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Genres of Emergency offers literary genre as a way to understand and negotiate the varied states of emergency and crisis that have become a fixture of our contemporary world. Building on a critical study of the literature written during and about the State of Emergency declared by Prime Minister Indira Gandhi in India (1975 - 1977), the study establishes emergency and its genres as an important interpretative site: an exceptionally violent episode marked as a one-off crisis, which also functions as a locus for an ongoing renegotiation of a modern polity and culture. Reading a wide-ranging archive of English-language texts - from prison memoir to popular magazine, from high-brow literary fict...
The works of African American authors and artists are too often interpreted through the lens of authenticity. They are scrutinized for “positive” or “negative” representations of Black people and Black culture or are assumed to communicate some truth about Black identity or the “Black experience.” However, many contemporary Black artists are creating works that cannot be slotted into such categories. Their art resists interpretation in terms of conventional racial discourse; instead, they embrace opacity, uncertainty, and illegibility. John Brooks examines a range of abstractionist, experimental, and genre-defying works by Black writers and artists that challenge how audiences pe...
This book lays bare the dialogue between Shakespeare and critics of the stage and positions it as part of an ongoing cultural, ethical, and psychological debate about the effects of performance on actors and on spectators. In so doing, the book makes a substantial contribution both to the study of representations of theatre in Shakespeare’s plays and to the understanding of ethical concerns about acting and spectating—then, and now. The book opens with a comprehensive and coherent analysis of the main early modern English anxieties about theater and its power. These are read against twentieth- and twenty-first-century theories of acting, interviews with actors, and research into the effe...
Religion and Outer Space examines religion in and on the final frontier. This book offers a first-of-its-kind roadmap for thinking about complex encounters of religion and outer space. A multidisciplinary group of scholarly experts takes up some of the most intriguing scientific, spiritual, trade/commercial, and even military dimensions of the complex entanglements of religion and outer space. Attending to the historical reality that the interconnections between religion and the heavens are as old as religions themselves, the volume starts with an examination of "outer space" elements in the most sacred writings of the world’s religions. It then explores some of the religious questions ine...
Reading major novels by George Eliot, Anthony Trollope, and Wilkie Collins, Common Precedents shows that precedential reasoning enjoyed widespread cultural significance in the nineteenth-century as a means of preserving a sense of common history, values, and interests in the face of a new heterogeneous society. Enabling the recognition of the new and its assimilation as part of a continuous past, Ayelet Ben-Yishai argues that the binding force of precedent also functions as the binding element of an always shifting commonality, pulling it together in the face of rupture and dispersion. By appearing to bring the past seamlessly into the present, the form of legal precedent became vital to the preservation of a sense of commonality and continuity crucial to the common law and Victorian legal culture. But the impact of precedent extended beyond legal practices and institutions to the culture at large, and especially to its fiction. Ben-Yishai argues that understanding the structure of precedent also explains fictional form: how fictionality works, its epistemology, and the ways in which its commonalities are socially constructed, maintained, and reified.
A growing awareness of climate change and looming planetary crisis has put unprecedented pressure on the near future, leading to an increasing amount of fiction being set there. But what do these disparate works have in common, other than their temporal setting? And what can the imagination of the near future tell us about where we live now? The Near Future in 21st Century Fiction ranges across novels and films to reveal how our contemporary near future splits between two divergent paths. One seeks to retreat from climate change and the disruption it threatens to affluent lifestyles; the other tries to imagine new forms of community, and radical change, but struggles to locate a genre adequate to the task. It in this struggle, however, that we begin to glimpse the outlines of an emergent near future form: a revolution fit for the Anthropocene.
A meditation on holiness and beauty through the study of Saint Mary of Egypt. Saint Mary of Egypt has fascinated theologians, poets, and artists since the seventh century. Her story is richly evocative, encompassing sin and sanctity, concupiscence and asceticism, youth and old age. In Promiscuous Grace, Sonia Velázquez thinks with Saint Mary of Egypt about the relationship between beauty and holiness. Drawing on an archive spanning Spanish medieval poetry, Baroque paintings, seventeenth-century hagiography, and Balzac’s Le chef-d’œuvre inconnu, Velázquez argues for the importance of the senses on the surface of religious texts on her way to revealing why the legend of Saint Mary of Egypt still matters today.
With the heated discussion around #MeToo, journalistic reporting on domestic abuse, and the popularity of true crime documentaries, gendered media discourse around violence and harassment has never been more prominent. The Routledge Companion to Gender, Media and Violence is an outstanding reference source to the key topics, problems and debates in this important subject and is the first collection on media and violence to take a gendered, intersectional approach. Comprising over 50 chapters by a team of interdisciplinary and international contributors, the book is structured around the following parts: News Representing reality Gender-based violence online Feminist responses The media examp...
This book offers an in-depth analysis of Janelle Monáe’s Dirty Computer, an Afrofuturist project that appeared simultaneously as a concept album and a visual album or “emotion picture” in spring 2018. In the previous decade, Janelle Monáe has developed into a global media personality who effortlessly unites speculative world-building with social and political activism. Across the intersecting album and film that together make up Dirty Computer, Monáe brings together the science-fictional themes that informed her previous work, resulting in a powerfully focused artistic and political statement. While the music on the album can be enjoyed as an accessible collection of pop tracks, the accompanying film, music videos, and media paratexts add layers of meaning that combine speculative world-building with anti-racist activism. This unique convergence of energies, ideas, and media platforms has made Dirty Computer a new classic of Afrofuturist science fiction.