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The PerformanceStat Potential
A Brookings Institution Press and Ash Center for Democratic Governance and Innovation publication It started two decades ago with CompStat in the New York City Police Department, and quickly jumped to police agencies across the U.S. and other nations. It was adapted by Baltimore, which created CitiStat—the first application of this leadership strategy to an entire jurisdiction. Today, governments at all levels employ PerformanceStat: a focused effort by public executives to exploit the power of purpose and motivation, responsibility and discretion, data and meetings, analysis and learning, feedback and follow-up—all to improve government's performance. Here, Harvard leadership and manage...
Reading and Not Reading The Faerie Queene
"Despite its canonical prestige, Edmund Spenser's epic six-part poem The Faerie Queene (1590-96) has never been easy or altogether pleasurable to read. As this book describes, the poem's first known reader, Spenser's friend Gabriel Harvey, did so under duress, and returned the manuscript with a plea that Spenser write something else instead. Virginia Woolf's tongue-in-cheek advice to twentieth-century readers eager to cultivate a taste for The Faerie Queene-"The first essential is, of course, not to read The Faerie Queene"-sums up a tradition of readerly resistance to the poem. As a consequence of its difficulty, the poem has an extraordinary capacity to induce doubt in readers-about Spenser...
Ben Jonson
This concise biography surveys Jonson's career and provides an introduction to his works in the context of Jacobean politics, court patronage and his many literary rivalries. Stressing his wit and inventiveness, it explores the strategies by which he attempted to maintain his independence from the conditions of theatrical production and from his patrons and introduces new evidence that, despite his vaunted classicism, he repeatedly appropriated the matter or forms of other English writers in order to demonstrate his own artistic superiority.
Arenas of Conflict
The nineteen essays in this collection explore such varied fields of argument as John Milton's authorship of the Christian Doctrine, his adaptations of source material, his engagement in political controversies, his attitudes toward gender in Paradise Lost and Samson Agonistes, and his reflection of seventeenth-century obstetrics and anticipation of modern chaos theory in Paradise Lost. In their sometimes complementary, sometimes contradictory, and consistently interrogative views of Milton and his work, these essays offer an "arena of conflict" for future studies.
Ben Jonson's 1616 Folio
This collection of nine original essays, is a major study of the 1616 Folio as a work of art, as a turning point in Jonson's career, and as an unprecedented event in English letters and printing.
Milton and the New Scientific Age
Milton and the New Scientific Age represents significant advantages over all previous volumes on the subject of Milton and science, as it includes contributions from top scholars and prominent beginners in a broad number of fields. Most of these fields have long dominated work in both Milton and seventeenth-century studies, but they have previously not included the relatively new and revolutionary topic of early modern chemistry, physiology, and medicine. Previously this subject was confined to the history of science, with little if any attention to its literary development, even though it prominently appears in John Milton’s Paradise Lost, which also includes early "science fiction" specu...
Spokesperson Milton
"Although the scholars represented in this collection apply different theoretical approaches to their examinations of Milton's poetry and prose, they all challenge earlier critical assumptions and are evidence of the energizing dialogue that occurs when readers converse with each other and engage in dialogue with the many voices of a spokesperson such as John Milton."--BOOK JACKET.
Milton’s Moving Bodies
A collection of innovative examinations of embodiment in Milton’s oeuvre that challenge assumptions about disciplinary boundaries This volume brings unprecedented focus to the forms, spaces, and implications of embodied motion in Milton’s writing and its afterlives to explore how and why he privileges the body—human and textual—as a site of dynamic movement. The contributors bring a variety of lenses to Milton’s moving bodies: political history, kinematics, mathematics, cosmology, translation, illustration, anatomies of racialized and disabled bodies, and twenty-first-century pedagogies. From these wide-ranging vantage points, they consider anew Milton’s contributions to the histories of scientific development, global exploration and imperial expansion, migration and diaspora, and translation and adaptation in England, Europe, and the Americas, from the early modern period to today. Milton’s Moving Bodies draws together established and emerging scholars, offering fresh analyses of the poet’s legacy for multiple traditions within and beyond Milton studies.
Milton's Theological Process
This volume proposes a method for reading Milton's De Doctrina Christiana as an artifact of his process of theological thinking rather than as a repository of his doctrinal views. Jason A. Kerr argues that reading in this way involves attention to the complex material state of the manuscript along with Milton's varying modes of engagement with scripture and various theological interlocutors, and reveals that Milton's approach to theology underwent significant change in the course of his work on the treatise. Initially, Milton set out to use Ramist logic to organize scripture in a way that drew out its intrinsic doctrinal structure. This method had two unintended consequences: it drove Milton...
Writing Robert Greene
Robert Greene, contemporary of Shakespeare and Marlowe and member of the group of six known as the "University Wits," is the subject of this essay collection, the first to be dedicated solely to his work. Although in his short lifetime Greene published some three dozen prose works, composed at least five plays, and was one of the period's most recognized-even notorious-literary figures, his place within the canon of Renaissance writers has been marginal at best. Writing Robert Greene offers a reappraisal of Greene's career and of his contribution to Elizabethan culture. Rather than drawing lines between Greene's work for the pamphlet market and for the professional theatres, the essays in the volume imagine his writing on a continuum. Some essays trace the ways in which Greene's poetry and prose navigate differing cultural economies. Others consider how the full spectrum of his writing contributes to an emergent professional discourse about popular print and theatrical culture. The volume includes an annotated bibliography of recent scholarship on Greene and three valuable appendices (presenting apocrypha; edition information; and editions organized by year of publication).
