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In a world where mankind and vampires live side-by-side, Yayoi can't ignore his feelings for his classmate, Chitose. Chitose is a pure-blooded vampire. Those feelings soon turn to action as the vampire makes it perfectly clear he sees right through Yayoi.Chitose insists that all they're doing is feeding, but the slow, gentle touch of his tongue, the care with which his fangs pierce Yayoi's skin and the warmth of his embrace suggest otherwise...
An analysis of the narrative and tropological structure of classical Japanese Noh plays
This book is the first complete translation of the tenth-century work Kokinshu, one of the most important anthologies of the Japanese classical tradition.
From ancient ritualistic practices to modern dance theatre, this study provides concise summaries of all major theatrical art forms in Japan. It situates each genre in its particular social and cultural contexts, describing in detail staging, costumes, repertory and noteworthy actors.
From the winner of the Bollingen Prize in poetry and author of the classic bestseller "Rose, Where Did You Get That Red?" comes a unique, highly entertaining book for anyone who wants to be a better reader and writer of poetry.
The Noh plays of Japan have been compared to the greatest of Greek tragedies for their evocative, powerful poetry and splendor of emotional intensity.
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Rakugo, a popular form of comic storytelling, has played a major role in Japanese culture and society. Developed during the Edo (1600–1868) and Meiji (1868–1912) periods, it is still popular today, with many contemporary Japanese comedians having originally trained as rakugo artists. Rakugo is divided into two distinct strands, the Tokyo tradition and the Osaka tradition, with the latter having previously been largely overlooked. This pioneering study of the Kamigata (Osaka) rakugo tradition presents the first complete English translation of five classic rakugo stories, and offers a history of comic storytelling in Kamigata (modern Kansai, Kinki) from the seventeenth century to the present day. Considering the art in terms of gender, literature, performance, and society, this volume grounds Kamigata rakugo in its distinct cultural context and sheds light on the 'other' rakugo for students and scholars of Japanese culture and history.