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The Proceedings present the contributions to the 13th International Kant Congress which was held at the University of Oslo, August 6-9, 2019. The congress, which hosted speakers from more than thirty countries and five continents, was dedicated to the topic of the court of reason. The idea that reason stands before itself as a tribunal characterizes the whole of Kant's critical project. Without such a court, reason falls into conflict with itself. With such a court in place, however, it may succeed in establishing the possibility and limits of metaphysics, ethics, aesthetics, law and science. The idea of reason being its own judge is not only pivotal to a proper understanding of Kant's philo...
Who are pop dandies? Why are stars like David Bowie, Jarvis Cocker, Pete Doherty and Robbie Williams so dandified? Taking up a wide range of British pop stars, Hawkins seeks to find out why so many have cast themselves in roles that often take style to absurd extremes. In this study, male pop artists are mapped against a cultural and historical background through a genealogy of personalities, such as Oscar Wilde, W.H. Auden, Andy Warhol, No?Coward, Derek Jarmen, David Beckham and countless others. A critical analysis of issues and approaches to musical performance through masculinity becomes the focal point of this fascinating study. Ranging from the sixties to beyond the twentieth century, ...
Philosopher Bettina Bergo studies the sweeping history of anxiety as manifested in European philosophy over the last 250 years. Readers interested in intellectual history--even with a superficial knowledge of philosophy--will find rich material here, and insight into our present-day "age of anxiety." The book will trace important connections that link studies of anxiety in philosophy, from Kant's transcendental relegation of emotions to philosophical anthropology, to Levinas' phenomenology, among numerous others. Focusing on anxiety as embodied sensation and an emotion, Bergo opens new windows of thought, putting philosophers whose work has never before been compared into dialogue with one another.
This volume provides a genealogy of the modern historiography of medieval philosophy up to the present, rediscovers fifty years of German scholarship, criticizes what has become the standard approach, and proposes an historically sensitive alternative.
This book gives a comprehensive overview of the ways in which the relation between German Idealism and feminist philosophy has been explored. It demonstrates the significance of German Idealism for feminist philosophy, and simultaneously brings out the relevance of feminist readings and interpretations for a critical understanding of German Idealism. Key Features: • Presents original work on the German Idealists and considers their legacy within feminist thought from different philosophical perspectives. • Incorporates perspectives from queer theory, new materialism and critical philosophy of race, and so explores German Idealism through the subversion and transformation of meanings and ...
We have come to regard nonhuman animals as beings of concern, and we even grant them some legal protections. But until we understand animals as moral agents in and of themselves, they will be nothing more than distant recipients of our largesse. Featuring original essays by philosophers, ethicists, religionists, and ethologists, including Marc Bekoff, Frans de Waal, and Elisabetta Palagi, this collection demonstrates the ability of animals to operate morally, process ideas of good and bad, and think seriously about sociality and virtue. Envisioning nonhuman animals as distinct moral agents marks a paradigm shift in animal studies, as well as philosophy itself. Drawing not only on ethics and ...
In this book Hay argues that the moral and political frameworks of Kantianism and liberalism are indispensable for addressing the concerns of contemporary feminism. After defending the use of these frameworks for feminist purposes, Hay uses them to argue that people who are oppressed have an obligation to themselves to resist their own oppression.
A fascinating exploration of the relationship between American culture and music as defined by musicians, scholars, and critics from around the world. Music has been the cornerstone of popular culture in the United States since the beginning of our nation's history. From early immigrants sharing the sounds of their native lands to contemporary artists performing benefit concerts for social causes, our country's musical expressions reflect where we, as a people, have been, as well as our hope for the future. This four-volume encyclopedia examines music's influence on contemporary American life, tracing historical connections over time. Music in American Life: An Encyclopedia of the Songs, Styles, Stars, and Stories That Shaped Our Culture demonstrates the symbiotic relationship between this art form and our society. Entries include singers, composers, lyricists, songs, musical genres, places, instruments, technologies, music in films, music in political realms, and music shows on television.
Kurt Mosser argues that reading Kant's Critique of Pure Reason as an argument for such a logic of experience makes more defensible many of Kant's most controversial claims, and makes more accessible Kant's notoriously difficult text.
This book offers a series of essays that show the integrated role that musical structure (including harmony, melody, rhythm, meter, form, and musical association) plays in making sense of what transpires onstage in musicals. Written by a group of music analysts who care deeply about musical theater, this collection provides new understanding of how musicals are put together, how composers and lyricists structure words and music to complement one another, and how music helps us understand the human relationships and historical and social contexts. Using a wide range of musical examples, representing the history of musical theater from the 1920s to the present day, the book explores how music interacts with dramatic elements within individual shows and other pieces within and outside of the genre. These essays invite readers to consider issues that are fundamental both to our understanding of musical theater and to the multiple ways we engage with music.