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A powerful study of King Philip's War and its enduring effects on histories, memories, and places in Native New England from 1675 to the present
Between the 14th and the 17th century, the Deccan plateau of south-central India was home to a series of important and highly cultured Muslim courts. Subtly blending elements from Iran, West Asia, southern India, and northern India, the arts produced under these sultanates are markedly different from those of the rest of India and especially from those produced under Mughal patronage. This publication, a result of a 2008 symposium held at The Metropolitan Museum of Art, investigates the arts of Deccan and the unique output in the fields of painting, literature, architecture, arms, textiles, and carpet.
This volume analyzes historical processes of mobility by focusing on material objects. Mobility—as a shorthand for various related processes such as migration, transfer, entanglement, and translation—involves human actors, immaterial elements such as ideas and knowledge, but also objects in various forms and functions. For example, as material infrastructures they are the basis for transport and travel; as goods they are the object and purpose of trade or gift exchange. By focusing on the way objects determined certain processes of mobility and how their social meaning and materiality was transformed in these processes, the contributors hope to gain deeper insight into the historical relations between the Ottoman Empire, Eastern Europe, and Persia.
This volume gives voice to cultural institutions working with collections of Islamic art and material culture globally, including many from outside Western Europe and North America. The contributions inform a vibrant, ongoing global conversation around curatorship in this field, one that embraces the responsibilities, challenges and opportunities for those engaged in it. Contributors—including art historians, curators and education specialists—discuss curatorial methodologies in theoretical and practical terms, present new exhibitions of Islamic art and culture, and explore the role of educational and engagement practices related to Islamic collections and Muslim audiences.
This book explores the great diversity and range of Islamic culture through one of the finest collections in the world. Published to coincide with the historic reopening of the galleries of the Metropolitan Museum's Islamic Art Department, it presents nearly three hundred masterworks created in the rich tradition of the Islamic faith and culture. The Metropolitan's renowned holdings range chronologically from the origins of Islam in the 7th century through the 19th century, and geographically from as far west as Spain to as far east as Southeast Asia.
This book is a compilation of case studies and analyses that can be used as a resource guide for college and university professors of foreign language and academic museum educators collaborating to develop new pedagogical approaches to teaching foreign language with and through objects in the academic museum. As institutions of higher education respond to the needs of an increasingly global and interconnected world, their educational missions prioritize learning in areas such as interdisciplinary thinking, collaboration, intercultural competency, and global citizenship. Academic museums are uniquely poised to facilitate learning experiences in these areas, providing institutions with an essential platform for realizing their larger mission.
-Provides an accessible walking tour of the Metropolitan Museum's world-famous Islamic Art Galleries -Features the popular Damascus Room and many other highlights of the Metropolitan's collection -Only guide available to the Islamic galleries of The Metropolitan Museum of Art The museum's superlative collection of Islamic art, from as far west as Spain and as far east as India, ranges in date from the 7th to the 19th century and reflects the diversity and scope of Islamic cultures and the richness of their artistic traditions. This essential guide to the collection is organized into four thematic tours.
The Qu'ran admonishes Muslims that "the pilgrimage to the temple is an obligation due to God from those who are able to journey there." Today over one and a half million pilgrims annually fulfill this Fifth Pillar of Islam, the Hajj. Saudi Arabia conquered the Hijaz in part to protect Hajjis from abuses in the management of the Hajj. How does that country now administer the religious event that brings so many people, often poor and illiterate, into one small area to perform a variety of complex rituals? How does the government protect its visitors' health and safety, and ensure their proper guidance through the necessary rites? How does it move so many pilgrims in and out of what is essentia...
The vast Deccan plateau of south-central India stretches from the Arabian Sea to the Bay of Bengal. In the sixteenth and seventeenth centuries, the region was home to several major Muslim kingdoms and became a nexus of international trade — most notably in diamonds and textiles, through which the sultanates attained remarkable wealth. The opulent art of the Deccan courts, invigorated by cultural connections to the Middle East, Africa, and Europe, developed an otherworldly character distinct from that of the contemporary Mughal north: in painting, a poetic lyricism and audacious use of color; in the decorative arts, lively creations of inlaid metalware and painted and dyed textiles; and in ...