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A Thousand Shards of Glass
A visceral and eviscerating lament for the USA, the country Katakis loved but can no longer bear to live in. Once upon a time, Michael Katakis lived in a place of big dreams, bright colours and sleight of hand. That place was America. One night, travelling where those who live within illusions should never go, he stared into the darkness and glimpsed a faded flag where shadows gathered, revealing another America. It was a broken place, bred from fear and distrust - a thousand shards of glass - filled with a people who long ago had given away all that was precious; a people who had been sold, for so long, a foreign betrayal that finally came from within, and for nothing more than a handful of silver. These essays, letters and journal entries were written as a farewell to the country Michael loves still, and to the wife he knew as his 'True North'. A powerful and personal polemic, A Thousand Shards of Glassis Michael's appeal to his fellow citizens to change their course; a cautionary tale to those around the world who idealise an America that never was; and, crucially, a glimpse beyond the myth, to a country whose best days could still lie ahead.
The History of Chinese Presence in Nigeria (1950s–2010s)
As the first book-length work on the history of Chinese presence in Nigeria, this book examines how Chinese migrants and the Nigerian state, workers, traders, and consumers interacted with and influenced one another from the mid twentieth century to the early twenty-first century. Based on a combination of archival sources and oral history interviews, this book argues that the significant Chinese presence in Nigeria—Chinese-owned factories, commodities, and entrepreneurs—is not as recent a phenomenon as it might appear. As early as the 1950s, an influential yet understudied group of Chinese entrepreneurs moved to Nigeria, set up factories and gradually came to dominate some of the countr...
African Lace-bark in the Caribbean
In Caribbean history, the European colonial plantocracy created a cultural diaspora in which African slaves were torn from their ancestral homeland. In order to maintain vital links to their traditions and culture, slaves retained certain customs and nurtured them in the Caribbean. The creation of lace-bark cloth from the lagetta tree was a practice that enabled slave women to fashion their own clothing, an exercise that was both a necessity, as clothing provisions for slaves were poor, and empowering, as it allowed women who participated in the industry to achieve some financial independence. This is the first book on the subject and, through close collaboration with experts in the field in...
Images and Empires
This volume considers the meaning and power of images in African history and culture. It assembles a wide-ranging collection of essays dealing with specific visual forms, including monuments cinema, cartoons, domestic and professional photography, body art, world fairs, and museum exhibits.
The Palgrave Handbook of African Colonial and Postcolonial History
This wide-ranging volume presents the most complete appraisal of modern African history to date. It assembles dozens of new and established scholars to tackle the questions and subjects that define the field, ranging from the economy, the two world wars, nationalism, decolonization, and postcolonial politics to religion, development, sexuality, and the African youth experience. Contributors are drawn from numerous fields in African studies, including art, music, literature, education, and anthropology. The themes they cover illustrate the depth of modern African history and the diversity and originality of lenses available for examining it. Older themes in the field have been treated to an engaging re-assessment, while new and emerging themes are situated as the book’s core strength. The result is a comprehensive, vital picture of where the field of modern African history stands today.
Ritual Sites and Religious Rivalries in Late Roman North Africa
Lander provides a new understanding of ancient notions of ritual space by analyzing literary along with archaeological evidence.
Prayer Has Spoiled Everything
Bori, in the Mawri society of Niger, are mischievous and invisible beings that populate the bush. Bori is also the practice of taming these wild forces in the context of possession ceremonies. In Prayer Has Spoiled Everything Adeline Masquelier offers an account of how this phenomenon intervenes—sometimes subtly, sometimes dramatically—in human lives, providing a constantly renewed source of meaning for Mawri peasants confronted with cultural contradictions and socio-economic marginalization. To explore the role of bori possession in local definitions of history, power, and identity, Masquelier spent a total of two years in Niger, focusing on the diverse ways in which spirit mediums shar...
Making History in Banda
Drawing on evidence from several disciplines, Ann Brower Stahl reconstructs the daily lives of Banda villagers of west central Ghana, from the time that they were drawn into the Niger trade (around AD 1300) until British overrule was established early in the twentieth century. The case study aims to closely integrate perspectives drawn from archaeology, history and anthropology in African studies.
World Art and the Legacies of Colonial Violence
How have imperialism and its after-effects impacted patterns of cultural exchange, artistic creativity and historical/curatorial interpretation? World Art and the Legacies of Colonial Violence - comprised of ten essays by an international roster of art historians, curators, and anthropologists - forges innovative approaches to post-colonial studies, Indigenous studies, critical heritage studies, and the new museology. This volume probes the degree to which global histories of conflict, coercion and occupation have shaped art historical approaches to intercultural knowledge and representation. These debates are relevant to contemporary artists and scholars of visual, material and museological...
Objects and Frontiers in Modern Asia
Focusing on the geographies between the Mekong and the Indus, this book brings objects to the centre of enquiry in the understanding of modern Asian frontiers. It explores how a range of objects have historically been significant bearers and agents of frontier making. For instance, how are objects connected to aspects of state making, social change, everyday life, diplomacy, political and ecological worlds, capital, forms of violence, resistances, circulations, and aesthetic expressions? This book seeks to interrogate and understand the dynamism of frontiers from the vantage point of objects such as salt, rubber, tea, guns, silk scarves, horses, and opium. It attempts to explore objects as s...
