Emily’s life is turned upside down when her husband is killed in what appears to be a tragic accident. Calm and self-controlled Detective Kay DeLorme has always loved women, but never really been in love. Kay and her partner in the Major Crimes Unit are tracking down a vicious sociopath linked to a notorious drug gang and they need Emily’s info-tech expertise. Emily and Kay are both startled by the instantaneous attraction they feel toward one another, but neither is quite sure how to handle it. As their friendship grows and the case heats up, so does their passion. But the decisions they’ll make and the risks they’ll take will soon engender consequences that neither of them could imagine. Consequences is a stunning romantic thriller by debut author Sarah Libero.
The chapters in this book illustrate, from a number of different perspectives, the ways in which power is located and articulated through gendered negotiations and acted out within the changing and differing setting of the household. The book is divided into four sections. The first section provides a theoretical, historical and philosophical setting, whilst the following three sections provide empirical contributions which examine aspects of Gendered Care ; dimensions of Gendered Time and Space , and straddling work and home, Gendered Work, Income and Power .
Breezeblock Park is set on a northern council estate and takes a look at the suffocating effect of possessions and possessiveness: "Trenchantly observed...hilarious, upsetting and somewhat seditious." (Variety); Our Day Out is about a school coach trip, an exuberant celebration of the joys and agonies of growing up - "a Dickensian fairytale...I have rarely seen a show that combined such warmth and such bleakness."(The Times); Stags and Hens "takes place in the gents and Ladies loos of a tacky Liverpool club, where Dave and Linda have decided, unbeknownst to each other to hold their stag and hen parties...a bleakly funny and perceptive study of working-class misogyny, puritanism and waste" (Guardian); Educating Rita: "one way of describing Educating Rita would be to say that it was about the meaning of education...another would be to say that it was about the meaning of life. A third, that it is a cross between Pygmalion and Lucky Jim. A fourth, that it is simply a marvellous play, painfully funny and passionately serious: a hilarious social documentary; a fairy-tale with a quizzical, half-happy ending." (Sunday Times)