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Dr. Ryan Kendall, dermatologist, thought it was just another day of patients in his office. High powered attorney Drew Garrett thought it was just a routine skin examination. Until Dr. Kendall saw the lesion on his back. Until what was just another ordinary day turned malignant. Dr. Chad Williams, noted D.C. pathologist, controls their fate. His microscope is his tool and weapon. Routine pathology is turned upside down. Lives and families are turned every which way by the pathologists fears and whims. Dr. Bob Williams, Chads father, faces the ultimate nightmare of medical and family betrayal. Their lives become irrevocably interwined in the realities of day to day real medicine and deception. No doctors appointment will ever be routine again.
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This bestselling biography of legendary trial lawyer Edward Bennett Williams is "a skillful and lively portrait of a larger-than-life lawyer" (Kirkus Reviews). Legendary attorney Edward Bennet Williams was arguably the best trial lawyer ever to practice. Now, for the first time, bestselling author Evan Thomas takes us into the courtrooms of Williams's greatest performances as he defends "Godfather" Frank Costello, Jimmy Hoffa, Frank Sinatra, The Washington Post, and others, as well as behind the scenes where the witnesses are coached, the traps set, and the deals cut. In addition to being a lawyer of unprecedented influence, Williams was also an important Washington insider, privy to the secrets of America's most powerful men. Thomas tells the truth behind the stories that made Williams one of the most talked about public figures of his time, including Williams's role in the publication of the Pentagon Papers and the possibility that Williams may have been Watergate's Deep Throat. Based on Thomas's exclusive access to Williams's papers, The Man to See is an unprecedented look at the strategies and influence of this exceptional man.
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"Kendall Williams talks to ghosts. This time it's Lyra who can't move on. Kendall's efforts to help her jeopardize her own relationships with her best friend and her boyfriend. And when Kendall finally reveals her secret ability, the results are devastating"--
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Jump Up! Caribbean Carnival Music in New York City is the first comprehensive history of Trinidadian calypso and steelband music in the diaspora. Carnival, transplanted from Trinidad to Harlem in the 1930s and to Brooklyn in the late 1960s, provides the cultural context for the study. Blending oral history, archival research, and ethnography, Jump Up! examines how members of New York's diverse Anglophile-Caribbean communities forged transnational identities through the self-conscious embrace and transformation of select Carnival music styles and performances. The work fills a significant void in our understanding of how Caribbean Carnival music-specifically calypso, soca (soul/calypso), and steelband-evolved in the second half of the twentieth century as it flowed between its Island homeland and its bourgeoning New York migrant community. Jump Up! addresses the issues of music, migration, and identity head on, exploring the complex cycling of musical practices and the back-and-forth movement of singers, musicians, arrangers, producers, and cultural entrepreneurs between New York's diasporic communities and the Caribbean.