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Taking its cue from Toni Morrison’s declaration that "language alone protects us from the scariness of things with no names" Kristiana Colón’s promised instruments stitches its own definitions for what is granted, what is surrendered, what is pilfered, and what is reclaimed. Her poems plumb the problem of woman’s sexuality, sexual agency, mental health, and consent with piercing musicality and disarming vulnerability. promised instruments invites its readers to interrogate their own complicity in these issues and share in the healing process.
Some poems are better written in flesh . . . After Wall Street and Tahrir Square, after ISIS and the NSA, after Ferguson and Eric Garner: here come the poets. In a downtown poetry slam with a place on the team to be won, eight young poets prepare to do battle. But backstage it's all kicking off with love triangles, families to feed and wounds to rip open. And in the end, is it about winning – or finding the words that need to be said? Octagon received its world premiere at the Arcola Theatre, London, on 16 September 2015.
America. 1970. Black Vietnam veteran Beau Willie Brown is held in custody, accused of a heinous crime. A story comes to light that sticks in the throat, a story murmured between dark dreams. beau come back from nam with empty eyes and hands like stone but the war started long before he got on that plane but i cd only whisper wrestles with being vulnerable and black in white America. Fusing the physical and the poetic, a strange song emerges from the warble of police sirens, the percussion of machine guns, and the chants of voices only you can hear.
Building the Wall is a gripping political thriller from Robert Schenkkan, a Pulitzer Prize and Tony Award-winning playwright and Academy award nominee. 2019, America. Rick is incarcerated awaiting sentencing for the crime of the century. He grants just one interview – to Gloria, an African American historian. In a world of 'fake news' surrounding one of the world's most powerful and controversial political figures, Gloria is Rick's only chance to tell his version of the truth. As their conversation unfolds, we sense that Rick's crime is serious, and that he is likely to face the death penalty. We gradually learn more, as their discussions cover corporate America, government corruption and racism. Finally the shocking enormity of Rick's crime is revealed. Building the Wall examines what happens when an ordinary person becomes a cog in a regime and how the inconceivable becomes the inevitable. It is, as described in The Times "a nervy nightmare vision of the Trump presidency reveals how banal evil can be".
Winner of the National Book Critics Circle Award A Smithsonian Book of the Year A New York Review of Books “Best of 2020” Selection A New York Times Best Art Book of the Year An Art Newspaper Book of the Year A powerful document of the inner lives and creative visions of men and women rendered invisible by America’s prison system. More than two million people are currently behind bars in the United States. Incarceration not only separates the imprisoned from their families and communities; it also exposes them to shocking levels of deprivation and abuse and subjects them to the arbitrary cruelties of the criminal justice system. Yet, as Nicole Fleetwood reveals, America’s prisons are...
How are Black artists, activists, and pedagogues wielding acts of rebellion, activism, and solidarity to precipitate change? How have contemporary performances impacted Black cultural, social, and political struggles? What are the ways in which these acts and artists engage varied Black identities and explore shared histories? Contemporary Black Theatre and Performance investigates these questions to illuminate the relationship between performance, identity, intersectionality, and activism in North America and beyond. It features contributions from scholars, artists, and activists from across disciplines who explore the nuances and varied forms of Black performance in the 21st century while ...
When inclusion into the fold of citizenship is conditioned by a social group’s conceit to ritual violence, humiliation, and exploitation, what can anti-citizenship offer us? The Promise of Youth Anti-citizenship argues that Black youth and youth of color have been cast as anti-citizens, disenfranchised from the social, political, and economic mainstream of American life. Instead of asking youth to conform to a larger societal structure undergirded by racial capitalism and antiblackness, the volume’s contributors propose that the collective practice of anti-citizenship opens up a liberatory space for youth to challenge the social order. The chapters cover an array of topics, including Bla...
Directing the Decades is an examination of the development of theatre in the UK since the revolution of the 1950s until the present day, viewed through the individual progress of a female director from a working-class background. In this book, theatre history and lessons on directing are interwoven: the history is presented decade by decade, examining particular productions. Each historical theatre chapter is followed by a method chapter examining directorial influences and techniques predominant in each decade, as well as examining the working experience of the author in that decade. The book also includes practical advice on the directing process, including exercises, plans for rehearsals,...
CHORUS is the anthem of a new generation of poets unified by the desire to transcend the identity politics of the day and begin to be seen as one. One hundred voices woven through testimony and new testament. It is the cry of the unheard. The occupation of the page itself. It embodies the “speak-up” spirit of the moment, the confidence propagated through hip-hop, and the defiant “WTF?” of the now. It is the voice that comes after the rebellious voice that once cried, “I want my MTV!” branded back to where punk was, slammed up and beyond it. A combination of trash, heart, and craft. An anthology in rant. CHORUS is what all modern-day losers chant.
The Kilroys: "We Make Trouble. And Plays." "When I look at the list of women and nonbinary writers included in this volume, many of whom I have mentored or taught, it is a beautiful reminder that we are a community to be reckoned with, and that there is an abundance of vital narratives awaiting a larger audience. While there remains a great deal of work to be done to reach racial and gender equity in the theater, the powerful and provocative writing presented here is part of the inciting incident that will no doubt shake up the status quo." —Lynn Nottage, from her Foreword The Kilroys are back with a new collection of 67 monologues and scenes by women and nonbinary playwrights. This collection includes a monologue or scene from each play from the 2016 and 2017 editions of The List.